Alfred Bester

After his university career, 25-year-old Alfred Bester was working in public relations when he turned to writing science fiction. Bester's first published short story was "The Broken Axiom", which appeared in the April 1939 issue of Thrilling Wonder Stories[11] after winning an amateur story competition. Bester recalled, "Two editors on the staff, Mort Weisinger and Jack Schiff, took an interest in me, I suspect mostly because I'd just finished reading and annotating Joyce's Ulysses and would preach it enthusiastically without provocation, to their great amusement. ... They thought "Diaz-X" [Bester's original title] might fill the bill if it was whipped into shape."[12] This was the very same contest that Robert A. Heinlein famously chose not to enter, as the prize was only $50 and Heinlein realized he could do better selling his 7,000-word unpublished story to Astounding Science Fiction for a penny a word, or $70. Years later, Bester interviewed Heinlein for Publishers Weekly and the latter told of changing his mind for Astounding. Bester says that he replied (in jest), "You sonofabitch. I won that Thrilling Wonder contest, and you beat me by twenty dollars."[13]

However, as Bester was the winner of the contest, Mort Weisinger also "introduced me to the informal luncheon gatherings of the working science fiction authors of the late thirties." He met Henry Kuttner, Edmond Hamilton, Otto Binder, Malcolm Jameson and Manly Wade Wellman there.[14] During 1939 and 1940 Weisinger published three more of Bester's stories in Thrilling Wonder Stories and Startling Stories.[11] For the next few years, Bester continued to publish short fiction, most notably in John W. Campbell's Astounding Science Fiction.

In 1942, two of his science fiction editors got work at DC Comics, and invited Bester to contribute to various DC titles. Consequently, Bester left the field of short story writing and began working for DC Comics as a writer, including, and, under the editorship of Julius Schwartz,[15] Green Lantern, among other titles. He created super-villain Solomon Grundy and the version of the Green Lantern Oath that begins "In brightest day, In blackest night".[16] Bester was also the writer for Lee Falk's comic strips The Phantom and Mandrake the Magician while their creator served in World War II. It is widely speculated how much influence Bester had on these comics. One theory claims that Bester was responsible for giving the Phantom his surname, "Walker".

After four years in the comics industry, in 1946 Bester turned his attention to radio scripts, after wife Rolly (a busy radio actress) told him that the show Nick Carter, Master Detective was looking for story submissions. Over the next few years, Bester wrote for Nick Carter, as well as The Shadow, Charlie Chan, The New Adventures of Nero Wolfe and other shows. He later wrote for The CBS Radio Mystery Theater.[17]

With the advent of American network television in 1948, Bester also began writing for television, although most of these projects were lesser-known.

In early 1950, after eight years away from the field, Bester resumed writing science fiction short stories. However, after an initial return to Astounding with the story "The Devil's Invention" (a.k.a. "Oddy and Id"), he stopped writing for the magazine in mid-1950 when editor John Campbell became preoccupied with L. Ron Hubbard and Dianetics, the forerunner to Scientology. Bester then turned to Galaxy Science Fiction, where he found in H. L. Gold another exceptional editor as well as a good friend.

In New York, he socialized at the Hydra Club, an organization of New York's science fiction writers, whose notable members included Isaac Asimov, James Blish, Anthony Boucher, Avram Davidson, Judith Merril, and Theodore Sturgeon.[18]

In his first period of writing science fiction (1939–1942), Bester had been establishing a reputation as a short story writer in science fiction circles with stories such as "Adam and No Eve." However, Bester gained his greatest renown for the work he wrote and published in the 1950s, including The Demolished Man and The Stars My Destination (also known as Tiger! Tiger!).

The first installment of Bester's The Demolished Man was the cover story in the January 1952 issue of Galaxy Science Fiction

The first installment of Bester's next SF novel, The Stars My Destination, took the cover of the October 1956 issue of Galaxy

The Demolished Man, recipient of the first Hugo Award for best Science Fiction novel, is a police procedural that takes place in a future world in which telepathy is relatively common. Bester creates a harshly capitalistic, hierarchical and competitive social world that exists without deceit: a society in which the right person with some skill (or money) and curiosity can access your memories, secrets, fears and past misdeeds more swiftly than even you.

Originally published in three parts in Galaxy, beginning in January 1952, The Demolished Man appeared in book form in 1953. It was dedicated to Gold, who made a number of suggestions during its writing. Originally, Bester wanted the title to be Demolition!, but Gold talked him out of it.

