777 – The Desanctification

The album was written and performed entirely by Vindsval. He explained that "The trilogy 777 is a very personal project – it was absolutely impossible for me to let someone else work on it. It was the same thing for MoRT – this is my soul and my flesh."[2] In an interview with Invisible Oranges, Vindsval described the concept behind the album:

Before the learning of freedom, of instinct, of pure life, this man disowns God. The Desanctification represents this precise moment of monumental solitude. God is dead (no matter), but you are still the consequence of past centuries, you are still a reaction, the slave of your thought patterns, and they create a new form of endless fear. This is The Desanctification, the distress of an orphan face to face with the morbid breath of the universe.

— Vindsval, "Invisible Oranges"[2]

Professional ratings

Review scores
Source	Rating
AllMusic	[3]
Exclaim!	Positive[4]
Pitchfork	8.2/10[5]

The album was received well by critics, with particular praise being offered towards the album's unpredictable nature and complex songwriting.[3][4][5] Stereogum's Tom Breihan named it 'Album of the Week' following its release, describing it as "a forbidding slab of unadorned hate, compellingly rendered. It’s the sort of thing that can send you into a staring-into-nothingness zone-out for periods of time long enough to make your loved ones uncomfortable."[6]

Pitchfork's Brandon Stosuy picked '777 – Sect(s)' and '777 – The Desanctification' as the two best metal albums of 2011, writing that "Beyond the experimentation, both of these records also really move-- you could almost dance to the latter."[7] The albums were also featured on the site's honourable mentions for overall album of the year by Philip Sherburne.[8]