Florence

Florence was established by the Romans in 59 BC as a colony for veteran soldiers and was built in the style of an army camp.[19] Situated along the Via Cassia, the main route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre and in AD 285 became the capital of the Tuscia region.

The Goth King Totila razes the walls of Florence during the Gothic War: illumination from the Chigi manuscript of Villani's Cronica.

In centuries to come, the city experienced turbulent alternate periods of Ostrogoth and Byzantine rule, during which the city was fought over, helping to cause the population to fall to as low as 1,000 people.[20] Peace returned under Lombard rule in the 6th century and Florence was in turn conquered by Charlemagne in 774 becoming part of the March of Tuscany centred on Lucca. The population began to grow again and commerce prospered.

The Basilica di San Miniato al Monte

Margrave Hugo chose Florence as his residency instead of Lucca around 1000 AD. The Golden Age of Florentine art began around this time. In 1100, Florence was a "commune", meaning a city-state. The city's primary resource was the Arno river, providing power and access for the industry (mainly textile industry), and access to the Mediterranean sea for international trade, helping the growth of an industrious merchant community. The Florentine merchant banking skills became recognised in Europe after they brought decisive financial innovation (e.g. bills of exchange,[21] double-entry bookkeeping system) to medieval fairs. This period also saw the eclipse of Florence's formerly powerful rival Pisa.[22] The growing power of the merchant elite culminated in an anti-aristocratic uprising, led by Giano della Bella, resulting in the Ordinances of Justice[23] which entrenched the power of the elite guilds until the end of the Republic.

Leonardo da Vinci statue outside the Uffizi Gallery

At the height of demographic expansion around 1325, the urban population may have been as great as 120,000, and the rural population around the city was probably close to 300,000.[24] The Black Death of 1348 reduced it by over half,[25][26] about 25,000 are said to have been supported by the city's wool industry: in 1345 Florence was the scene of an attempted strike by wool combers (ciompi), who in 1378 rose up in a brief revolt against oligarchic rule in the Revolt of the Ciompi. After their suppression, Florence came under the sway (1382–1434) of the Albizzi family, who became bitter rivals of the Medici.

In the 15th century, Florence was among the largest cities in Europe, with a population of 60,000, and was considered rich and economically successful.[27] Cosimo de' Medici was the first Medici family member to essentially control the city from behind the scenes. Although the city was technically a democracy of sorts, his power came from a vast patronage network along with his alliance to the new immigrants, the gente nuova (new people). The fact that the Medici were bankers to the pope also contributed to their ascendancy. Cosimo was succeeded by his son Piero, who was, soon after, succeeded by Cosimo's grandson, Lorenzo in 1469. Lorenzo was a great patron of the arts, commissioning works by Michelangelo, Leonardo da Vinci and Botticelli. Lorenzo was an accomplished poet and musician and brought composers and singers to Florence, including Alexander Agricola, Johannes Ghiselin, and Heinrich Isaac. By contemporary Florentines (and since), he was known as "Lorenzo the Magnificent" (Lorenzo il Magnifico).

Following Lorenzo de' Medici's death in 1492, he was succeeded by his son Piero II. When the French king Charles VIII invaded northern Italy, Piero II chose to resist his army. But when he realised the size of the French army at the gates of Pisa, he had to accept the humiliating conditions of the French king. These made the Florentines rebel, and they expelled Piero II. With his exile in 1494, the first period of Medici rule ended with the restoration of a republican government.

Girolamo Savonarola being hanged and burned in 1498. The brooding Palazzo Vecchio is at centre right.

During this period, the Dominican friar Girolamo Savonarola had become prior of the San Marco monastery in 1490. He was famed for his penitential sermons, lambasting what he viewed as widespread immorality and attachment to material riches. He praised the exile of the Medici as the work of God, punishing them for their decadence. He seized the opportunity to carry through political reforms leading to a more democratic rule. But when Savonarola publicly accused Pope Alexander VI of corruption, he was banned from speaking in public. When he broke this ban, he was excommunicated. The Florentines, tired of his teachings, turned against him and arrested him. He was convicted as a heretic, hanged and burned at the stake on the Piazza della Signoria on 23 May 1498. His ashes were dispersed in the Arno river.[28]

Another Florentine of this period was Niccolò Machiavelli, whose prescriptions for Florence's regeneration under strong leadership have often been seen as a legitimization of political expediency and even malpractice. Machiavelli was a political thinker, renowned for his political handbook The Prince, which is about ruling and exercising power. Commissioned by the Medici, Machiavelli also wrote the Florentine Histories, the history of the city.

In 1512, the Medici retook control of Florence with the help of Spanish and Papal troops.[29] They were led by two cousins, Giovanni and Giulio de' Medici, both of whom would later become Popes of the Catholic Church, (Leo X and Clement VII, respectively). Both were generous patrons of the arts, commissioning works like Michelangelo's Laurentian Library and Medici Chapel in Florence, to name just two.[30][31] Their reigns coincided with political upheaval in Italy, and thus in 1527, Florentines drove out the Medici for a second time and re-established a theocratic republic on 16 May 1527, (Jesus Christ was named King of Florence).[32] The Medici returned to power in Florence in 1530, with the armies of Holy Roman Emperor Charles V and the blessings of Pope Clement VII (Giulio de' Medici).