Bester's 1953 novel Who He? (also known as The Rat Race) concerns a TV variety show writer who wakes up after an alcoholic blackout and discovers that someone is out to destroy his life. According to Bester, the TV show elements were based on his experiences working on The Paul Winchell Show.[19] A contemporary novel with no science fiction elements, it did not receive wide attention. It did, however, earn Bester a fair amount of money from the sale of the paperback reprint rights (the book appeared in paperback as The Rat Race). He also received a substantial sum of money from a movie studio for the film option to the book. Reportedly, Jackie Gleason was interested in starring as the variety show writer and licensed movie rights to the story; however no movie was ever made of Who He? Still, the payout from the film option was large enough that Alfred and Rolly Bester decided they could afford to travel to Europe for the next few years. They lived mainly in Italy and England during this period.

This novel was both widely criticized and praised when it first appeared, but over time gathered acclaim as a classic work in its own right. It has been recognized as a prescient forerunner of the cyberpunk literary genre, having first been published two decades before the genre was named.

While on his European trip, Bester began selling non-fiction pieces about various European locations to the mainstream travel/lifestyle magazine Holiday. The Holiday editors, impressed with his work, invited Bester back to their headquarters in New York and began commissioning him to write travel articles about various far-flung locales, as well as doing interviews with such stars as Sophia Loren, Anthony Quinn, and Sir Edmund Hillary. As a result of steady work with Holiday, Bester's science fiction output dropped precipitously in the years following the publication of The Stars My Destination.

Bester published three short stories each in 1958 and 1959, including 1958's "The Men Who Murdered Mohammed" and 1959's "The Pi Man", both of which were nominated for Hugo Awards. However, for a four-year period from October 1959 to October 1963, he published no fiction at all. Instead, he concentrated on his work at Holiday (where he was made a senior editor), reviewed books for The Magazine of Fantasy and Science Fiction (from 1960 to 1962) and returned to television scripting.

During the 1950s, Bester contributed a satiric sketch, "I Remember Hiroshima", to The Paul Winchell Show.[20] His later story "Hobson's Choice" was based on it.

In 1959, Bester adapted his 1954 story "Fondly Fahrenheit" to television as Murder and the Android. Telecast in color on October 18, 1959, the hour-long drama took place in the year 2359 amid futuristic sets designed by Ted Cooper. This NBC Sunday Showcase production, produced by Robert Alan Aurthur with a cast of Kevin McCarthy, Rip Torn, Suzanne Pleshette and Telly Savalas, was reviewed by syndicated radio-television critic John Crosby:

Despite the fact that the androids refer contemptuously to human beings as people who suffer from glandular disorders called emotions, Torn wants very much to suffer from these disorders himself. Eventually, he does. I have no intention of unraveling the whole plot which was not so much complicated as psychologically dense. If I understand him correctly, Mr. Bester is trying to say that having androids to free us of mundane preoccupations like work is by no means good for us. His humans are pretty close to being bums.

Murder and the Android was nominated for a 1960 Hugo Award for Best Dramatic Presentation[21] and was given a repeat on September 5, 1960, the Labor Day weekend in which that Hugo Award was presented (to The Twilight Zone) at the World Science Fiction Convention in Pittsburgh. Bester returned to Sunday Showcase March 5, 1960, with an original teleplay, Turn the Key Deftly. Telecast in color, that mystery, set in a traveling circus, starred Julie Harris, Maximilian Schell and Francis Lederer.

For Alcoa Premiere, hosted by Fred Astaire, he wrote Mr. Lucifer, which aired November 1, 1962, with Astaire in the title role opposite Elizabeth Montgomery.[22][23][24] A light comedy, the story concerned the modern day Lucifer—whose offices are now on Madison Avenue—working with his beautiful secretary to try to corrupt a clean-cut American husband and wife.

After a four-year layoff, Bester published a handful of science fiction short stories in 1963 and 1964. However, writing science fiction was at this stage in Bester's life clearly more of a sideline than the focus of his career. As a result, from 1964 until the original version of Holiday folded in 1971, Bester published only one science fiction short story, a 700-word science fiction spoof in the upscale mainstream magazine Status.

Still, as senior editor of Holiday, Bester was able to introduce occasional science fiction elements into the non-fiction magazine. On one occasion, he commissioned and published an article by Arthur C. Clarke describing a tourist flight to the Moon. Bester himself, though, never published any science fiction in Holiday, which was a mainstream travel/lifestyle magazine marketed to upscale readers during an era when science fiction was largely dismissed as juvenilia.

