1970 in Italian television

• 90. minuto – sport column of the Sunday evening, giving the results and showing the goals of the Serie A matches; hosted for twenty years by Paolo Valenti and later by various sport journalists. Very popular in Seventies and Eighties, it’s again on air also if it has lost most of its appeal with the advent of the sporting pay-tv.[7]
• A come agricoltura (A for agricolture) – magazine for the farmers; 11 seasons.

• Rischiatutto – quiz, inspired by Jeopardy! and hosted by Mike Buongiorno; five seasons. The show renews the Lascia o raddoppiìa?’s mass success and relaunches the Bongiorno’s career after a period of relative decline; it’s the first RAI 2 program to enter in the top ten of the audience. It’s yet also accused by critics of notionism and sexism (for the decorative role played by the “female valet” Sabina Ciuffini).[8]  

• Gli eroi di cartone (Cartoon heroes) – hosted by Lucio Dalla and Franco Mulè (3 seasons) and Mille e una sera (1001 evenings): programs about the history of animated cartoon, both ideated by the historian of cinema Gianni Rondolino and focused (the second moreover) on the European and independent production.
• Il paese di Giocagiò (Giocagiò country) – show for pre-schoolers, care of Gianni Rodari and Teresa Bongiorno, scenography  by Emanuele Luzzati. In the second seasons, it changes name in Il gioco delle cose (The things game).[9]

• Le donne balorde (The oafish women) – cycle of satirical one-act plays, written and played by Franca Valeri and directed by Giacomo Colli.[10]
• Napoli 1860 – La fine dei Borboni (Neaples 1860, The Bourbons’ fall) – by Alessandro Blasetti, with Bruno Cirino as Francis II of the Two Sicilies; 2 episodes.

In 1970, RAI chooses to sustain the Italian author cinema, producing movies for TV by renowned authors or by debuting directors, which are, at the same time, aired in television and distributed in the theatres.

• I clowns – by Federico Fellini.
• The spider’s stratagem – by Bernardo Bertolucci.[11]
• I recuperanti (The recoverers) - by Ermanno Olmi; script by Tullio Kezich and Mario Rigoni Stern. In the Forties, a young veteran and an eccentric old man earn a living from the dangerous work to recover remnants of war.[12]
• La fine del gioco (The end of the game) – by the debuting Gianni Amelio, with Ugo Gregoretti. A tough kid seems to leave his isolation when he’s chosen by a movie director for a documentary.

• Antonio Meucci, cittadino toscano, contro il monopolio Bell (The Tuscan citizen Antonio Meucci vs. the Bell monopoly) – biopic by Daniele D’Anza, with Paolo Stoppa in the title role; 3 episodes.
• Le cinque giornate di Milano (Five days of Milan) – by Leandro Castellani, script by Luigi Lunari, with Ugo Pagliai (Count von Hübner), Raoul Grassilli (Carlo Cattaneo) and Arnoldo Foà (Marshal Radetzky); 5 episodes.
• Fight for survival – by Renzo Rossellini, ideated and supervised by his father Roberto; 12 episodes. Docufiction about the history of mankind, focused on the scientific and cultural progress.

• Il cappello del prete (The hat of the priest) – by Sandro Bolchi, with Luigi Vannucchi, from the Emilio De Marchi’s novel, considered the first Italian detective story; 3 episodes.

• Coralba – by Daniele D’Anza, with Rossano Brazzi and Glauco Mauri; 5 episodes. The story is set in Hamburg, in the world of big pharma
• I giovedì della signora Giulia (Mrs. Julia Thursdays) – by Paolo Nuzzi and Massimo Scaglione, from the Piero Chiara’s novel, with Claudio Gora and the real-life private eye Tom Ponzi (as a police superintendent);  5 episodes. The vanishing of an upper-class lady is the starting point for an enquiry about the secrets of the Lombard provincial life.

• Un certo Harry Brent – from Francis Durbridge’s A man called Harry Brent, by Leonardo Cortese, with Alberto Lupo and Roberto Herlitzka; 6 episodes.[13]
• I racconti di Padre Brown (Father Brown's tales) - by Vittorio Cottafavi, from Gilbert Keith Chesterton, with Renato Rascel in the title role and Arnoldo Foà as Flambeau; in 6 episodes. It's one of the successes of the year; an episode gets 21 million viewiers.[14]

Coralba and I giovedì della signora Giulia are the first Italian mysteries shot in colors (also if, at the time, they are aired in black and white).

• La fantastica storia di Don Chisciotte della Mancia (Don Quijote de la Mancha’s fantastic story) – by Carlo Quartucci, script by Roberto Lerici, from the Miguel de Cervantes’ novel, with Gigi Proietti in the title role; 5 episodes. Aired as a show for children, it’s actually a sophisticated product, taking to television some practices of the avant-garde theatre.[15]
• Marcovaldo – by Giuseppe Bennati, from the Italo Calvino's book, with Nanni Loy in the title role; 6 episodes.
• Verso l’avventura (Twoards adventure) – by Pino Passalacqua, with Mebratù Maconnen Araia; 14 episodes. Miniseries about the adventures of an Ethiopian kid looking for a treasure.

• Qualcuno bussa alla porta (Someone is knocking at the door) – by various directors, written by Tonino Guerra. Cycle of fiveTV movie, dangling between comedy and thriller; all the stories are set in the closed space of an apartment and are variation on the theme of the unexpected visitor.
• FBI – Francesco Bertolazzi investigatore – detective comedy, written and interpreted by Ugo Tognazzi as a down-to-heel and clumsy private eye.[16]

• Canzonissima 1970 – directed by Romolo Siena, hosted by Corrado Mantoni and Raffaella Carrà (who gets success also as a singer, with the title track Ma che musica maestro). The contest is won by Massimo Ranieri with Vent’anni.[17]
• Io ci provo (I try) – by Enzo Trapani, with Ornella Vanoni.[18]

• La cugina Orietta (Cousin Orietta) – musical variety with Orietta Berti, at her debut as TV host.[19]
• E noi qui – (We are here) – with Giorgio Gaber, Ombretta Colli and Gino Bramieri.
• Io, Agata e tu – with Nino Ferrer and Nino Taranto; the show reveals the talent of Raffaella Carrà as a soubrette.
• Signore e signora – mix of musical variety and sitcom, with Lando Buzzanca and Delia Scala playing three married couples (a middle-class one, a snobbish one and one of peasants).
• Il telecanzoniere – reportage about the Italian pop music, hosted by Sandro Ciotti (more known as sport commentator) [20]

• I bambini e noi (Children and us) – reportage by Luigi Comencini about infancy in Italy, in 6 episodes.[21]
• Un secolo di lotte contadine in Italia (A century of peasants’ fights in Italy) – historical enquiry by Giorgio Bocca, in one of his very rare collaborations with RAI; in 7 episodes.[22]
• Roma capitale (Rome capital city) – historical enquiry, care of Giovanni Spadolini, for the centenary of the capture of Rome. [23]
• Alla ricerca di Tadzio (Looking for Tadzio) – by Luchino Visconti; behind the scenes about the auditions for the choosing of Death in Venice’s young protagonist.