Florence officially became a monarchy in 1531, when Emperor Charles and Pope Clement named Alessandro de Medici as Duke of the Florentine Republic. The Medici's monarchy would last over two centuries. Alessandro's successor, Cosimo I de Medici, was named Grand Duke of Tuscany in 1569; in all Tuscany, only the Republic of Lucca (later a Duchy) and the Principality of Piombino were independent from Florence.

Leopold II, Holy Roman Emperor and his family. Leopold was, from 1765 to 1790, the Grand Duke of Tuscany.

The extinction of the Medici dynasty and the accession in 1737 of Francis Stephen, duke of Lorraine and husband of Maria Theresa of Austria, led to Tuscany's temporary inclusion in the territories of the Austrian crown. It became a secundogeniture of the Habsburg-Lorraine dynasty, who were deposed for the House of Bourbon-Parma in 1801. From 1801 to 1807 Florence was the capital of the Napoleonic client state Kingdom of Etruria. The Bourbon-Parma were deposed in December 1807 when Tuscany was annexed by France. Florence was the prefecture of the French département of Arno from 1808 to the fall of Napoleon in 1814. The Habsburg-Lorraine dynasty was restored on the throne of Tuscany at the Congress of Vienna but finally deposed in 1859. Tuscany became a region of the Kingdom of Italy in 1861.

Florence replaced Turin as Italy's capital in 1865 and, in an effort to modernise the city, the old market in the Piazza del Mercato Vecchio and many medieval houses were pulled down and replaced by a more formal street plan with newer houses. The Piazza (first renamed Piazza Vittorio Emanuele II, then Piazza della Repubblica, the present name) was significantly widened and a large triumphal arch was constructed at the west end. This development was unpopular and was prevented from continuing by the efforts of several British and American people living in the city. A museum recording the destruction stands nearby today.

The country's second capital city was superseded by Rome six years later, after the withdrawal of the French troops allowed the capture of Rome.

Porte Sante cemetery, burial place of notable figures of Florentine history

During World War II the city experienced a year-long German occupation (1943–1944) being part of the Italian Social Republic. Hitler declared it an open city on 3 July 1944 as troops of the British 8th Army closed in.[33] In early August, the retreating Germans decided to demolish all the bridges along the Arno linking the district of Oltrarno to the rest of the city, making it difficult for troops of the 8th Army to cross. At the last moment, Charles Steinhauslin, at the time consul of 26 countries in Florence, convinced the German general in Italy that the Ponte Vecchio was not to be destroyed due to its historical value. Instead, an equally historic area of streets directly to the south of the bridge, including part of the Corridoio Vasariano, was destroyed using mines. Since then the bridges have been restored to their original forms using as many of the remaining materials as possible, but the buildings surrounding the Ponte Vecchio have been rebuilt in a style combining the old with modern design. Shortly before leaving Florence, as they knew that they would soon have to retreat, the Germans executed many freedom fighters and political opponents publicly, in streets and squares including the Piazza Santo Spirito.

1/5 Mahratta Light Infantry, Florence, 28 August 1944

Florence was liberated by New Zealand, South African and British troops on 4 August 1944 alongside partisans from the Tuscan Committee of National Liberation (CTLN). The Allied soldiers who died driving the Germans from Tuscany are buried in cemeteries outside the city (Americans about nine kilometres or 5+1⁄2 miles south of the city, British and Commonwealth soldiers a few kilometres east of the centre on the right bank of the Arno).

At the end of World War II in May 1945, the US Army's Information and Educational Branch was ordered to establish an overseas university campus for demobilised American service men and women in Florence. The first American university for service personnel was established in June 1945 at the School of Aeronautics. Some 7,500 soldier-students were to pass through the university during its four one-month sessions (see G. I. American Universities).[34]

In November 1966, the Arno flooded parts of the centre, damaging many art treasures. Around the city there are tiny placards on the walls noting where the flood waters reached at their highest point.

Florence has a humid subtropical climate (Cfa), tending to Mediterranean (Csa).[37] It has hot summers with moderate or light rainfall and cool, damp winters. As Florence lacks a prevailing wind, summer temperatures are higher than along the coast. Rainfall in summer is convectional, while relief rainfall dominates in the winter. Snow flurries occur almost every year,[38] but often result in no accumulation.[39] The highest officially recorded temperature was 42.6 °C (108.7 °F) on 26 July 1983 and the lowest was −23.2 °C (−9.8 °F) on 12 January 1985.[40]