Holiday magazine ceased publication in 1971, although it was later revived and reformatted by other hands, without Bester's involvement. For the first time in nearly 15 years, Bester did not have full-time employment.

After a long layoff from writing science fiction, Bester returned to the field in 1972. His 1974 short story "The Four-Hour Fugue" was nominated for a Hugo Award,[25] and Bester received Hugo[26] and Nebula Award nominations for his 1975 novel The Computer Connection (titled The Indian Giver as a magazine serial and later reprinted as Extro). Despite these nominations, Bester's work of this era generally failed to receive the critical or commercial success of his earlier period.

Bester's eyesight began failing in the mid-1970s, making writing increasingly difficult, and another layoff from published writing took place between early 1975 and early 1979. It is alleged during this period that the producer of the 1978 Superman movie sent his son off to search for a writer. The name Alfred Bester came up, but Bester wanted to focus the story on Clark Kent as the real hero, while Superman was only "his gun." The producers instead hired Mario Puzo, author of The Godfather, to write the film.

Carolyn Wendell wrote, "I shall always remember the time I saw Alfie Bester in larger-than-life action, at an academic conference in New York City ten years before he died":

Bester had been invited to share a panel with Charles L. Grant, Isaac Asimov, and Ben Bova. He arrived attired in well-worn high-top sneakers, jeans whose major characteristic was that they looked comfortable, and a sports coat whose better days had been years before. He carried what must have been the world's largest jock bag, crammed with newly-purchased bottles of wine that did not quite fit into the zippered closing. He sat down behind a long table with the other writers and managed to behave conventionally for about half the discussion. Then, apparently able to stay put no longer, he leapt up, walked around to the front of the table to be closer to the audience, and paced back and forth, gesturing and talking. The other three writers (none exactly shrinking violets) tried to interrupt but finally lapsed into what might have been either respectful or overwhelmed silence. It was one of the most extraordinary performances I have ever seen.[27]

Bester published two short stories in 1979 and rang in the 1980s with the publication of two new novels: Golem¹⁰⁰ (1980), and The Deceivers (1981). In addition to his failing eyesight, other health issues began to affect him, and Bester produced no new published work after 1981. His wife Rolly died in 1984. In the following years, Bester dated Judith H. McQuown [pronounced "McQueen"].[28]

In 1985, it was announced that Bester would be a Guest of Honor at the 1987 Worldcon, to be held in Brighton, England. As the event neared, however, Bester fell and broke his hip. With his worsening overall health, he was plainly too ill to attend.

Bester died less than a month after the convention from complications related to his broken hip. However, shortly before his death he learned that the Science Fiction Writers of America would honor him with their Grand Master Nebula award[29] at their 1988 convention.

Two works by Bester were published posthumously. The first, Tender Loving Rage (1991), was a mainstream (i.e., non–science fiction) novel that was probably written in the late 1950s or early 1960s. The second, Psychoshop (1998), was based on an incomplete 92-page story fragment. It was completed by Roger Zelazny and remained unpublished until three years after Zelazny's death. When published, it was credited as a collaborative work.

Upon his death, Bester left his literary estate to his friend and bartender Joe Suder.[30]

• StarShipSofa described Bester as "the godfather of modern science fiction", and made a two-part show about him.[31]
• In Babylon 5, Psi-Cop Alfred Bester is named after him (and the treatment of telepathy in Babylon 5 is similar to that in Bester's works).
• The time-traveling pest named "Al Phee" in Spider Robinson's Callahan's Crosstime Saloon series is based on Bester.
• F. Gwynplaine MacIntyre wrote a series of stories—beginning with "Time Lines" (published in Analog, 1999)—about a time-traveling criminal named Smedley Faversham, who constantly runs afoul of a scientific principle called "Bester's Law" (explicitly named after the phenomena in Bester's 1958 story "The Men Who Murdered Mohammed").
• Firefly: Many of the names of off-camera and minor characters are drawn from the ranks of science fiction writers; under the character name "Bester," actor Dax Griffin played the original mechanic of the ship Serenity.[32]

• "Adam and No Eve"
• "5,271,009"
• "Fondly Fahrenheit"
• "The Men Who Murdered Mohammed"
• "The Roller Coaster"
• "Time is the Traitor"
• "Disappearing Act"
• "Hell Is Forever"

