Bad Witch

Nine Inch Nails planned a trilogy of EPs,[1] starting with Not the Actual Events in December 2016 and followed by Add Violence in July 2017. Regarding the third entry in the trilogy and its delayed production, frontman Trent Reznor said: "We started out with a rigid concept, having not written them all. As we finished Add Violence, we found ourselves... it felt too predictable. It felt like we were forcing things. Musically and storytelling-wise. The reason this has been delayed is because it took us a while for – what has become the third [record] – to reveal itself to us."[2]

Following a handful of concerts in support of Add Violence, Reznor was enthusiastic to begin work on the final part of the trilogy.[3] After experiencing creative difficulty in the studio, he and bandmate Atticus Ross decided to focus on doing something "exciting" and "risky", which included the incorporation of saxophone.[3] Those sessions led to Bad Witch, a studio album inspired in part by David Bowie.[3][4] While Bad Witch was originally set to be an EP,[5] it developed into a full-length album;[6][7][8] at 30 minutes in length, it is the band's shortest to date. Reznor initially saw the trio of planned EPs as one long album with three smaller components,[3] but, after seeing how EPs tend to be overlooked (especially on music streaming sites), Reznor decided to promote Bad Witch to a full album.[9][10]

Musically, Bad Witch is a concise album that utilizes aggressive instrumentation and vocals associated with industrial rock,[11][12] and quieter, more somber music most prominent in the two instrumental tracks on the record.[13] Reznor employs a saxophone at multiple points on the album,[13] and occasionally sings in a different way to his normal manner,[14] with some critics comparing the style to Bowie's.[4] The album incorporates diverse sounds and instrumentation reminiscent of many genres and musical styles.[12][15] Reznor's saxophone performances play a prominent role in the album, making the album distinct from previous releases by Nine Inch Nails.[12] The only song on the album to be released as a single is "God Break Down the Door".[16][17] The album contains two instrumental songs, "Play the Goddamned Part" and "I'm Not from This World", respectively described as "a discordant, freeform jazz jam amidst clashing electronics" and "droning and hypnotic".[15] The album's sixth and final track, "Over and Out", begins as a relatively upbeat electronic song but ends as a protracted segment of white noise that concludes Bad Witch.[15][18] This may be compared to the closing track of Add Violence (which precedes Bad Witch in the trilogy of releases), "The Background World", which ends on a repeated loop that is gradually compressed into white noise.[19]

Several critics have compared Bad Witch to Reznor and Ross' film scores.[4][20] Others likened the album to Bowie's Blackstar (2016),[4][18][20] and some to Reznor's soundtrack for the 1996 video game Quake.[20]

On June 22, 2018, the album was released to retailers worldwide. It entered on several international charts and at 12 on the Billboard 200.[21]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.2/10[22]
Metacritic	77/100[23]
Review scores
Source	Rating
AllMusic	[20]
The A.V. Club	B−[24]
Consequence of Sound	B+[25]
The Independent	[11]
Mojo	[26]
NME	[27]
The Observer	[28]
Pitchfork	8.0/10[29]
Q	[12]
Slant Magazine	[30]

Bad Witch received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 77, based on 23 reviews.[23] AllMusic's Neil Z. Yeung called the album "frustrating" but also "the most cohesive and enveloping experience of this period".[20] Terence Cawley of The Boston Globe gave Bad Witch a positive review, writing, "Reznor is still making records that crackle with restless energy. For an artist who once specialized in massive concept albums, the short-and-sweet approach of Bad Witch suits him well."[4] Writing for NME, Tom Connick gave the album a perfect score, calling it the band's best release in a decade.[27] The Independent's Ilana Kaplan noted that despite being only thirty minutes long, the album was full of complexity and would probably be received as a sensory overload.[11] Writing for Q, George Garner considered the album an "excellent reprisal" of Nine Inch Nails' "industrial aggression", concluding that after thirty years, the band sounded reinvigorated.[12] Spencer Kornhaber of The Atlantic felt that Bad Witch does not reach the highs of 1992's Broken or 1994's The Downward Spiral, but it does not dishonor them either.[18] Drowned in Sound's Christian Cottingham was more mixed on the album, criticizing it for relying too much on previous Nine Inch Nails sounds and material.[31] Sam Sodomsky of Pitchfork wrote, "For the first time in a long time, Reznor sounds like he's got his eye on the future."[29]

Credits adapted from the liner notes of Bad Witch.[32]

Nine Inch Nails

• Trent Reznor – vocals, arrangements, performance, production, programming, saxophone
• Atticus Ross – arrangements, performance, production, programming

Additional personnel

• Alan Moulder – mixing
• Tom Baker – mastering
• Chris Richardson – engineering
• Justin McGrath – engineering
• Ian Astbury – additional vocals (track 1)
• Mariqueen Maandig – additional vocals (track 1)