Areíto (album)

Areíto is the sixth album by Juan Luis Guerra with his band 440, released on 8 December 1992, by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992,[2] but was first delayed to the end of October 1992[3] and was finally released on 8 December 1992.[4]

Not to be confused with Areyto (EP).

Areíto
Studio album by
Juan Luis Guerra and 440
Released8 December 1992
Recorded1991–1992
Studio440 Studio (New York City)
GenreMerengue, Bachata
Length46:19
LabelKaren
ProducerJuan Luis Guerra
Juan Luis Guerra chronology
Bachata Rosa
(1990)		 Areíto
(1992)		 Fogaraté
(1994)
Singles from Areíto
  1. "Frío Frío"
    Released: August 1991[1]
  2. "Señales de Humo"
    Released: September 1992
  3. "El Costo de la Vida"
    Released: December 1992
  4. "Mal de Amor"
    Released: 1993
  5. "Coronita de Flores"
    Released: 1993
  6. "Rompiendo Fuente"
    Released: 1993
  7. "Cuando Te Beso"
    Released: 1993

According to Guerra himself, Areíto did not serve as a follow-up to his previous album Bachata Rosa (1990). The album received universal acclaim from critics. It considered one of Guerra's best and most important albums, along with Bachata Rosa and Ojalá Que Llueva Café (1989). It was also his most introspective, as witnessed by the socio-political themes addressed in some songs. However, it faced some controversy due the strong social lyrics in some protest songs, and the music video of the album's third single, "El Costo de la Vida", was banned in several countries. The song album contains lyrics about poor conditions in many Latin American countries, the celebration of the 'discovery' of America and the double standards of first-world nations. Some critics' and detractors labeled this as anti-capitalist tendencies. Despite this "El Costo de la Vida" was his first number-one hit on the Hot Latin Tracks and won Tropical/Salsa Song of the Year at the 5th Lo Nuestro Awards.[5][6]

Areíto was nominated for Best Tropical Latin Album at the 36th Annual Grammy Awards and received three nominations to Lo Nuestro Awards, including Tropical/Salsa Album of the Year. To support the album, seven singles were released from the record, five of which became top-ten hits on the Billboard Hot Latin Songs chart. The album was a commercial success selling over two million copies. To promote this album, he embarked the Areíto World Tour in 1993, his largest tour at the time.

Background and title

Juan Luis Guerra's previous album, Bachata Rosa won the Grammy award for Best Tropical Album of 1991, and launched the international career of Guerra and his group, 4:40 selling over five million copies worldwide. The subsequent concert tour Bachata Rosa World Tour, was a success and his longest at the time. For this reason, Areito was highly anticipated by the media and fans at the time. The first single "Frio, Frio" was already on the airplay as late of 1991 and the album was set to be released in early 1992.[7] In July 1992, Guerra announced the cancellation of the rest of his last leg in the United States stating that he wanted to do something fresh and new for the fans. He also stated that the album was inspired on the Tainos culture and was going to be released on September of that year.[8] However, due to recovery from eye surgery, the album was postponed to October 1992. Eventually, the album was released on 8 December 1992.[2] On 17 September 1992, Guerra revealed to the press tilted of the album and explained "It will be an experimental album, in which arrangements Juan Luis will present the fusion of various rhythms. "There are sounds from Africa combined with the ripiao parakeet." In others they will listen to European and indigenous songs. There is also salsa with jazz, bolero—the traditional rhythm—with bachata, and fusions of merengue with plena.[9]

The album is inspired by the sounds, dances and culture of the aboriginal inhabitants of the Greater Antilles, Tainos. The album title made references of the name of the dance of the Tainos. When Columbus and his men landed on the shores of what is now the Dominican Republic in 1492, they were met by a group of Taino Indians who greeted the newcomers with a song called the areito.[10] About the title of the album the artist explained. "It is a word used by the Taino Indians of the Antilles to designate the way in which they told their stories" and the intention of the record is rescue the memory of this native culture that was decimated by the Spanish conquerors and rebuilt their culture and music legacy.[11]

