Apocalyze

The album was recorded at Machine Shop Studios in New York City in January 2013 and will be released mainly through The End Records and Sony Music.[1] Prior to the release of the album, the band released three music videos: "We Are the Future", "Eclipse" and "The Evolution".[1]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	67/100[2]
Review scores
Source	Rating
Alternative Press	[3]
Blabbermouth.net	8/10[4]
Dead Press!	9/10[5]
KillYourStereo	82/100[6]
Revolver	[7]
Rock Sins	9/10[8]
Rock Sound	8/10[9]
Sputnikmusic	[10]

The album received positive reviews from critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 67 out of 100 based on 4 reviews, indicating "generally favorable reviews".[2] Alternative Press rated the album 3 out of 5 and said: "While their contemporaries may opt for subtler synth lines and catchy riffs, Crossfaith use programming as intensely as metal technicality on Apocalyze. Programmer Tamano Terufumi breaks out dubstep tropes like low-end wobbles and drops, but don't expect glowing hula hoops over jumpkicks in a Crossfaith pit anytime soon. The electronics leave you feeling more like you're inside a violent arcade game than on a dance floor, clean vocals are scarce and the closest thing you get to a slow song is "Counting Stars"—an illusion created by dreamy female guest vocals. That energy makes it feel like there's too much going on, leading to songs blending structurally, downplaying hooks. But the chaotic nature of Apocalyze is what Crossfaith want to showcase, perhaps at the sacrifice of the broader audience they could reach."[3] Blabbermouth.net gave the album a score 8/10 and saying: "While CROSSFAITH may take some listener acclimation with all of their tenacious electronic rakes, Apocalyze is nevertheless a creative and energetic album that grows strength with repeated listens. This album will excite metalcore freaks like it's the dawn of a new era. Like their contemporaries MUCC and DIR EN GREY, this band isn't afraid to dabble, tinker and stretch boundaries largely borrowed from the western sanction. While BORIS continues to reign over the Japanese metal scene in their own modest way, CROSSFAITH will appeal to a broader audience. For certain, expect to hear these guys jacking up a video game or two in the near future."[4]

Dead Press! scored the album 9 out of 10 and said: "Apocalyze has undoubtedly raised the bar exceedingly high, and it wouldn't be unfair to view their position on the metalcore heap rather insurmountable. Seeing these songs come into their own in a live setting is a mouth watering prospect, although it would be wise for venues to re-enforce their foundations now before it's too late. 'We Are The Future' indeed."[5] Scrussel from KillYourStereo gave the album 82 out of 100 and said: "Crossfaith's brand of metal fused with electronic elements is an effective mix, and one that isn't too overdone that is just becomes a mess. Apocalyze hits that perfect ratio, creating a hybrid of sound that may not be fresh or unique but is easily enjoyable. What sets this album apart from others in the genre are refreshing and innovative ideas and some killer riffs that will keep you coming back over and over."[6] Sam Dignon of Rock Sins rated the album 9 out of 10 and said: "Having built up a reputation as one of the most exciting live bands around over the past year, Crossfaith have fast become one of the most talked about bands on the Metalcore scene. Dance and electronics have been a part of Metalcore for a while now but no one has been able to master it quite like Crossfaith. Whilst most bands tended to just throw in the odd electronic section in, Crossfaith completely balance the two elements out, making Apocalyze one of the most refreshing Metalcore albums in recent years."[8]

Credits adapted from AllMusic.[11]