Arnaldo Pomodoro

Arnaldo Pomodoro was born on 23 June 1926 in Morciano di Romagna, Montefeltro area. He received his diploma from the Technical Institute for Surveyors in Rimini, and then worked at the Public Works Office in Pesaro. He developed an interest in art and scenography, and attended the Art Institute in Pesaro.[1]^: 205

In 1953, Pomodoro attended an exhibition of Picasso which was held in Milan at the Palazzo Reale. This exhibition made a strong impression on him, and a year after he moved to Milan where he joined the artistic community and became friends with Lucio Fontana, Dangelo, Sanesi, Baj, and others.[1]^: 189 He took part in the 10th Triennale in Milan, and together with his brother Gio' he also participated in the Venice Biennale.[1]^: 205

In 1959, Arnaldo Pomodoro received a grant to study American art, and traveled to the United States for the first time.[1]^: 189 He describes his visit to MoMa and seeing Brancusi's sculptures as a strong inspiration for his work.[1]^: 190 In San Francisco, he met Mark Rothko who was teaching at the California School of Fine Arts. In New York Pomodoro met Costantino Nivola and Enrico Donati who introduced him to such artists as Franz Kline, Jasper Johns, Andy Warhol and others.[1]^: 190 He also met sculptors David Smith and Louise Nevelson, and organized an exhibition New Work from Italy, dedicated to Italian artists.[1]^: 205

Later in 1960s, he developed a collaboration with the Marlborough Gallery in New York. In 1963, Pomodoro received the International Prize for Sculpture at the VII São Paulo Biennale and also the National Prize for Sculpture at the XXXII Venice Biennale in 1964.[1]^: 205 In 1966, he became an artist in residence at Stanford University, and then at UC Berkeley and Mills College.[1]^: 205 The following year he created the Sfera grande for the Italian Pavilion at the Montreal Expo. This sculpture is now located in front of the Farnesina Palace in Rome. That year Pomodoro won the International Prize for Sculpture from the Carnegie Institute in Pittsburgh.[1]^: 205

Forme del Mito in Brisbane

In 1972, Arnaldo Pomodoro returned to set design, and worked on the play Das Käthchen von Heilbronn by Heinrich von Kleist, which was staged in Zurich. In 1984, he had a large retrospective exhibition at the Forte di Belvedere in Florence.[1]^: 205 In 1988, Pomodoro participated in the Venice Biennale as well as the international exhibition of sculpture at the World Expo in Brisbane. His work Forme del Mito (Forms of Myth) which was displayed at the Expo, was later purchased by Brisbane City Council for the City of Brisbane.

Sfera con Sfera, The Berkeley Library, Trinity College, Dublin

In 2023 Trinity College 'de-named' the Berkeley Library on the grounds that Bishop Berkeley, though a noted philosopher, was also a slave owner.

In 1990, Arnaldo Pomodoro received the Praemium Imperiale for Sculpture from the Japan Art Association.[1]^: 206

His work Sfera con Sfera was installed in the Cortile della Pigna of the Vatican Museums. In 1992, he was awarded an honorary degree in Literature by Trinity College in Dublin. The following year he was nominated the honorary member of the Brera Art Academy in Milan.[1]^: 206

In 1995, the Fondazione Arnaldo Pomodoro was created as a cultural and exhibition center dedicated to contemporary art. Originally conceived as a centre to document and archive the work of the artist, it opened an exhibition space in 2005, hosting exhibitions of prominent artists such as Jannis Kounellis, Lucio Fontana and Robert Rauschenberg.[2] The director of Fondazione Arnaldo Pomodoro is Flaminio Gualdoni.

In 1996, Arnaldo Pomodoro was awarded the Knight of the Great Cross of the Italian Republic (Cavaliere di gran croce dell'Ordine al merito della Repubblica italiana).[1]^: 206 His sculpture Sfera con Sfera was installed in front of the United Nations building in New York City.