Production and music styles

According to Guerra, Areito was his most mature album at the time and stated "Not only musically, but also includes a very clear social critique". "El Costo De La Vida" has a musical composition of the merengue with elements zairian soukous of Africa with the collaboration of Don Diabla.[11] The album-opening and closing folkloric odes to Taino culture ("Areito", "Naboria/Daca Mayaní Macaná"). Also, the album features a wide range of Latin music styles, among them merengue "Rompiendo Fuente", mambo ("Señales de Humo"), salsa ("Ayer", "Si Saliera Petroleo"), bachata ("Frío Frío"), cumbia ("Mal de Amor"), cha-cha ("Coronito de Flores"), and balada ("Cuando Te Beso"),[12]

Critical reception
Professional ratings
Review scores
SourceRating
AllMusic[13]
Chicago Tribune[14]
Boston Globe(Positive)
Sun SentinelPositive
Rolling Stone
The Baltimore Sun
La Opinión(Positive)[15]

The album was met with critical acclaim by the critics. Enrique Lopetegui from Achy Obejas from the Chicago Tribune gave it for 4 out 4 stars and praised the album's lyrics and wrote "Songs on Guerra's latest release, Areíto bemoan the rising cost of living in the Dominican Republic and throughout the Third World". The newspaper Sun Sentinel gave a positive review titled "Guerra Enhances His Status", praising the political views contained on the album and wrote "Bachata Rosa established Guerra as one of the pre-eminent singer/ songwriters, as recognized by Hispanics and non-Hispanics alike. Areito, however, has demonstrated that Guerra is becoming one of the very few commercially successful Latino artists willing to air uncensored views about the politics of life."[16] On the same way, Larry Birnbaum from Newsday stated "It's all a bit over-refined, but "Areito" is just too delectable to resist".[17]

Jason Birchmeier from AllMusic wrote "It's an otherwise magnificent album that, along with its two predecessors, is one of Guerra's classics". Billboard also praised the record calling it "[Guerra's] most wide-ranging, satisfying effort to date."[18] Los Angeles Times gave a positive review and wrote "Areito, is less spectacular than 'Bachata Rosa,' but no less ambitious".[5] J.D. Considine from The Baltimore Sun gave to the album 5 out 5 starts and wrote "Areito" is, indeed, a milestone of sorts for merengue".[19] In the same hand, the newspaper La Opinion gave a positive review to the album and stated "It is a revealing work by a mature artist, very conscious and who has an immense future ahead of him."[20]

Fernando Gonzales from Boston Globe gave a positive review and highlights the tracks "Frio Frio" and "Señales de Humo". However, in the same review stated "Guerra is still the class of the field-but, artistically, "Areito" is only a small step forward".[21] On a less positive tone, Daisann Mclane from Rolling Stone gave a mixed review to the album and gave it 2.5 stars of 5. However, on the same review he stated "Areito remains a cautions sequel, but Guerra is so talented that even his holding patterns often make for worthwhile listening".[10]

Houston Chronicle ranked Areito as the best Latin album of 1993.[22]

Commercial reception

Album

Areíto was well received by the music industry. It had one of the largest initial shipments ever for a Spanish language album, with 400,000 units in the US and two million worldwide.[23] In the United States, Guerra was named top selling tropical/salsa Latin artist of 1993 and Areíto the second best selling tropical/salsa Latin album of 1993.[24] Areíto was also a commercial success in Latin America and was certified Gold and Platinum in Argentina, Colombia, Chile, Mexico, Spain and Venezuela.[25]

In Spain, despite the high expectations, the album peaked at number two. It eventually sold over 300,000 copies[26] and was the 7th best selling album of 1993 in Spain and 5th best selling album by a foreign artist. . In Mexico, Areito sold 125,000 copies and was certified Gold.[27]

By 1993, the album had sold 1,500,000 copies worldwide,[26] eventually selling 2 million copies worldwide.[28][29]

