Examples of pitch in the following topics:
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- When a particular pitch-class is regularly the lowest, highest, loudest, or longest in a passage, that pitch-class becomes something like a tonic.
- Pitch symmetry always implies an axis of symmetry.
- Pitch-class symmetry is very similar to pitch symmetry, but understood in pitch-class space.
- Mapping this on the pitch-class circle shows the passage's pitch-class symmetry.
- Unlike pitch space, pitch-class axes are always located at two different points in the pitch-class circle.
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- That is, "high" pitch means very rapid oscillation, and "low" pitch corresponds to slower oscillation.
- Attitudinal: high declining pitch signals more excitement than does low declining pitch, as in "Good ↗morn↘ing" versus "Good morn↘ing. "
- Avoid monotony, speaking with one pitch tone or little variety in pitch.
- The higher pitch sounds move up the treble clef and the lower pitch sounds move down the bass clef.
- Define pitch and describe how pitch changes can change the meaning of sentences
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- Pitch intervals are the distance between pitches as measured in half steps.
- Pitch-class intervals are the distance between pitch classes as measured in semitones.
- The ordered pitch interval from G4 to B-flat5 is +15, but the ordered pitch interval from A-sharp5 to G4 is -15.
- Unordered intervals represent the shortest distance between two pitches or pitch classes, without any reference to the order they are in.
- The unordered pitch interval from G4 to A-sharp5 is 15.
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- On the illustration below, the pitch-class letter names are written on the keyboard.
- When specifying a particular pitch precisely, we also need to know theregister.
- In fact, if all you have is C-sharp or B-flat, you do not have a pitch, you have a pitch-class.
- A pitch-class plus a register together designate a specific pitch.
- So an ascending scale from middle C contains the following pitch designations:
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- Pitches are discrete tones with individual frequencies.
- The concept of pitch, then, does not imply octave equivalence.
- C4 is a pitch, and it is not the same pitch as C3.
- Pitch classes are pitches under octave equivalence that are also spelled the same.
- A4, A3, A2, etc. are all members of the pitch class A.
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- A concept like pitch, for example, is very concrete, while pitch class is somewhat more abstract.
- We can perform a pitch, but we can't really perform a pitch class.
- Ordered pitch intervals are associated with a very specific sound (e.g., +15); unordered pitch-class intervals (e.g., interval class 1) are less vivid or real.
- A basic concept in pitch-class set theory is that these levels of concreteness and abstractness encompass not only pitch and interval, but groups of pitch classes as well.
- These groups of pitch classes are called pitch-class sets.
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- Pitch transposition involves moving every pitch in a collection up or down by a specified interval.
- Pitch-class transposition does the same thing.
- For pitch-class transpositions, use ordered pitch-class intervals (numbers 0–11).
- Pitch inversion occurs when all pitches are inverted, or flipped, around an axis of symmetry in pitch space (in other words, the axis of symmetry is a pitch).
- Pitch-class inversion occurs when all pitch classes of a collection are inverted, or flipped, around an axis of symmetry in pitch-class space (in other words, the axis of symmetry is a pitch class).
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- Normal order is the most compressed way to write a given collection of pitch classes.
- Write as a collection of pitch classes (eliminating duplicates) in ascending order and within a single octave.
- Write as a collection of pitch classes (eliminating duplicates) in ascending order and within a single octave. {8,9,3}
- Find the largest ordered pitch-class interval between adjacent pitch classes.
- In these cases, write the ordering implied by each tie and calculate the interval from the first to the penultimate pitch class.
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- Transposition is an operation—something that is done to a pitch, pitch class, or collection of these things—or alternatively a measurement—representing the distance between things.
- We represent it as Tn, where n represents the ordered pitch-class interval between the two things.
- Given the collection of pitch classes in m. 1 above and transposition by T4:
- The result is the pitch classes in m. 18.
- This is how I arrived at the T4 arrow label in the musical example above, by "subtracting" the pitch class integers of m. 1 from the pitch-class integers in m. 18.
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- You need to be able to (1) invert a collection of pitches and (2) determine the inversional relationship between two collections of pitches.
- Inverting something is a two-step process, performed in this order: (1) Reflect the pitch classes in an object around the 0-6 axis of symmetry, and then (2) transpose it.
- Fortunately, there is a much quicker way to invert a pitch or collection of pitches!
- Given any collection of pitch classes and a TnI, simply subtract the the pitch classes from n:
- Conversely, to determine the TnI that relates two collections of pitch classes, find a common value to which they all sum.