In 2014–15, Pomodoro finished one of his fundamental works – the Pietrarubbia Group, which was started in 1975.[1]^: 206 He then explained the idea behind this project:[3]

"In the early 1970s, on the advice of some Pesaro friends, I visited Pietrarubbia, a small town in Montefeltro between the Marche and Romagna, which had been built, according to legend, in 980. At that time the village was almost completely abandoned. I realized that somehow it had to be born again: and how, if not through the participation of artists? I had to kick it off. So, I had the idea of dedicating one of my works to Pietrarubbia and I planned a series of sculptures as a cycle. The Pietrarubbia Group was born, a work "in progress", a space defined by a series of sculptures – in fact, a space that became all sculpture – in which certain values are given meaning, certain historical values, in the sense that history is always the same… In short, I would like that anyone who sees this work could read within it the very spirit that comes from the Middle Ages: the gate that rises, the drawbridge, the foundation, the gate that opens and closes and can also be seen as a negative and positive book…"

On Form and Movement:[1]^: 199

According to me, sculpture must be projected into space in order to remove, as far as possible, the weight from the material and the work's fixed base. I have always tried to express movement as an intensification of a condition of imbalance in order to create a striking contrast to any stasis or any reached or predictable order.

— Arnaldo Pomodoro

• Semiramide by Gioacchino Rossini (1982), Teatro dell'Opera of Rome
• Orestea di Gibellina by Emilio Isgrò, on a text by Eschilo (1983–1985)
• Didone by Christopher Marlowe (1986)
• Alceste by Christoph Willibald Gluck (1987), Teatro dell'Opera of Genoa – stage and costumes
• Oedipus rex by Igor Stravinsky (1988), Siena
• La Passione di Cleopatra by Ahmad Shawqi, an Egyptian poet (1989)
• I Paraventi by Jean Genet (1990), Teatro Comunale of Bologna – stage and costumes
• Nella solitudine dei campi di cotone by Bernard-Marie Koltès (1992)
• Più grandiose dimore by Eugene O'Neill (1993)
• Oreste di Vittorio Alfieri (1993)
• Stabat Mater, La passione secondo Giovanni and Vespro della Beata Vergine by Antonio Tarantino (1994–1995)
• Moonlight by Harold Pinter (1995)
• Drammi Marini by Eugene O'Neill (1996)
• Antigone by Jean Anouilh (1996)
• Tempesta (The Tempest) by William Shakespeare (1998) – stage and costumes
• Un ballo in maschera by Giuseppe Verdi (2005), Opernhaus of Lipsia – stage and costumes
• Teneke by Fabio Vacchi (2007), Teatro alla Scala of Milan – stage and costumes

• • International Prize for Sculpture, VII São Paulo Biennale, 1963.
  • National Prize for Sculpture, XXXII Venice Biennale, 1964.
  • International Prize for Sculpture, Carnegie Institute, 1967.
  • Praemium Imperiale for Sculpture, Japan Art Association, 1990.
  • Honorary degree in Literature, Trinity College, 1992.
  • The Knight of the Great Cross of the Italian Republic, 1996.
  • International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award, 2008.[4]

• 
  Sphere Within Sphere by Pomodoro in Trinity College, Dublin
• 
  One of four columns by Pomodoro in the Amaliehaven park in Copenhagen, Denmark
• 
  Arnoldo Pomodoro, 1965

• Radford, Georgia and Warren Radford, Sculpture in the Sun, Hawaii's Art for Open Spaces, University of Hawaii Press, 1978, 95.

Wikimedia Commons has media related to Arnaldo Pomodoro.

• Arnaldo Pomodoro biography on the Guggenheim Museum Website
• Fondazione Arnaldo Pomodoro
• Museum of Outdoor Arts MOA>art piece full details
• Arnaldo Pomodoro's major creations Archived 19 December 2013 at the Wayback Machine