Animal studies

Animal studies became popular in the 1970s as an interdisciplinary subject, animal studies exists at the intersection of a number of different fields of study such as journals and books series, etc.[2] Different fields began to turn to animals as an important topic at different times and for various reasons, and these separate disciplinary histories shape how scholars approach animal studies. Historically, the field of environmental history has encouraged attention to animals.[3]

Throughout Western history, humankind has put itself above the "nonhuman species."[4] In part, animal studies developed out of the animal liberation movement and was grounded in ethical questions about co-existence with other species: whether it is moral to eat animals, to do scientific research on animals for human benefit, and so on. Take rats, for example, with a history of being used as “an experimental subject, feeder, and “pest.”[2] Animal studies scholars who explore the field from an ethical perspective frequently cite Australian philosopher Peter Singer's 1975 work, Animal Liberation,[5] as a founding document in animal studies. Singer's work followed Jeremy Bentham's by trying to expand utilitarian questions about pleasure and pain beyond humans to other sentient creatures. Overall, progress happens slowly, but the marginal voices help introduce new concepts and ethics that can eventually transform society's relationship with other species.[6]

There are many people who beileve that relation between aniamls  and people are then just being then food for human consumption.[2] Theorists interested in the role of animals in literature, culture, and Continental philosophy also consider the late work of Jacques Derrida a driving force behind the rise of interest in animal studies in the humanities.[5] Derrida's final lecture series, The Animal That Therefore I Am, examined how interactions with animal life affect human attempts to define humanity and the self through language. Taking up Derrida's deconstruction and extending it to other cultural territory, Cary Wolfe published Animal Rites in 2003 and critiqued earlier animal rights philosophers such as Peter Singer and Thomas Regan. Wolfe's study points out an insidious humanism at play in their philosophies and others. Recently also the Italian philosopher Giorgio Agamben published a book on the question of the animal: The Open. Man and Animal.

Animals also played an essential role in the art community. One of the earliest forms of art was on the walls of caves from the early man, where they usually drew what they haunted. Then, in the Middle Ages, animals would appear for more religious reasons. Later in the 15th century, artists began coinciding with animals as a serious subject when discoveries in foreign lands were brought back to England. During the Renaissance, draughtsmen like Leonardo da Vinci and Andrea Mantegna were interested in animal studies. As time passed, animal representation took the form of woodworking and lithography, which is craving into a sone, and then eventually photographs.[7]

Researchers in animal studies examine the questions and issues that arise when traditional modes of humanistic and scientific inquiry begin to take animals seriously as subjects of thought and activity. Students of animal studies may examine how humanity is defined in relation to animals, or how representations of animals create understandings (and misunderstandings) of other species. In most movies, predatory animals such as sharks and wolves are usually the antagonists, but this only causes significant damage to their reputation and makes people fear what they think their true nature is.[8] In order to do so, animal studies pays close attention to the ways that humans anthropomorphize animals, and asks how humans might avoid bias in observing other creatures. For instance, Donna Haraway's book, Primate Visions, examines how dioramas created for the American Museum of Natural History showed family groupings that conformed to the traditional human nuclear family, which misrepresented the animals' observed behavior in the wild.[9] Critical approaches in animal studies have also considered representations of non-human animals in popular culture, including species diversity in animated films.[10] By highlighting these issues, animal studies strives to re-examine traditional ethical, political, and epistemological categories in the context of a renewed attention to and respect for animal life. The assumption that focusing on animals might clarify human knowledge is neatly expressed in Claude Lévi-Strauss's famous dictum that animals are "good to think."[11]

• Intersectionality
• Anthrozoology (human–animal studies)
• Animality studies
• Critical animal studies
• Ecocriticism
• Ecosophy

• Bjorkdahl, Kristian, and Alex Parrish (2017) Rhetorical Animals: Boundaries of the Human in the Study of Persuasion. Lantham: Lexington Press. ISBM 9781498558457.
• Boehrer, Bruce, editor, A Cultural History of Animals in the Renaissance, Berg, 2009, ISBN 9781845203955.
• Boggs, Colleen Glenney (2013). Animalia Americana: Animal Representations and Biopolitical Subjectivity. New York: Columbia University Press. ISBN 978-0231161220.
• De Ornellas, Kevin (2014). The Horse in Early Modern English Culture, Fairleigh Dickinson University Press, ISBN 978-1-61147-658-3.
• Derrida, Jacques (2008). The animal that therefore I am. New York: Fordham University Press. ISBN 978-0823227914.
• Haraway, Donna J. (2008). When species meet. Minneapolis: University of Minnesota Press. ISBN 978-0816650460.
• Kalof, Linda (2017). The Oxford Handbook of Animal Studies. Oxford: Oxford University Press. ISBN 9780199927142.
• Pick, Anat (2011). Creaturely Poetics: Animality and Vulnerability in Literature and Film. New York City: Columbia University Press. ISBN 9780231147873.
• Ritvo, Harriet (2010). Noble cows and hybrid zebras: essays on animals and history. Charlottesville: University of Virginia Press. ISBN 978-0813930602.
• Salisbury, Joyce E. (2010). The Beast Within. London: Routledge. ISBN 978-0415780957.
• Tuan, Yi-Fu (1984). Dominance and affection: the making of pets. New Haven: Yale Univ Press. ISBN 0300102089.
• Waldau, Paul (2013). Animal Studies: An Introduction. New York: Oxford University Press. ISBN 9780199827015.
• Wolfe, Cary (2003). Zoontologies: the question of the animal. Minneapolis: University of Minnesota Press. ISBN 0816641064.

• Animal Studies Journal
• Animal Rights History
• Animal Studies and Film: An interview with Matthew Brower, professor of graduate Art History at York University
• Animal Studies Online Bibliography
• Animals and the Law
• Australian Animal Studies Group
• Italian Animal Studies Review
• Animal Studies at Michigan State University