However, sales figures from Areíto were significantly less in comparison to Bachata Rosa. Some attributed that one of the reasons was because Areíto did not have the same formula of mixed rhythms that caused his predecessor reached new audiences and universal acclaim. Instead, the album musical structure was based more on traditional bachata, merengue and bolero, causing some disappointment to the most recent fans at the time.[30][31]

Singles

"Frio Frio" was the first single released from the album. It peaked at number four on the Billboard Hot Latin Songs chart and number five in Uruguay.[32]

"Señales de Humo" was the second single released from the album. It reached number six on the Hot Latin Songs chart, number nine in Peru,[33] number one in Venezuela,[34] number eight in Mexico,[35][36] number eight in Chile and number seven in Dominican Republic.[37][38]

"El costo de la vida" was the third single and was released from the album shortly after being released. Despite the controversy, it was his first number one Billboard Hot Latin Songs, number 7 in Chile and peaked at number two in Venezuela.[39][38][40]

The fourth single "Coronita de Flores" peaked at seven in Uruguay and five in Chile and two in Venezuela. It won a BMI Latin Award in 1995.[41][42][43][44][45]

The fifth single "Mal de Amor" peaked at number five in Venezuela.[46]

The sixth single "Rompiendo Fuente" peaked at 10 in Dominican Republic.[47]

The seventh single "Cuanto Te Beso" reached number five in Chile.[42][48]

Tour

To promote the album, Guerra and 440 embarked at their largest and intense tour at the time, Areíto World Tour. It started on 3 July in New York[49] and ended on 16 October in Rotterdam, Netherlands.[50]

In the United States, the first show in New York was sold out. However, attendance at 9 July show at the James L. Knight Center in Miami was disappointing, 4,000 of the 6,000 seats, significantly less than the sold-out show in Miami Arena on the Bachata Rosa Tour in December 1991.[51] In Argentina, he performed at the Estadio Obras in Buenos Aires from 23 to 25 July, with three sold-out shows.[52][53]

In Spain, the tour visited 20 cities. The Madrid concerts on 14 and 15 September at Las Vegas were sold out with attendance of 40,000 fans and 9,000 fans at Sevilla on 22 September concert. During the tour dates in Spain, Areíto comeback to the top 10 due album sales surge.[54][55][56][57]

The two concerts in Barcelona at the Palau Sant Jordi on 5 and 6 October were sold out with 41,644 seats, grossing US$798,516.[58] A concert at the La Romareda in Zaragoza on 10 October had an attendance of 28,541 (of 30,000 seats) grossing US$438,141 and the Las Palmas concert on 30 September at the Insular Stadium had attendance of 18,517 (of 20,000) with a gross of US$351,895.[58][59][60]

In the Netherlands, the concert in the Ahoy in Rotherdam on 16 October was sold out, with over 10,000 tickets sold,[26] becoming the first merengue artist to do so.[50]

Track listing

All tracks are written by Juan Luis Guerra

No.TitleLength
1."Areíto"1:19
2."El Costo de la Vida"4:10
3."Señales de Humo"5:32
4."Ayer"5:05
5."Frío Frío"4:08
6."Rompiendo Fuente"4:26
7."Mal de Amor"3:46
8."Si Saliera Petróleo"4:35
9."Coronita de Flores"4:17
10."Cuando Te Beso"3:28
11."Cuando Te Beso (Bonus Track)"3:08
12."Naboria/Daca Mayanimacaná"2:25
Total length:46:19

Personnel

The following credits are from AllMusic and from the Areito liner notes:[61]

Juan Luis Guerra y 440

  • Juan Luis Guerra – vocals, guitar
  • Daniel Pena – saxophone
  • Luis Aquino – trumpet
  • Roberto Olea – trombone
  • Elvis Cabrera – piano, synthesizer
  • Marco Hernandez – synthesizer
  • Osvaldo Cesa – bass
  • Roger Zayas – drums
  • Johnny Chocolate - Tamboura
  • Pedro Peralta – congas
  • Rafael Guzman – güira
  • Isidro Bobadilla – percussion
  • Adalgisa Pantaleon – vocals
  • Yaninna Rosado - Piano

