X Marks the Pedwalk

X Marks the Pedwalk – initially named "Scarecrow" – was founded by Sevren Ni-Arb (born André Schmechta, May 13, 1969) in 1987. Schmechta, who did the writing, production, and engineering of all X Marks the Pedwalk tracks, was the only consistent member throughout X Marks the Pedwalk’s history.

Schmechta, a classically trained musician, became interested in synthesizers at an early age, and found himself part of several bands after he was able to buy his first keyboard at the age of 16. At that time, with influences such as Skinny Puppy, Kraftwerk, and DAF, Schmechta started a band called Scarecrow with his school-mate Regan Eracs (born Jörg Böhme).[2]

Shortly after releasing their first single on the Techno Drome International label, 1988's "Black Door", the members of Scarecrow were offered to sign to German DJ Talla 2XLC's new record label, Zoth Ommog. The project name was changed to X Marks the Pedwalk to avoid any legal troubles over using the name "Scarecrow." The new band name came from a reference in the Stephen King novel, Dance Macabre, to a horror-story by the science-fiction author Fritz Leiber named "X-Marks The Pedwalk."[2]

The first X Marks the Pedwalk concert was performed in Wiesbaden, Germany on December 16, 1989, where they opened for industrial music artists Vomito Negro. Most live material at that time came from their then just-released single "Arbitrary Execution" (1989),[3] and the previously released Scarecrow single "Black Door".

In 1990, the group produced a series of singles and EPs: "Abattoir", "Danger", and Disease Control.[4] The next year they released their first full-length album, Freaks.[5]

Their first tour throughout Germany began after the release of Freaks, with an additional concert being played in Budapest, Hungary. Three subsequent concert tours throughout Germany occurred again after the release of "Cenotaph", Human Desolation, and The Killing Had Begun. With few exceptions, these live shows took place in Germany. X Marks the Pedwalk was a band that consisted of two members at a time, therefore, they never performed completely "live," but relied heavily on the incorporation of DAT playback. This was complemented with "live overdubs, drum-effects, lead-melodies, [and] atmospheres...",[1] with André on lead vocals.

After the release of the single "Cenotaph", Böhme left the band in 1992 to pursue other interests, and Schmechta enlisted the help of his brother Raive Yarx (born Thorsten Schmechta, June 14, 1971). Also in 1992, Schmechta built T.G.I.F. Studios[2] (an acronym for "Thank God It's Friday!"). T.G.I.F. formed the production nexus not only for X Marks the Pedwalk and related projects, but for many other Zoth Ommog bands including Armageddon Dildos and Evils Toy.

Despite the membership change, X Marks the Pedwalk's musical style did not change drastically during the Schmechta brothers' first two efforts together: Human Desolation, released in 1993,[6] and The Killing Had Begun in 1994.[7] For The Killing Had Begun, Schmechta experimented with vocal treatments on the track "Insight" from his future wife, Estefania (born Stefanie Eckmann, March 21, 1969), who then became a vocalist for X Marks as well as for other of Schmechta's side projects.[2]

1995's single, "Facer", introduced a combination of "techno-dance" and electro-industrial styles.[8] The next two X Marks the Pedwalk albums, Meshwork (1995)[9] and Drawback (1997),[10] built on this new style and received favorable reactions by many fans within Europe, and thanks to the latter's release by Metropolis Records,[11] helped build an extended fanbase in North America. The change in musical direction beginning with Meshwork is seen as having split the band's fanbase with a sound that deviated from strict industrial/EBM and presaged the development of the Futurepop genre.[12]

By 1998, André Schmechta put aside his work on X Marks the Pedwalk (along with his multitude of side-projects) to concentrate on his family and career,[13] including selling off his T.G.I.F. Studios in 1999.[2] During the hiatus, Schmechta became a business owner, share-holder and managing partner of two companies, and took time to raise his two children from his marriage with Eckmann.[14]

During the band's hiatus, two compilations of previously released material were produced: Retrospective 88–99 on the Memento Materia label in 1999,[15] and Experiences on Dying Culture in 2003.[16] Infacted Recordings also produced a set of re-releases with additional material in 2009 and 2010.