Florence is a major production and commercial centre in Italy, where the Florentine industrial complexes in the suburbs produce all sorts of goods, from furniture, rubber goods, chemicals, and food.[11] Traditional and local products, such as antiques, handicrafts, glassware, leatherwork, art reproductions, jewellery, souvenirs, elaborate metal and iron-work, shoes, accessories and high fashion clothes also occupy a fair sector of Florence's economy.[11] The city's income relies partially on services and commercial and cultural interests, such as annual fairs, theatrical and lyrical productions, art exhibitions, festivals and fashion shows, such as the Calcio Fiorentino. Heavy industry and machinery also take their part in providing an income. In Nuovo Pignone, numerous factories are still present, and small-to medium industrial businesses are dominant. The Florence-Prato-Pistoia industrial districts and areas were known as the 'Third Italy' in the 1990s, due to the exports of high-quality goods and automobile (especially the Vespa) and the prosperity and productivity of the Florentine entrepreneurs. Some of these industries even rivalled the traditional industrial districts in Emilia-Romagna and Veneto due to high profits and productivity.[11]

In the fourth quarter of 2015, manufacturing increased by 2.4% and exports increased by 7.2%. Leading sectors included mechanical engineering, fashion, pharmaceutics, food and wine. During 2015, permanent employment contracts increased by 48.8 percent, boosted by nationwide tax break.[56]

Tourists flock to the Fontana del Porcellino.

Tourism is the most significant industry in central Florence. From April to October, tourists outnumber local population. Tickets to the Uffizi and Accademia museums are regularly sold out and large groups regularly fill the basilicas of Santa Croce and Santa Maria Novella, both of which charge for entry. Tickets for The Uffizi and Accademia can be purchased online prior to visiting.[59] In 2010, readers of Travel + Leisure magazine ranked the city as their third favourite tourist destination.[60] In 2015, Condé Nast Travel readers voted Florence as the best city in Europe.[61]

Studies by Euromonitor International have concluded that cultural and history-oriented tourism is generating significantly increased spending throughout Europe.[62]

Florence is believed to have the greatest concentration of art (in proportion to its size) in the world.[63] Thus, cultural tourism is particularly strong, with world-renowned museums such as the Uffizi selling over 1.93 million tickets in 2014.[64] The city's convention centre facilities were restructured during the 1990s and host exhibitions, conferences, meetings, social forums, concerts and other events all year.

Tourists and restaurant in the Piazza del Duomo

In 2016, Florence had 20,588 hotel rooms in 570 facilities. International visitors use 75% of the rooms; some 18% of those were from the U.S.[65] In 2014, the city had 8.5 million overnight stays.[66] A Euromonitor report indicates that in 2015 the city ranked as the world's 36th most visited in the world, with over 4.95 million arrivals for the year.[67]

Tourism brings revenue to Florence, but also creates certain problems. The Ponte Vecchio, The San Lorenzo Market and Santa Maria Novella are plagued by pickpockets.[68] The province of Florence receives roughly 13 million visitors per year[69] and in peak seasons, popular locations may become overcrowded as a result.[70] In 2015, Mayor Dario Nardella expressed concern over visitors who arrive on buses, stay only a few hours, spend little money but contribute significantly to overcrowding. "No museum visit, just a photo from the square, the bus back and then on to Venice ... We don't want tourists like that", he said.[71]

Some tourists are less than respectful of the city's cultural heritage, according to Nardella. In June 2017, he instituted a programme of spraying church steps with water to prevent tourists from using such areas as picnic spots. While he values the benefits of tourism, he claims that there has been "an increase among those who sit down on church steps, eat their food and leave rubbish strewn on them", he explained.[72] To boost the sale of traditional foods, the mayor had introduced legislation (enacted in 2016) that requires restaurants to use typical Tuscan products and rejected McDonald's application to open a location in the Piazza del Duomo.[73]

In October 2021, Florence was shortlisted for the European Commission's 2022 European Capital of Smart Tourism award along with Bordeaux, Copenhagen, Dublin, Ljubljana, Palma de Mallorca and Valencia.[74]

Fiaschi of basic Chianti

Food and wine have long been an important staple of the economy. The Chianti region is just south of the city, and its Sangiovese grapes figure prominently not only in its Chianti Classico wines but also in many of the more recently developed Supertuscan blends. Within 32 km (20 mi) to the west is the Carmignano area, also home to flavourful sangiovese-based reds. The celebrated Chianti Rufina district, geographically and historically separated from the main Chianti region, is also few kilometres east of Florence. More recently, the Bolgheri region (about 150 km or 93 mi southwest of Florence) has become celebrated for its "Super Tuscan" reds such as Sassicaia and Ornellaia.[75]

Botticelli's Venus, Uffizi

Florence was the birthplace of High Renaissance art, which lasted from about 1500 to 1527. Renaissance art put a larger emphasis on naturalism and human emotion.[76] Medieval art was often formulaic and symbolic; the surviving works are mostly religious, their subjects were chosen by clerics. By contrast, Renaissance art became more rational, mathematical, individualistic,[76] and produced by known artists such as Donatello, Michelangelo, and Raphael, who started to sign their works. Religion was important, but with this new age came the humanization[77][78] of religious figures in art, such as Expulsion from the Garden of Eden, Ecce Homo (Bosch, 1470s), and Madonna Della Seggiola; People of this age began to understand themselves as human beings, which reflected in art.[78] The Renaissance marked the rebirth of classical values in art and society as people studied the ancient masters of the Greco-Roman world;[77] Art became focused on realism as opposed to idealism.[78]

Sculptures in the Loggia dei Lanzi

Michelangelo's David

Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.[79][80]

Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages",[81] the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis[82] Buonarroti's house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones.[83] Several monuments are located in Florence: the Florence Baptistery with its mosaics; the cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archaeological museum includes documents of Etruscan civilisation.[84] The city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.[85]

The Uffizi Gallery is the 10th most visited art museum in the world.

Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of both Renaissance and Neoclassical architecture.[86]

The cathedral, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it late in the 13th century, without a design for the dome. The project proposed by Brunelleschi in the 14th century was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. The dome of Santa Maria del Fiore remains the largest brick construction of its kind in the world.[87][88] In front of it is the medieval Baptistery. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the nearby Giotto's Campanile, have been removed and replaced by copies. The originals are now housed in the Museum dell'Opera del Duomo, just to the east of the cathedral.

Florence has large numbers of art-filled churches, such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, Santa Maria del Carmine, Santa Croce, Santo Spirito, the Annunziata, Ognissanti and numerous others.[11]

The Palazzo della Signoria, better known as the Palazzo Vecchio (English: The Old Palace)

Artists associated with Florence range from Arnolfo di Cambio and Cimabue to Giotto, Nanni di Banco, and Paolo Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the della Robbia family; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci. Others include Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Filippo Lippi, Bernardo Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, and Pontormo. Artists from other regions who worked in Florence include Raphael, Andrea Pisano, Giambologna, Il Sodoma and Peter Paul Rubens.

Brunelleschi's dome

Picture galleries in Florence include the Uffizi and the Pitti Palace. Two superb collections of sculpture are in the Bargello and the Museum of the Works of the Duomo. They are filled with the creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and others. The Galleria dell'Accademia has Michelangelo's David, which was created between 1501 and 1504 and is perhaps the best-known work of art anywhere, plus the unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.[89][90] Other sights include the medieval city hall, the Palazzo della Signoria (also known as the Palazzo Vecchio), the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a collection of works by the modern sculptor, Marino Marini, in a museum named after him. The Strozzi Palace is the site of special exhibits.[91]

Florentine (fiorentino), spoken by inhabitants of Florence and its environs, is a Tuscan dialect and the immediate parent language to modern Italian.

Although its vocabulary and pronunciation are largely identical to standard Italian, differences do exist. The Vocabolario del fiorentino contemporaneo (Dictionary of Modern Florentine) reveals lexical distinctions from all walks of life.[92] Florentines have a highly recognisable accent in phonetic terms due to the so-called gorgia toscana: "hard c" /k/ between two vowels is pronounced as a fricative [h] similar to an English h, so that dico 'I say' is phonetically [ˈdiːho], i cani 'the dogs' is [iˈhaːni]. Similarly, t between vowels is pronounced [θ] as in English thin, and p in the same position is the bilabial fricative [ɸ]. Other traits include using a form of the subjunctive mood last commonly used in medieval times, a frequent usage in everyday speech of the modern subjunctive, and a shortened pronunciation of the definite article, [i] instead of "il", causing doubling of the consonant that follows, so that il cane 'the dog', for example, is pronounced [ikˈkaːne].

Dante, Petrarch, and Boccaccio pioneered the use of the vernacular[93] instead of the Latin used for most literary works at the time.

The introduction of the Decameron (1350–1353) by Giovanni Boccaccio

Despite Latin being the main language of the courts and the Church in the Middle Ages, writers such as Dante Alighieri[93] and many others used their own language, the Florentine vernacular descended from Latin, in composing their greatest works. The oldest literary pieces written in Florentine go as far back as the 13th century. Florence's literature fully blossomed in the 14th century, when not only Dante with his Divine Comedy (1306–1321) and Petrarch, but also poets such as Guido Cavalcanti and Lapo Gianni composed their most important works.[93] Dante's masterpiece is the Divine Comedy, which mainly deals with the poet himself taking an allegoric and moral tour of Hell, Purgatory and finally Heaven, during which he meets numerous mythological or real characters of his age or before. He is first guided by the Roman poet Virgil, whose non-Christian beliefs damned him to Hell. Later on he is joined by Beatrice, who guides him through Heaven.[93]

In the 14th century, Petrarch[94] and Giovanni Boccaccio[94] led the literary scene in Florence after Dante's death in 1321. Petrarch was an all-rounder writer, author and poet, but was particularly known for his Canzoniere, or the Book of Songs, where he conveyed his unremitting love for Laura.[94] His style of writing has since become known as Petrarchism.[94] Boccaccio was better known for his Decameron, a slightly grim story of Florence during the 1350s bubonic plague, known as the Black Death, when some people fled the ravaged city to an isolated country mansion, and spent their time there recounting stories and novellas taken from the medieval and contemporary tradition. All of this is written in a series of 100 distinct novellas.[94]

In the 16th century, during the Renaissance, Florence was the home town of political writer and philosopher Niccolò Machiavelli, whose ideas on how rulers should govern the land, detailed in The Prince, spread across European courts and enjoyed enduring popularity for centuries. These principles became known as Machiavellianism.

