Examples of postmodern feminism in the following topics:
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- Corresponding with general developments within feminism, and often including such self-organizing tactics as consciousness-raising groups, the movement began in the 1960s and flourished throughout the 1970s as an outgrowth of the so-called "second wave" of feminism.
- Postmodern feminism is an approach to feminist theory that incorporates postmodern and post-structuralist theory, and thus sees itself as moving beyond the modernist polarities of liberal feminism and radical feminism.
- Postmodern feminism's major departure from other branches of feminism is perhaps the argument that gender is socially constructed through language; meaning that it has no inherent biological reality, but is a classification system that's been constructed or invented for societal purposes.
- From the 1960s onward, feminism led to a significant increase in interest and scholarship involving women artists .
- Analyze the growth of the postmodern feminist art movement in the 1960s and 1970s.
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- Feminism in art has always sought to change the reception of contemporary art and bring visibility to women within art history and practice.
- Feminism has always existed and, generally speaking, prioritizes the creation of an opposition to this system.
- During the heyday of second wave feminism, women artists in New York began to come together for meetings and exhibitions.
- Things are beginning to shift in terms of a more gender balanced art world as postmodern thought and gender politics become more important to the general public.
- Postmodern feminism is an approach to feminist theory that incorporates postmodern and post-structuralist theory, and thus sees itself as moving beyond the modernist polarities of liberal feminism and radical feminism towards a more intersectional concept of our reality.
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- Postmodernism had a profound influence on the concepts of race and ethnicity in the United States in the mid-20th century.
- Postmodernism (also known as post-structuralism) is skeptical of explanations that claim to be valid for all groups - cultures, traditions, or races - and instead focuses on the relative truths of each person (i.e. postmodernism = relativism).
- A great deal of art during this era sought to deconstruct race through a postmodern lens.
- Primarily through a postmodern perspective, hooks has addressed race, class, and gender in education, art, history, sexuality, mass media and feminism.
- Describe the influence of postmodernism on the concept of race in the United States.
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- This perspective is sometimes referred to as multicultural feminism, multiracial feminism, or womanism.
- Queer feminists - sometimes referred to as Postmodern Feminists - believe that gender and sex (as well as other social locations and systems of social and natural organization and categorization) are multiple, constantly changing, and performed by individuals and groups within situated social, historical, scientific, and political contexts.
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- Baselitz's style is interpreted as Neo-Expressionist, but from a European perspective it is seen as postmodern.
- The return to traditional painting in the late 1970s and early 1980s seen in Neo-Expressionist artists such as Georg Baselitz and Julian Schnabel has been described as having postmodern tendencies, and as one of the first coherent postmodern movements.
- Its strong links to the commercial art market has raised questions about its status as a postmodern movement and about the definition of postmodernism itself.
- Brian Massumi claims that Deleuze and Guattari opened the horizon for new definitions of beauty in postmodern art.
- Critique the controversies around Neo-Expressionism related to marketability, celebrity, feminism, and intellectualism.
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- At the turn of the century, the first wave of feminism focused on official, political inequalities and fought for women's suffrage.
- In the 1960s, second wave feminism, also known as the women's liberation movement, turned its attention to a broader range of inequalities, including those in the workplace, the family, and reproductive rights.
- Currently, a third wave of feminism is criticizing the fact that the first two waves of feminism were dominated by white women from advanced capitalist societies.
- This movement emphasizes diversity and change, and focuses on concepts such as globalization, postcolonialism, poststructuralism, and postmodernism.
- The relationship between feminism and race was largely overlooked until the second wave of feminists produced literature on the topic of black feminism.
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- Postmodern painting rejects modernism's grand narratives of artistic direction and eradicates the boundaries between high and low forms of art.
- Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist and late modernist traditions as well as artists who reject postmodernism for other reasons.
- Postmodernism describes movements which both arise from, and react against or reject, trends in modernism.
- Its strong links with the commercial art market has raised questions both about its status as a postmodern movement and the definition of postmodernism itself .
- Evaluate the characteristics of postmodern painting, and the precursors that led to its development.
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- Postmodern architecture was a response to Modernism and a return to wit, ornamentation, and previous architectural traditions.
- The Postmodern response to the formalism of Modernism continues to influence present-day architecture.
- Postmodernism has its origins in the perceived failure of Modern architecture.
- The architect for this Postmodern building was selected by a design competition held by San Antonio in July of 1991.
- Contrast the characteristics of Postmodern architecture with that of Modern architecture.
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- Deconstructivism is a development of postmodern architecture that began in the late 1980s.
- Deconstructivism is a development of postmodern architecture that began in the late 1980s.
- Its relationship with Postmodernism is also decidedly contrary.
- While postmodernism returned to embrace, often slyly or ironically, the historical references that modernism had shunned, deconstructivism rejects the postmodern acceptance of such references.
- Distinguish deconstructivism as a seperate movement from both modernism and postmodernism.