Additional personnel

  • The American Boy – Vocals
  • Juan Colon - Sax (Alto), Sax (Tenor)
  • Diablo Dibala - Composer
  • Guy Frometa - Drums
  • Jose Amable Frometa - Engineer
  • Jorge Gonzales - Bongos, Maracas
  • Manuel Tejada – piano, synthesizer
  • Giovanni Hidalgo - Congas
  • Ralph Irizarry - Timbales
  • Asier Leatxe - Assistant Engineer, Mixing Assistant
  • Allan Leschhorn - Assistant Engineer
  • José Antonio Molina - Arranger
  • Eddie Montalvo - Congas
  • Pedro Tene Peralta - Congas
  • Ed Rack - Engineer, Mixing
  • Elena Ramírez - Photography
  • Bienvenido Rodriguez - Executive Producer
  • Luis Rodriguez - Triangle
  • Hector Santana - Bass
  • Kim Stanley - Art Direction, Photography
  • Eric Taveras - Assistant Engineer
  • Jorge Taveras - Assistant Engineer, Piano
  • Tuto Taveras - Drums (Bass), Synthesizer
  • Eugenio Vanderhorst - Musicologist
  • Antonio Vazquez - Trombone
  • Sammy Velasquez - Engineer, Mixing
  • Michael Vinas - Bas

Charts

Certifications and sales
Certifications and sales for Areíto
Region CertificationCertified units/sales
Argentina (CAPIF)[25] 2× Gold 60,000^
Colombia[25] Gold  
Mexico (AMPROFON)[27] Gold 125,000[27]
Spain (PROMUSICAE)[25] 2× Platinum 200,000^
United States — 400,000[23]
Venezuela[25] 2× Platinum  
Summaries
Worldwide — 2,000,000[23]

^ Shipments figures based on certification alone.