The Teatro della Pergola

Florence became a musical centre during the Middle Ages and music and the performing arts remain an important part of its culture. The growth of Northern Italian Cities in the 1500s likely contributed to its increased prominence. During the Renaissance, there were four kinds of musical patronage in the city with respect to both sacred and secular music: state, corporate, church, and private. It was here that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further development of the operatic form, but for later developments of separate "classical" forms such as the symphony and concerto. After the year 1600, Italian trends prevailed across Europe, by 1750 it was the primary musical language. The genre of the Madrigal, born in Italy, gained popularity in Britain and elsewhere. Several Italian cities were "larger on the musical map than their real-size for power suggested. Florence, was once such city which experienced a fantastic period in the early seventeenth Century of musico-theatrical innovation, including the beginning and flourishing of opera.[95]

Opera was invented in Florence in the late 16th century when Jacopo Peri's Dafne an opera in the style of monody, was premiered. Opera spread from Florence throughout Italy and eventually Europe. Vocal Music in the choir setting was also taking new identity at this time. At the beginning of the 17th century, two practices for writing music were devised, one the first practice or Stile Antico/Prima Prattica the other the Stile Moderno/Seconda Prattica. The Stile Antico was more prevalent in Northern Europe and Stile Moderno was practiced more by the Italian Composers of the time.[96] The piano was invented in Florence in 1709 by Bartolomeo Cristofori. Composers and musicians who have lived in Florence include Piero Strozzi (1550 – after 1608), Giulio Caccini (1551–1618) and Mike Francis (1961–2009). Giulio Caccini's book Le Nuove Musiche was significant in performance practice technique instruction at the time.[95] The book specified a new term, in use by the 1630s, called monody which indicated the combination of voice and basso continuo and connoted a practice of stating text in a free, lyrical, yet speech-like manner. This would occur while an instrument, usually a keyboard type such as harpsichord, played and held chords while the singer sang/spoke the monodic line.[97]

Florence has been a setting for numerous works of fiction and movies, including the novels and associated films, such as Light in the Piazza, The Girl Who Couldn't Say No, Calmi Cuori Appassionati, Hannibal, A Room with a View, Tea with Mussolini, Virgin Territory and Inferno. The city is home to renowned Italian actors and actresses, such as Roberto Benigni, Leonardo Pieraccioni and Vittoria Puccini.

Florence has appeared as a location in video games such as Assassin's Creed II.[98] The Republic of Florence also appears as a playable nation in Paradox Interactive's grand strategy game Europa Universalis IV.

16th century Florence is the setting of the Japanese manga and anime series Arte.

Florentine steak in Florence

Florentine food grows out of a tradition of peasant fare rather than rarefied high cuisine. The majority of dishes are based on meat. The whole animal was traditionally eaten; tripe (trippa) and stomach (lampredotto) were once regularly on the menu at restaurants and still are sold at the food carts stationed throughout the city. Antipasti include crostini toscani, sliced bread rounds topped with a chicken liver-based pâté, and sliced meats (mainly prosciutto and salame, often served with melon when in season). The typically saltless Tuscan bread, obtained with natural levain frequently features in Florentine courses, especially in its soups, ribollita and pappa al pomodoro, or in the salad of bread and fresh vegetables called panzanella that is served in summer. The bistecca alla fiorentina is a large (the customary size should weigh around 1.2 to 1.5 kg or 2 lb 10 oz to 3 lb 5 oz) – the "date" steak – T-bone steak of Chianina beef cooked over hot charcoal and served very rare with its more recently derived version, the tagliata, sliced rare beef served on a bed of arugula, often with slices of Parmesan cheese on top. Most of these courses are generally served with local olive oil, also a prime product enjoying a worldwide reputation.[99]
Among the desserts, schiacciata alla fiorentina, a white flatbread cake, is one of the most popular; it is a very soft cake, prepared with extremely simple ingredients, typical of Florentine cuisine, and is especially eaten at Carnival.

UNICEF Innocenti Research Centre

Research institutes and university departments are located within the Florence area and within two campuses at Polo di Novoli and Polo Scientifico di Sesto Fiorentino[100] as well as in the Research Area of Consiglio Nazionale delle Ricerche.[101]

A display of proboscideans in the Museo di Storia Naturale di Firenze, or the Natural History Museum of Florence

Florence has been an important scientific centre for centuries, notably during the Renaissance with scientists such as Leonardo da Vinci.

Florentines were one of the driving forces behind the Age of Discovery. Florentine bankers financed Henry the Navigator and the Portuguese explorers who pioneered the route around Africa to India and the Far East. It was a map drawn by the Florentine Paolo dal Pozzo Toscanelli, a student of Brunelleschi, that Christopher Columbus used to sell his "enterprise" to the Spanish monarchs, and which he used on his first voyage. Mercator's "Projection" is a refined version of Toscanelli's, taking the Americas into account.

Galileo and other scientists pioneered the study of optics, ballistics, astronomy, anatomy, and other scientific disciplines. Pico della Mirandola, Leonardo Bruni, Machiavelli, and many others laid the groundwork for modern scientific understanding.