The band's hiatus ended in 2010 with the release of Inner Zone Journey,[17] the first of several albums to be released on the Infacted Recordings label.[2] Inner Zone Journey was followed by The Sun, The Cold And My Underwater Fear in 2012[18][19] and with The House Of Rain in 2015.[20][21]

In 2016, André launched his own electronic music label, Meshwork Music, named after the band's 1995 album.[22][8] The label released X Marks the Pedwalk's next three albums — Secrets,[23][24] Transformation,[12] and New / End[25] — as well as releases by new projects by André and others.[14]

X Marks the Pedwalk was inspired by the late 1980s European and Canadian Electronic body music scenes, yet its members were looking to create a sound that was unique to themselves. Early X Marks the Pedwalk was often compared to fellow industrial musicians Skinny Puppy; Front Page magazine titled an article about X Marks the Pedwalk, "Die deutschen Skinny Puppy?!" (The German Skinny Puppy?!).[1] Later, however, as their style progressed, X Marks the Pedwalk were compared to other bands. According to André Schmechta, "The concept and themes for the lyrics around [X Marks the Pedwalk] were influenced by the idea to lighten up the dark side of [the] human psyche…"[1] Although the latter may be true, in as much as it was an objective strived for by the band, X Marks the Pedwalk found most of its audience in fans of gothic and industrial music – scenes typically associated with dark culture. What Schmechta describes as X Marks the Pedwalk's "aggressive percussion and synthesizer sequences" may have contributed to its place within the harder dance music scenes.

In addition to Skinny Puppy, comparable bands include many of the Zoth Ommog label-mates of X Marks the Pedwalk. Some of the more prominent similar acts include Leæther Strip, Evil's Toy, Armageddon Dildos, Spahn Ranch, Mentallo & The Fixer, Birmingham 6, and Funker Vogt.

• Sevren Ni-arb (born André Schmechta, 13 May 1969): Founder, songwriter, vocalist, producer, and engineer.
• Regan Eracs (born Jörge Böhme): Early member of X Marks the Pedwalk, from 1988 to 1992.
• Raive Yarx (born Thorsten Schmechta, 14 June 1971): Concepts, structures, and electronics. Became a member in 1992.
• Estefania (Stefanie Schmechta née Eckmann, born 21 March 1969): Secondary vocalist, debuted on the album, The Killing Had Begun.

The name X Marks the Pedwalk comes from a satirical story by science fiction author Fritz Leiber that describes the beginnings of a war between pedestrians and motorists. The story is glancingly referenced in Stephen King's book Danse Macabre.

Since the earliest days of X Marks the Pedwalk, members have assumed pseudonyms for themselves.[14] André Schmechta was known as Sevren Ni-arb ("Brain Nerves" spelled backwards), his brother Thorsten was Raive Yarx (Yarx is "X-Ray" spelled backwards). Early member Jörg Böhme was called Regan Eracs (Regan is the name of the possessed child in The Exorcist, and Eracs is "scare" backwards). Stefanie Eckmann Schmechta, because she was a student of Spanish, listed her name as Estefania.

In 1992, André Schmechta created T.G.I.F. studios, recording not only all of X Marks the Pedwalk's subsequent material, but also albums by fellow electronic music artists Armageddon Dildos (who were also on Zoth Ommog) and Evil's Toy, among others. T.G.I.F. was built and designed specifically for the creation of electronic and industrial music, what follows is a list of some of the equipment utilized by Schmechta not only as both a writer and performer, but also as a producer:[1]

• Tascam M3700 analog mixing console
• Tannoy and Yamaha loudspeakers
• Akai S3000, S1100, S1000, S-950 samplers
• E-mu Systems Emax sampler, Vintage Keys / Procussion [sic]
• Clavia Nord Rack virtual analog synthesizer
• Roland JD-800, JD-990, JX-8P synthesizers, TR-808 drum machine
• Korg MS-20, Prophecy, Poly-800 synthesizers
• Yamaha CS-1X synthesizer
• Oberheim Matrix-6 and Matrix-1000 synthesizers
• Quasimidi Quasar synthesizer
• Novation Bass-Station synthesizer
• Doepfer MS-404 analog synthesizer
• Ensoniq SQR-Plus synthesizer
• Waldorf Microwave wavetable synthesizer
• Atari and Apple Macintosh personal computers

• Homicidal Dolls, an album by Armageddon Dildos, liner notes.
• Morbid Mind, an album by Evil's Toy, liner notes.

• Official website
• A complete list of records manufactured by Zoth Ommog, including those by X Marks the Pedwalk and some related projects
• Profile at Discogs.com