• The Demolished Man (1953)
• Who He? (not science fiction; also published as The Rat Race) (1953)
• The Stars My Destination (also published as Tiger, Tiger) (1956)
• The Computer Connection (also published as Extro) (1975)
• Golem¹⁰⁰ (1980)
• The Deceivers (1981)
• Tender Loving Rage (1991)
• Psychoshop (with Roger Zelazny) (1998)

• Starburst (1958) contains the short stories
  • "Disappearing Act" originally published in 1953
  • "Adam and No Eve" originally published in 1941
  • "Star Light, Star Bright" originally published in 1953
  • "The Roller Coaster" originally published in 1953
  • "Oddy and Id" originally published in 1950 as "The Devil's Invention"
  • "The Starcomber" originally published in 1954 as "5,271,009"
  • "White Light Cinema" originally published in 1956 as "Patrick the Programmer"
  • "Travel Diary"
  • "Fondly Fahrenheit" originally published in 1954
  • "Hobson's Choice" originally published in 1952
  • "The Die-Hard"
  • "Of Time and Third Avenue" originally published in 1951
• The Dark Side of the Earth (1964) contains the short stories
  • "Time is the Traitor" (originally published in 1953)
  • "The Men Who Murdered Mohammed" (originally published in 1958) (Hugo Award Nominee)
  • "Out of This World"
  • "The Pi Man" (originally published in 1959) (Hugo Award Nominee)
  • "The Flowered Thundermug" (originally published in 1964)
  • "Will You Wait?" (originally published in 1959)
  • "They Don't Make Life Like They Used To" (originally published in 1963)
• An Alfred Bester Omnibus (1968)
• Starlight: The Great Short Fiction of Alfred Bester (1976)
• The Light Fantastic Volume 1: The Short Fiction of Alfred Bester (1976)
• Star Light, Star Bright: The Short Fiction of Alfred Bester, Volume 2 (1976)
• The Light Fantastic Volume 2: The Short Fiction of Alfred Bester (1976)
• Virtual Unrealities (1997) – contains the stories:
  • "Disappearing Act" (originally published in 1953)
  • "Oddy and Id"
  • "Star Light, Star Bright" " (originally published in 1953, used as the title for two other compilations of Bester's short stories)
  • "5,271,009" (originally published in 1954)
  • "Fondly Fahrenheit" (originally published in 1954)
  • "Hobson's Choice" (originally published in 1952)
  • "Of Time and Third Avenue" (originally published in 1952)
  • "Time is the Traitor" (originally published in 1953)
  • "The Men Who Murdered Mohammed" (originally published in 1958) (Hugo Award nominee)
  • "The Pi Man" (originally published in 1959) (Hugo Award Nominee)
  • "They Don't Make Life Like They Used To" (originally published in 1963)
  • "Will You Wait?" (originally published in 1959)
  • "The Flowered Thundermug" (originally published in 1964)
  • "Adam and No Eve" (originally published in 1941)
  • "And 31⁄2 to Go" (fragment – previously unpublished)
  • "Galatea Galante" (originally published in 1979)
  • "The Devil Without Glasses" (previously unpublished)
• Redemolished (2000) – Contains the short stories:
  • "The Probable Man"
  • "Hell Is Forever"
  • "The Push of a Finger"
  • "The Roller Coaster"
  • "The Lost Child"
  • "I'll Never Celebrate New Year's Again" (The actual title of the story is I Will Never Celebrate New Year's Again)
  • "Out of This World"
  • "The Animal Fair"
  • "Something Up There Likes Me"
  • "The Four-Hour Fugue"
    • Also contains three fictional articles published in Holiday:
  • "Gourmet Dining in Outer Space"
  • "Place of the Month: The Moon"
  • "The Sun"
    • Also contains four essays:
  • "Science Fiction and the Renaissance Man", originally delivered as a lecture at the University of Chicago in 1957. The other lecturers included Cyril Kornbluth, Robert A. Heinlein and Robert Bloch.
  • "A Diatribe Against Science Fiction"
  • "The Perfect Composite Science Fiction Author"
  • "My Affair with Science Fiction"
    • Also included are interviews with John Huston and Rex Stout, a conversation with Woody Allen, brief articles on Isaac Asimov and Robert A. Heinlein, two deleted prologues and an analysis of The Demolished Man, plus a memorial for Bester written by Isaac Asimov and an introduction by Gregory S. Benford.

• "Writing the Radio Mystery," The Writer, December 1951
• The Life and Death of a Satellite (1966)

• "Ms. Found in a Champagne Bottle", collected in The Light Fantastic (1976)