Luxury boutiques along Florence's prestigious Via de' Tornabuoni

By the year 1300 Florence had become a centre of textile production in Europe. Many of the rich families in Renaissance Florence were major purchasers of locally produced fine clothing, and the specialists of fashion in the economy and culture of Florence during that period is often underestimated.[102] Florence is regarded by some as the birthplace and earliest centre of the modern (post World War Two) fashion industry in Italy. The Florentine "soirées" of the early 1950s organised by Giovanni Battista Giorgini were events where several Italian designers participated in group shows and first garnered international attention.[103] Florence has served as the home of the Italian fashion company Salvatore Ferragamo since 1928. Gucci, Roberto Cavalli, and Emilio Pucci are also headquartered in Florence. Other major players in the fashion industry such as Prada and Chanel have large offices and stores in Florence or its outskirts. Florence's main upscale shopping street is Via de' Tornabuoni, where major luxury fashion houses and jewellery labels, such as Armani and Bulgari, have boutiques. Via del Parione and Via Roma are other streets that are also well known for their high-end fashion stores.[104]

The Scoppio del Carro ("Explosion of the Cart") is a celebration of the First Crusade. During the day of Easter, a cart, which the Florentines call the Brindellone and which is led by four white oxen, is taken to the Piazza del Duomo between the Baptistery of St. John the Baptist (Battistero di San Giovanni) and the Florence Cathedral (Santa Maria del Fiore). The cart is connected by a rope to the interior of the church. Near the cart there is a model of a dove, which, according to legend, is a symbol of good luck for the city: at the end of the Easter mass, the dove emerges from the nave of the Duomo and ignites the fireworks on the cart.

Calcio Storico

Calcio Storico Fiorentino ("Historic Florentine Football"), sometimes called Calcio in costume, is a traditional sport, regarded as a forerunner of soccer, though the actual gameplay most closely resembles rugby. The event originates from the Middle Ages, when the most important Florentine nobles amused themselves playing while wearing bright costumes. The most important match was played on 17 February 1530, during the siege of Florence. That day Papal troops besieged the city while the Florentines, with contempt of the enemies, decided to play the game notwithstanding the situation. The game is played in the Piazza di Santa Croce. A temporary arena is constructed, with bleachers and a sand-covered playing field. A series of matches are held between four teams representing each quartiere (quarter) of Florence during late June and early July.[105] There are four teams: Azzurri (light blue), Bianchi (white), Rossi (red) and Verdi (green). The Azzurri are from the quarter of Santa Croce, Bianchi from the quarter of Santo Spirito, Verdi are from San Giovanni and Rossi from Santa Maria Novella.

Baptistry, cathedral and campanile

Piazzale degli Uffizi

Florence contains several palaces and buildings from various eras. The Palazzo Vecchio is the town hall of Florence and also an art museum. This large Romanesque crenellated fortress-palace overlooks the Piazza della Signoria with its copy of Michelangelo's David statue as well as the gallery of statues in the adjacent Loggia dei Lanzi. Originally called the Palazzo della Signoria, after the Signoria of Florence, the ruling body of the Republic of Florence, it was also given several other names: Palazzo del Popolo, Palazzo dei Priori, and Palazzo Ducale, in accordance with the varying use of the palace during its long history. The building acquired its current name when the Medici duke's residence was moved across the Arno to the Palazzo Pitti. It is linked to the Uffizi and the Palazzo Pitti through the Corridoio Vasariano.

Palazzo Medici Riccardi, designed by Michelozzo di Bartolomeo for Cosimo il Vecchio, of the Medici family, is another major edifice, and was built between 1445 and 1460. It was well known for its stone masonry that includes rustication and ashlar. Today it is the head office of the Metropolitan City of Florence and hosts museums and the Riccardiana Library. The Palazzo Strozzi, an example of civil architecture with its rusticated stone, was inspired by the Palazzo Medici, but with more harmonious proportions. Today the palace is used for international expositions like the annual antique show (founded as the Biennale dell'Antiquariato in 1959), fashion shows and other cultural and artistic events. Here also is the seat of the Istituto Nazionale del Rinascimento and the noted Gabinetto Vieusseux, with the library and reading room.
There are several other notable places, including the Palazzo Rucellai, designed by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino; the Palazzo Davanzati, which houses the museum of the Old Florentine House; the Palazzo delle Assicurazioni Generali, designed in the Neo-Renaissance style in 1871; the Palazzo Spini Feroni, in Piazza Santa Trinita, a historic 13th-century private palace, owned since the 1920s by shoe-designer Salvatore Ferragamo; as well as various others, including the Palazzo Borghese, the Palazzo di Bianca Cappello, the Palazzo Antinori, and the Royal building of Santa Maria Novella.[108]

