Are You Are Missing Winner

Since the previous year's release of the critically acclaimed The Unutterable, Fall front man Mark E. Smith had replaced his entire band with a new line-up, a fact he acknowledges in a refrain in the album's opening track: "Not like the old one/We are the new Fall".[2][3]

The group was short of money at the time, so the album was recorded very quickly in a cheap studio. Guitarist Ben Pritchard described the making of the album as a "very miserable experience [...] There were rats running around. There was a weightlifter's gymnasium above us, you'd be recording a take and suddenly you'd hear BOOM dropping barbells and dumb-bells on the floor and you'd have to stop and start again".[4]

The Unutterable's flirtation with drum and bass is replaced on Are You Are Missing Winner by a more rockabilly-influenced sound.[5] The album features a cover version of the northern soul track "Gotta See Jane", originally by R. Dean Taylor (The Fall had previously achieved a minor hit in 1987 with a version of Taylor's "There's a Ghost in My House").[5] Also featured are versions of Lead Belly's "The Bourgeois Blues", as "Bourgeois Town", and of Iggy Pop's "African Man", as "Ibis-Afro Man", the latter being particularly experimental with different recordings of the track frequently playing simultaneously throughout.

"Kick the Can" takes its title from an episode of The Twilight Zone.

The album's release was so rushed that the tracks weren't even mastered properly, resulting in wildly uneven audio levels and quality. It was remastered in 2006 for a Castle Communications reissue.

Professional ratings

Review scores
Source	Rating
AllMusic	[6]
BBC Music	favourable[2]
The Birmingham Post	[7]
Q	[8]
The Times	2/3[9]
The Wire	favourable[10]

Critical reception to Are You Are Missing Winner was mixed, often focusing unfavourably on the contrast with The Unutterable. Among the album's more negative reviews were that of John Bush of AllMusic, who suggests, "Are You Are Missing Winner represents a rare misstep for the mighty Fall",[6] and Andrew Cowen for The Birmingham Post, who called it "appallingly recorded throwaway kids stuff", and "scrappy even by their standards", going on to write "Mark E Smith sounds paralytic throughout, mumbling and ranting like some sorry old man. You can almost smell the wee."[7]

Edwin Pouncey, writing in The Wire, is more upbeat: "…Smith scatterguns half remembered lyrics and conducts a whirlpool of splintered guitar, dishevelled drum and battered bass sounds with a Quasimodic Gene Vincent leather gloved fist that claws even deeper into the raw clay of innovation that birthed rock 'n' roll and continues to fuel Smith's unique vision".[11]

• Some CD copies have tracks 4 and 5 in the reverse order, despite the order being listed as above.

The Fall

• Mark E. Smith – vocals, production
• Jim Watts – bass guitar, guitar, vocals, production
• Ben Pritchard – guitar, vocals
• Spencer Birtwistle – drums, production

Additional personnel

• Ed Blaney – guitar, vocals, production
• Brian Fanning – guitar, vocals; bass on "Ey Bastardo"
• Julia Nagle – keyboards on "Ibis-Afro Man" - uncredited; a section of this track is taken from a live recording from 23 April 2001 at the Mean Fiddler in London. Nagle was still in the band at this point and is clearly heard on the track.[12]
• Steve Lloyd – engineering
• Steve Lee – cover artwork

• Lyrics