Bête Noire (album)

After the success of his previous studio album, Boys and Girls (1985), Ferry continued in the sophisti-pop style that he had pioneered since Avalon with Roxy Music, and in an attempt to give his music a more danceable sound, he joined forces with Patrick Leonard who was notable for having worked with Madonna. Leonard went on to co-write five of the album's songs.[10] Guesting on the album would be Pink Floyd guitarist, David Gilmour, session musicians Guy Pratt, Marcus Miller, David Williams, Abraham Laboriel, as well as Roxy Music's former touring musicians, guitarist Neil Hubbard and drummer Andy Newmark.[3]

Fans, and critics have often speculated that the song "Kiss and Tell", was Ferry's response to Jerry Hall's tell-all book about their relationship published a couple of years earlier.[11]

Prior to the release of the album, Ferry claimed that his recording agreement with the label E.G. ended in March 1987 and that he was in a position to sell his new album to any company. E.G. said that he was in breach of a 15-year contract which gave them exclusive rights to market the album in Canada and the United States. The action was heard at the High Court of Justice in London, and in a preliminary hearing, the parties agreed that if the album were to be released before the main hearing, Ferry was to pay a third of the royalties into a joint account with E.G. – which they would receive if they were to win the case. E.G. later won the case and they marketed the album in Canada and the United States.[12]

The album was released in the United States by Reprise Records, and debuted on the Billboard chart November 21, 1987, spending 31 weeks on the chart, peaking at No. 63.[13]

Ferry toured Australia, Japan, United States, Canada, and Europe to promote the album. The Edge from U2 joined Ferry on stage at the Dublin show to perform the Irish folk song, "Carrickfergus" (which Ferry had previously recorded in 1978 for The Bride Stripped Bare) and Johnny Marr joined the backing band for "The Right Stuff" at the Manchester show. Roxy Music saxophonist and oboist Andy MacKay also joined the backing band for a few songs at the London Palladium and Wembley Arena dates.[14]

Several of the songs from the Glasgow show were included on several Bryan Ferry CD singles between 1993 and 1995.

Cover art for the video release

The Bête Noire Tour movie was released 10 November 2008 by the EMI Productions studio. The DVD features a pair of solo performances by Bryan Ferry, the first performance previously released as New Town, was filmed during his 1988–89 Bête Noire European Tour. The bonus show is the previously unavailable Virgin Germany 25th Birthday concert in Munich in 2002.[15]

Professional ratings

Review scores
Source	Rating
AllMusic	link
New Musical Express	6/10[16]
Robert Christgau	(C+) Jan. 26, 1988
Rolling Stone	link

Reviewing retrospectively for AllMusic, critic Ned Raggett wrote of the album, "Bête Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up."[17] The critic Robert Christgau wrote of the album, "As with Mick Jagger, of all people, the signal that self-imitation has sunk into self-parody is enunciatory ennui—vocal mannerisms that were once ur-posh are now just complacent."[18] Billboard wrote of the album, "Former Roxy Music maestro's much-awaited follow-up to "Boys And Girls" harbingers well for his new association with Reprise. Like past Ferry solo efforts, this displays the singer/writer's usual suaveness; tunes hinge on his familiar theme of l'amour moderne on the rocks. Tracks are uniformly solid, although "Kiss & Tell" and "Seven Deadly Sins" stand out."[12]

Anthony DeCurtis reviewed the album for Rolling Stone and wrote "Bête Noire is another step in Ferry's retreat from distinct songs into atmosphere and feel. The strategy can sometimes work wonderfully, as Ferry proved on the transcendent album Avalon from Roxy Music. But as his voice sinks more deeply into the murky layers of his music, as his lyrics are reduced to a Morse code of refined despair and his subjects recede into the mist, Ferry seems increasingly like Narcissus, enraptured by his own reflection in the pond - and the bottomless depth below."[19] Mark Coleman reviewing for the Rolling Stone Album Guide stated "Bête Noire could use one solid melody. As hushed and haunted as ever, Ferry's deeply evocative voice nevertheless gets lost amid the grandiose and antiseptic musical trappings of the digital recording era. Bête Noire is depressingly tasteful and restrained—state-of-the-art rock wallpaper."[20] Ira Robbins of the Trouser Press commented "The similarly restrained Bête Noire confirms Ferry's commitment to innocuous sophistication. That wonderful voice is his sole asset: what he's singing is all but irrelevant. But this record's stronger melodic development and a wider variety of danceable tempos than on Boys and Girls are palpable signs of life; the involvement of ex-Smiths guitarist Johnny Marr as a player and the co-writer of one near-exciting song ("The Right Stuff") is another positive touch. In the end, given one's diminished expectations,"Limbo," "Kiss and Tell" and "Day for Night" are coolly inviting and likable enough.[21]

The names of the musicians who performed on the album are mentioned in the liner notes, their instruments and the exact songs on which they play are not. The following list tentatively mentions the instruments the same musicians have played on other Ferry records.

• Bête Noire at Discogs (list of releases)