See also

References
  1. Lannert, John (4 July 1992). "Latin Notas" (PDF). Billboard. p. 38. Retrieved 3 April 2021.
  2. Lannert, John (1 February 1992). "Latin Notas" (PDF). Billboard. p. 38. Retrieved 3 April 2021.
  3. Lannert, John (24 October 1992). "Rozenblat Takes Reins At WEA Latina; Palmieri Headlining N.Y. 'Festival'" (PDF). Billboard. p. 40. Retrieved 3 April 2021.
  4. Lannert, John (26 December 1992). "Juan Luis Guerra Delivers Hotly Awaited Follow-Up" (PDF). Billboard.
  5. "Guerra: The Hot Tropical Mixmaster". Los Angeles Times. 3 July 1993. Retrieved 19 November 2020.
  6. "BILLBOARD LATIN AWARDS" (PDF). Billboard. 5 June 1993.
  7. "ENTERTAINMENT : Singer Guerra Back in Groove After Surgery". Los Angeles Times. 28 January 1993. Retrieved 11 May 2022.
  8. Nagel, Juan Carlos (4 July 1992). "Juan Luis Guerra cancela su gira y promete preparar 'algo fresco'". La Opinión. Los Angeles. ProQuest 368185799.
  9. "Aqui y Alla Juan Luis Guerra y su grupo 4.40". La Prensa San Antonio. United States, Longwood. 17 September 1992. ProQuest 368577031.
  10. McLane, Daisann (15 April 1993). "Recordings -- Areito by Juan Luis Guerra and 440". Rolling Stone. No. 654. p. 65. ProQuest 220140217.
  11. Jarque, Fietta (22 December 1992). "Juan Luis Guerra: "Se puede hacer poesía y ser comercial a la vez"". El País (in Spanish). ISSN 1134-6582. Retrieved 11 May 2022.
  12. "Areito - Juan Luis Guerra y 440 | Songs, Reviews, Credits". AllMusic. Retrieved 11 May 2022.
  13. "Areito - Juan Luis Guerra y 440 | Songs, Reviews, Credits". AllMusic.
  14. Obejas, Achy. "Juan Luis Guerra Areito (Karen/BMG) (STAR)(STAR)(STAR)(STAR)A breakthrough recording..." Chicagotribune.com.
  15. "Musica". ProQuest. ProQuest 368230281.
  16. "GUERRA ENHANCES HIS STATUS: [SPORTS FINAL Edition]". Sun Sentinel: 3F. 27 December 1992. ProQuest 388851135.
  17. Birnbaum, Larry (24 January 1993). "NEW RELEASES: [ALL EDITIONS]". Newsday: 19. ProQuest 278591752.
  18. "Album Reviews" (PDF). Billboard. 12 December 1992. p. 48. Retrieved 3 April 2021.
  19. "RATING THE RECORDS: [FIVE STAR Edition]". Everyday Magazine. 19 February 1993. ProQuest 303719613.
  20. "Musica". La Opinión. Los Angeles, Calif. ProQuest 368230281 – via Proquest.
  21. Gonzales, Fernando (17 June 1993). "JUAN LUIS GUERRA AND 440 AREITO BMG: [City Edition]". Boston Globe: 14. ISSN 0743-1791. ProQuest 294772154.
  22. Burr, Ramiro (12 December 1993). "Latin's best/Juan Luis Guerra, Luis Miguel top strong '93 field". Houston Chronicle. Houston, Texas: 6. ProQuest 295830933.
  23. Lannert, John (26 December 1992). "Juan Luis Guerra Delivers Hotly Awaited Follow-Up" (PDF). Billboard. p. 14. Retrieved 25 May 2021.
  24. "The Year In Music" (PDF). Billboard. 25 December 1993. p. YE-56. Retrieved 3 April 2021.
  25. "Juan Luís". El Siglo de Torreón. 3 July 1993. p. 43. Retrieved 25 May 2021.
  26. Llewellyn, Howell (18 September 1993). "Merengue Star Sells Out Show In Rotterdam" (PDF). Billboard. p. 57. Retrieved 3 April 2021.
  27. "Hit parade". El Siglo de Torreón. 21 April 1993. p. 46. Retrieved 25 May 2021.
  28. "Juan Luis Guerra - República Dominicana Live ! - Biografia, carrera, evolución musical, discos y canciones del artista de merengue Juan Luis Guerra". Republica-dominicana-live.com. Retrieved 30 November 2019.
  29. "Billboard" (PDF). Worldradiohistory.com. 26 December 1992. p. 14. Retrieved 25 May 2022.
  30. "30 años de Bachata rosa, de Juan Luis Guerra". Ladiaria.com.uy (in Spanish). 26 June 2020. Retrieved 19 November 2020.
  31. "Ventana de articulo". H.elsiglodetorreon.com.mx. Retrieved 25 May 2021.
  32. "Discos más populares en Latinoamérica". El Siglo de Torreón. 3 July 1992. p. 61. Retrieved 25 May 2021.