Palazzo Pitti on Boboli Gardens' side

Florence contains numerous museums and art galleries where some of the world's most important works of art are held. The city is one of the best preserved Renaissance centres of art and architecture in the world and has a high concentration of art, architecture and culture.[109] In the ranking list of the 15 most visited Italian art museums, ⅔ are represented by Florentine museums.[110] The Uffizi is one of these, having a very large collection of international and Florentine art. The gallery is articulated in many halls, catalogued by schools and chronological order. Engendered by the Medici family's artistic collections through the centuries, it houses works of art by various painters and artists. The Vasari Corridor is another gallery, built connecting the Palazzo Vecchio with the Pitti Palace passing by the Uffizi and over the Ponte Vecchio. The Galleria dell'Accademia houses a Michelangelo collection, including the David. It has a collection of Russian icons and works by various artists and painters. Other museums and galleries include the Bargello, which concentrates on sculpture works by artists including Donatello, Giambologna and Michelangelo; the Palazzo Pitti, containing part of the Medici family's former private collection. In addition to the Medici collection, the palace's galleries contain many Renaissance works, including several by Raphael and Titian, large collections of costumes, ceremonial carriages, silver, porcelain and a gallery of modern art dating from the 18th century. Adjoining the palace are the Boboli Gardens, elaborately landscaped and with numerous sculptures.

The façade of the Cathedral

There are several different churches and religious buildings in Florence. The cathedral is Santa Maria del Fiore. The San Giovanni Baptistery located in front of the cathedral, is decorated by numerous artists, notably by Lorenzo Ghiberti with the Gates of Paradise. Other churches in Florence include the Basilica of Santa Maria Novella, located in Santa Maria Novella square (near the Firenze Santa Maria Novella railway station) which contains works by Masaccio, Paolo Uccello, Filippino Lippi and Domenico Ghirlandaio; the Basilica of Santa Croce, the principal Franciscan church in the city, which is situated on the Piazza di Santa Croce, about 800 metres (2,600 feet) southeast of the Duomo, and is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, Foscolo, Rossini, thus it is known also as the Temple of the Italian Glories (Tempio dell'Itale Glorie); the Basilica of San Lorenzo, which is one of the largest churches in the city, situated at the centre of Florence's main market district, and the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III; Santo Spirito, in the Oltrarno quarter, facing the square with the same name; Orsanmichele, whose building was constructed on the site of the kitchen garden of the monastery of San Michele, now demolished; Santissima Annunziata, a Roman Catholic basilica and the mother church of the Servite order; Ognissanti, which was founded by the lay order of the Umiliati, and is among the first examples of Baroque architecture built in the city; the Santa Maria del Carmine, in the Oltrarno district of Florence, which is the location of the Brancacci Chapel, housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi; the Medici Chapel with statues by Michelangelo, in the San Lorenzo; as well as several others, including Santa Trinita, San Marco, Santa Felicita, Badia Fiorentina, San Gaetano, San Miniato al Monte, Florence Charterhouse, and Santa Maria del Carmine. The city additionally contains the Orthodox Russian church of Nativity, and the Great Synagogue of Florence, built in the 19th century.

Florence contains various theatres and cinemas. The Odeon Cinema of the Palazzo dello Strozzino is one of the oldest cinemas in the city. Established from 1920 to 1922[111] in a wing of the Palazzo dello Strozzino, it used to be called the Cinema Teatro Savoia (Savoy Cinema-Theatre), yet was later called Odeon. The Teatro della Pergola, located in the centre of the city on the eponymous street, is an opera house built in the 17th century. Another theatre is the Teatro Comunale (or Teatro del Maggio Musicale Fiorentino), originally built as the open-air amphitheatre, the Politeama Fiorentino Vittorio Emanuele, which was inaugurated on 17 May 1862 with a production of Donizetti's Lucia di Lammermoor and which seated 6,000 people. There are several other theatres, such as the Saloncino Castinelli, the Teatro Puccini, the Teatro Verdi, the Teatro Goldoni and the Teatro Niccolini.

Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome designed by Filippo Brunelleschi.

Piazza della Repubblica

Panorama composite, overview of Firenze, taken from the Giardino Bardini viewpoint

Aside from such monuments, Florence contains numerous major squares (piazze) and streets. The Piazza della Repubblica is a square in the city centre, location of the cultural cafés and bourgeois palaces. Among the square's cafés (like Caffè Gilli, Paszkowski or the Hard Rock Cafè), the Giubbe Rosse café has long been a meeting place for artists and writers, notably those of Futurism. The Piazza Santa Croce is another; dominated by the Basilica of Santa Croce, it is a rectangular square in the centre of the city where the Calcio Fiorentino is played every year. Furthermore, there is the Piazza Santa Trinita, a square near the Arno that mark the end of the Via de' Tornabuoni street.

Replica of David and other statues, Piazza della Signoria

Other squares include the Piazza San Marco, the Piazza Santa Maria Novella, the Piazza Beccaria and the Piazza della Libertà. The centre additionally contains several streets. Such include the Via Camillo Cavour, one of the main roads of the northern area of the historic centre; the Via Ghibellina, one of central Florence's longest streets; the Via dei Calzaiuoli, one of the most central streets of the historic centre which links Piazza del Duomo to Piazza della Signoria, winding parallel to via Roma and Piazza della Repubblica; the Via de' Tornabuoni, a luxurious street in the city centre that goes from Antinori square to ponte Santa Trinita, across Piazza Santa Trinita, characterised by the presence of fashion boutiques; the Viali di Circonvallazione, 6-lane boulevards surrounding the northern part of the historic centre; as well as others, such as Via Roma, Via degli Speziali, Via de' Cerretani, and the Viale dei Colli.

