A Woman Without Love

Una mujer sin amor (English: A Woman Without Love) is a 1952 Mexican[1] film directed by Spanish-born filmmaker Luis Buñuel. It is based on Guy de Maupassant's story "Pierre et Jean."

Una mujer sin amor
A Woman Without Love
A scene from Una mujer sin amor
Directed byLuis Buñuel
Written byGuy de Maupassant (story)
Produced bySergio Kogan
StarringRosario Granados
Tito Junco
CinematographyRaúl Martínez Solares
Edited byJorge Bustos
Music byRaúl Lavista
Release date
31 July 1952
CountryMexico
LanguageSpanish

The film, like much of Buñuel's work, criticizes bourgeois values, especially those of the highly superficial Don Carlos Montero. Buñuel himself considered it his worst film.[2]

Plot

The film opens in Mexico, in the home of an upper-class antiques salesman named Don Carlos Montero and his wife Rosario, whose son, Carlos or Carlitos, is accused of stealing by the principal of his school. Carlitos is scolded harshly by his father when he comes home, and is locked in his room. Carlitos runs away, but is found by an engineer named Julio Mistral who works in the forest. Julio returns the boy to his parents, and Don Carlos is very grateful. Julio becomes great friends with the Montero family, but in private asks Rosario why she really married such a harsh mannered and older man.

One day, Rosario and Carlitos pay a visit to Julio in the forest, while Don Carlos spends the day in town on business. Carlitos enjoys himself immensely, fishing for trout. Rosario and Julio converse privately, and Julio notes how unhappy she is. Rosario reveals that she is unhappy because she married Don Carlos for his money when she was very young. Julio sympathizes her plight as a woman who has never truly loved, and they fall in love with each other.

Screenshot from Una mujer sin amor, Javier Loya and Rosario Granados.

Rosario and Julio begin an affair, and Julio tries to convince her to run away with him to Brazil. She eventually agrees, but decides to wait, after Don Carlos suffers a severe heart attack. Don Carlos ultimately lives, and Rosario refuses to go with Julio, unable to separate Carlitos from his father, who had grown close since his illness.

The film skips about 20 years into the future, where Carlos, and his younger brother, Miguel (not introduced in the first part of the film), have graduated from medical school. One day, news arrives that Julio Mistral has died and decided to will all of his money to Miguel. Initially, everybody is perplexed at this action, as Julio had never met Miguel.

Though it is not explicitly stated in the film, Carlos soon pieces together that Miguel was willed this money because he is the illegitimate child of Julio and his mother, Rosario. Carlos refuses Miguel's offer to share his inheritance, which he uses to build a new clinic, and begins acting bitter towards his mother and brother. Miguel becomes engaged to be married to a woman who Carlos is convinced wants to marry him for his money. At his wedding, Don Carlos collapses and dies from a heart attack.

The film comes to a conclusion as Carlos finally discloses the truth about the inheritance to Miguel, who becomes very angry and fights Carlos. Rosario breaks up the fight, and confirms what Carlos has said. Miguel is distraught, and Rosario unapologetically tells them that Julio was the only man she ever loved. The brothers reconcile their differences at the sight of their emotional mother, wrought with sadness. Carlos leaves for the tropics to do research, and the film ends with Rosario placing a picture of Julio on her mantelpiece.

Cast

References

  1. Dever, Susan (2012-02-01). Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to fin de siglo Mexamerica. State University of New York Press. p. 186. ISBN 978-0-7914-8665-8.
  2. Thomas, Kevin (November 11, 1983). "'Una Mujer': Bunuel Called It Right". Los Angeles Times. p. IV-9. Retrieved October 14, 2022 via Newspapers.com.
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