  33. "Discos más populares de Latinoamérica". El Siglo de Torreón. 26 February 1993. p. 46. Retrieved 25 May 2021.
  34. "Discos más populares de Latinoamérica". El Siglo de Torreón. 28 November 1992. p. 62. Retrieved 25 May 2021.
  35. "Lista de popularidad". El Siglo de Torreón. 6 April 1993. p. 38. Retrieved 25 May 2021.
  36. "Ventana de articulo". h.elsiglodetorreon.com.mx. Retrieved 23 June 2022.
  37. "Discos Mas Populares Latinoamerica". H.elsiglodetorreon.com.mx. Retrieved 3 May 2022.
  38. "Discos mas populares". El Siglo de Torreón. 16 October 1992. p. 54. Retrieved 25 May 2021.
  39. "Discos más populares en Latinoamérica". El Siglo de Torreón. 29 December 1992. p. 46. Retrieved 25 May 2021.
  40. "Discos Mas Populares en Latinoamerica". H.elsiglodetorreon.com.mx. Retrieved 3 May 2022.
  41. "Disco Mas Populares en Latinoamerica". H.elsiglodetorreon.com.mx. Retrieved 3 May 2022.
  42. "Discos Mas Populares de Latinoamerica". H.elsiglodetorreon.com.mx. Retrieved 3 May 2022.
  43. "Discos Mas Populares de Latinoamerica". H.elsiglodetorreon.com.mx. 22 October 1993. Retrieved 3 May 2022.
  44. "Discos Mas Populares de Latinoamerica". H.elsiglodetorreon.com.mx. 19 July 1993. Retrieved 3 May 2022.
  45. "BMI Latin Awards" (PDF). Billboard. 23 December 1995.
  46. "Discos mas populares de Latinoamerica". h.elsiglodetorreon.com.mx. Retrieved 24 June 2022.
  47. "Los Discos Mas Populares". H.elsiglodetorreon.com.mx. Retrieved 3 May 2022.
  48. "Ventana de articulo". h.elsiglodetorreon.com.mx. Retrieved 29 June 2022.
  49. Lannert, John (10 July 1993). "Latin Notas". Billboard. p. 26.
  50. Llewellyn, Howell (18 September 1993). "Juan Luis Guerra Prepares For Northern Conquest In Rotterdam" (PDF). Music&Media.
  51. Lannert, John (24 July 1993). "Mario Bauzá: The Originator Of Cubop; 4.40 Holds Back; 'Tierra' Is Sky -High" (PDF). p. 42. Retrieved 3 April 2021.
  52. Pelo (PDF) (in Spanish). Argentina: Magenda. 1993. p. 20.
  53. "Pelo" (PDF). Files.revitapelo.com.ar. Retrieved 25 May 2022.
  54. "Juan Luis Guerra: "Camarón de la Isla y García Lorca son básicos en mi trabajo" – Tour Areito | El Correo de Andalucía | 21 September 1993" (in European Spanish). Retrieved 19 November 2020.
  55. "El merengue triunfa en Las Ventas". El País (in Spanish). 15 September 1993. ISSN 1134-6582. Retrieved 23 November 2020.
  56. "Crónica / Juan Luis Guerra: huracán latino sobre el albero del Prado – Prado de san Sebastián, Sevilla | El Correo de Andalucía | 22 September 1993" (in European Spanish). Retrieved 30 November 2020.
  57. "Edición del jueves, 02 septiembre 1993, página 33 - Hemeroteca - Lavanguardia.es". Hemeroteca.lavanguardia.com. Retrieved 5 May 2022.
  58. "Amusement Business: Boxscore – Top 10 Concert Grosses" (PDF). 6 November 1993. p. 24. Retrieved 3 April 2021.
  59. "Edición del martes, 05 octubre 1993, página 55 - Hemeroteca - Lavanguardia.es". Hemeroteca.lavanguardia.com. Retrieved 5 May 2022.
  60. "Juan Luis Guerra convierte el Sant Jordi en una sala de baile". Hemeroteca.lavanguardia.com. Retrieved 5 May 2022.
  61. Areito - Juan Luis Guerra y 440 | Credits | AllMusic, retrieved 27 June 2022
  62. "Dutchcharts.nl – Juan Luis Guerra Y 4.40 – Areito" (in Dutch). Hung Medien. Retrieved 12 December 2021.
  63. "European Top 100 Albums" (PDF). Music & Media. 6 February 1993. p. 14. Retrieved 3 April 2021.
  64. "Hits of the World" (PDF). Billboard. 13 March 1993. p. 60. Retrieved 3 April 2021.
  65. "Juan Luis Guerra 440 Chart History". Billboard. Retrieved 6 April 2019.
  66. "LOS 50 TÍTULOS CON MAYORES VENTAS EN LAS LISTAS DE VENTAS DE AFYVE EN 1993" (PDF) (in Spanish). Anuarios SGAE. Archived from the original (PDF) on 18 August 2012. Retrieved 23 May 2022.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.