Florence also contains various parks and gardens. Such include the Boboli Gardens, the Parco delle Cascine, the Giardino Bardini and the Giardino dei Semplici, amongst others.

The centre of Florence is closed to through-traffic, although buses, taxis and residents with appropriate permits are allowed in. This area is commonly referred to as the ZTL (Zona Traffico Limitato), which is divided into several subsections.[115] Residents of one section, therefore, will only be able to drive in their district and perhaps some surrounding ones. Cars without permits are allowed to enter after 7.30 pm, or before 7.30 am. The rules shift during the tourist-filled summers, putting more restrictions on where one can get in and out.[116]

ATAF&Li-nea was the bus company who run the principal public transit network in the city; it was one the companies of the consortium ONE Scarl[117] to accomplish the contract stipulated with the Regione Toscana for the public transport in the 2018-2019 period. Individual tickets, or a pass called Carta Agile with multiple rides, are purchased in advance and must be validated once on board. These tickets may be used on ATAF&Li-nea buses, Tramvia and second-class local trains only within city railway stations. The bus fleet consisted of 446 urban, 5 suburban, 20 intercity and 15 tourism buses.

Intercity bus transit is run by the SITA, COPIT, and CAP Autolinee companies. The transit companies also accommodate travellers from the Amerigo Vespucci Airport, which is 5 km (3 mi) west of the city centre, and which has scheduled services run by major European carriers.

Since 1 November 2021, the public local transport is operated by Autolinee Toscane.[118]

Tramway Sirio in Florence

Route map of the tramway

In an effort to reduce air pollution and car traffic in the city, a multi-line tram network called Tramvia is under construction. The first line began operation on 14 February 2010 and connects Florence's primary intercity railway station (Santa Maria Novella) with the southwestern suburb of Scandicci. This line is 7.4 km (4+5⁄8 mi) long and has 14 stops. The construction of a second line began on 5 November 2011, construction was stopped due to contractors' difficulties and restarted in 2014 with the new line opening on 11 February 2019. This second line connects Florence's airport with the city centre. A third line (from Santa Maria Novella to the Careggi area, where the most important hospitals of Florence are located) is also under construction.[119][120][121]

The average amount of time people spend commuting with public transit in Firenze, for example to and from work, on a weekday is 59 min. 13% of public transit riders ride for more than 2 hours every day. The average amount of time people wait at a stop or station for public transit is 14 min, while 22% of riders wait for over 20 minutes on average every day. The average distance people usually ride in a single trip with public transit is 4.1 km, while 3% travel for over 12 km in a single direction.[122]

Florence Airport

The Florence Airport, Peretola, is one of two main airports in the Tuscany region though it is not widely used by popular airlines. The other airport in the Tuscany region is the Galileo Galilei International Airport in Pisa.

Mobikes at Parco delle Cascine, Florence

Mobike, a Chinese dockless bike sharing company, has been operating in Florence since July 2017. As of 2019, the company operates 4,000 bikes in Florence. The users scan the QR code on the bike using the Mobike app, and end the ride by parking curbside. The bikes have a fixed rate of €1 every 20 minutes. Since Mobike is a dock-less bike-sharing system, it does not provide stations, therefore the bikes can be left almost anywhere.

Firenze Santa Maria Novella railway station is the main national and international railway station in Florence and is used by 59 million people every year.[123] The building, designed by Giovanni Michelucci, was built in the Italian Rationalism style and it is one of the major rationalist buildings in Italy. It is located in Piazza della Stazione, near the Fortezza da Basso, a masterpiece of the military Renaissance architecture, and the Viali di Circonvallazione, and in front of the Basilica of Santa Maria Novella's apse from which it takes its name. As well as numerous high speed trains to major Italian cities Florence is served by international overnight sleeper services to Munich and Vienna operated by Austrian railways ÖBB.

Train tickets must be validated before boarding. The main bus station is next to Santa Maria Novella railway station. Trenitalia runs trains between the railway stations within the city, and to other destinations around Italy and Europe. The central railway station, Santa Maria Novella, is about 500 m (1,600 ft) northwest of the Piazza del Duomo. There are two other important stations: Campo di Marte and Rifredi. Most bundled routes are Firenze–Pisa, Firenze–Viareggio and Firenze–Arezzo (along the main line to Rome). Other local railways connect Florence with Borgo San Lorenzo in the Mugello area (Faentina railway) and Siena.

A new high-speed rail station is under construction and is contracted to be operational by 2015.[124] It is planned to be connected to Vespucci airport, Santa Maria Novella railway station, and to the city centre by the second line of Tramvia.[125] The architectural firms Foster + Partners and Lancietti Passaleva Giordo and Associates designed this new rail station.[126]

Florence is twinned with:[132]

Florence has friendly relations with:[132]