Balloon (2018 film)

Balloon (German: Ballon) is a German thriller drama film directed by Michael Herbig that was released in German cinemas on 27 September 2018. The film depicts the crossing of the Inner German border by the Strelzyk and Wetzel families from the GDR to West Germany with a self-made hot-air balloon in 1979. The two families, including four children, successfully floated across the sky from Pößneck, Thuringia to Naila, Bavaria, then situated 8 kilometres (5.0 mi) south of the Iron Curtain. They reached a height of 2,500 metres (8,200 ft) in the homemade balloon.[2]

Balloon
Release poster
GermanBallon
Directed byMichael Herbig
Screenplay by
  • Kit Hopkins
  • Thilo Röscheisen
  • Michael Herbig
Based onEast German balloon escape
Produced byMichael Herbig
Starring
CinematographyTorsten Breuer
Edited byAlexander Dittner
Music by
  • Ralf Wengenmayr
  • Marvin Miller
Production
company
Release date
  • 27 September 2018 (2018-September-27) (Germany)
Running time
125 minutes
CountryGermany
LanguageGerman
Box office$11,859,396[1]

Before making the film, Herbig was allowed to inspect the thousands of pages thick file about the balloon flight belonging to the Stasi, the former secret service of the GDR.[3] However, the film is generally seen as a thrilling action film and, according to some reviewers, lacks historical depth. Another film about the successful escape was released by Disney in 1982, during the Cold War, under the title Night Crossing.

Plot
In Berlin, the Strelzyk family stays at the Hotel Stadt Berlin in order to establish contact with the local US embassy.

The film is set in Pößneck, Thuringia, in the summer of 1979. The Strelzyk and Wetzel families develop a daring plan to flee the GDR to West Germany in a self-made hot air balloon. About to attempt an escape in perfect wind conditions, Günter Wetzel decides it is too dangerous. He thinks the balloon is too small for eight people, and his wife Petra is afraid for their two children. Therefore, they stop trying to escape for a short time. Doris and Peter Strelzyk now want to dare to escape alone with their two sons. Son Frank has fallen in love with Klara Baumann, the daughter of his neighbor Erik, who works for the Stasi, and writes her a farewell letter.

At night, the Strelzyk family packs the balloon and other accessories in their trailer, drives into the forest and takes off. Hidden in the clouds, they cannot be seen by the border guards. However, the balloon goes down with Doris, Peter and their two sons Frank and Andreas "Fitscher" in the gondola shortly before the border, because the pipes from the gas bottles to the burner freeze up and become clogged. None of the four is injured, they get back to their car and destroy all evidence. Frank just manages to retrieve the letter to Klara. The Stasi finds the abandoned balloon and discovers the attempted escape and, under the direction of Lieutenant Colonel Seidel, begins a large investigation. He interrogates the border guards who were on duty at the time of the attempt to escape and accuses them of not taking their task seriously enough. The investigators narrow down the radius in which the balloon must have started, and thus also the circle of suspects.

For the next few weeks, both families live in constant fear that the Stasi might link them to the attempted escape. Doris in particular is worried because she lost her medication in the forest, which gave the Stasi important information in the form of personalised pills. Peter really wants to try again. Before that, however, they travel to East Berlin, where they hope to be able to get out of the country with the help of the East Berlin US Embassy, but this attempt fails. Peter is able to convince Günter to make another balloon attempt to escape. Since they must be careful in obtaining the materials to avoid raising suspicion, the family members only buy small quantities of suitable fabric in different cities. Günter sits at the sewing machine every night to join the pieces of fabric. Meanwhile, Seidel is fast putting together all the clues tying the family to the escape. At all costs he must prevent the GDR from being embarrassed by a successful escape attempt.

As feared by Doris, the investigators trace their medication back to the local pharmacy, where now all recipients of the tablets are being identified and checked. The Stasi publishes photos in the press of objects that the Strelzyks had to leave behind at the landing site of their first attempt. Günter has to move the sewing work to the Strelzyks' cellar because his neighbors have become aware of the constant running noise of the sewing machine. When Frank realizes that Klara's father Erik has to go to the pharmacy because someone is wanted, and that the wind is blowing to the south, the prerequisite for their escape, they want to make the second attempt that same night. When the Stasi employees work out their identities and break into their house, the families are already on their way to the starting point. The start is not as perfect this time as on their first attempt and when the gas runs out they have to land in a forest after half an hour's flight. At first it is not clear whether they have successfully crossed the border. Peter and Günter then explore the area and meet a police patrol car. When the police tell them that they are in Upper Franconia, the families react joyfully. Lieutenant Colonel Seidel and his superior must explain themselves to Stasi chief Erich Mielke, and Erik Baumann is interrogated by the Stasi.

Ten years later, Doris and Peter Strelzyk watch Hans-Dietrich Genscher's announcement from the Prague embassy on television that the GDR citizens gathered there are allowed to leave.

Cast
Friedrich Mücke, here at the Zurich Film Festival, plays Peter Strelzyk in the film

Production

Development

When the escape happened I was the age of Fitscher, the younger son of the Strelzyks, and when I saw the Disney film I was the age of the older son Frank. And what I could understand was that these people risked everything for a life in freedom. This daring, the madness of this story – it totally absorbed me.

— Michael Herbig[4]

The director was Michael Herbig, who had prepared the film for six years. He had already met Günter Wetzel, a former GDR refugee, a few years before, who had told him the story of his escape. In 1978, Wetzel and a former colleague came up with the idea of crossing the GDR border in a self-made hot-air balloon.[5] As early as 1980, a film about the same event was produced by Disney under the title Night Crossing, which premiered in 1982. When Herbig watched this, he was Frank Strelzyk's age.[4]

Herbig stated that an attempt had been made to acquire the remake rights, and it had turned out that both families had sold their story "skin and hair". He showed the contracts to various lawyers, who advised him against further efforts. Finally, Herbig was able to establish contact with Disney through Roland Emmerich.[4] Herbig signed consulting contracts with the Strelzyk and Wetzel families, without whose blessing he would not have made the film.[4] Herbig financed the film through herbXfilm with 700,000 euros. In addition, the film received funding from the Medienboard Berlin-Brandenburg for the same amount,[6] and 1.25 million euros from FilmFernsehFonds Bayern. The German Film Fund granted a production subsidy of 2,049,800 euros,[7] the Central German Media Fund 150,000 euros[8] and the Film Funding Agency 650,000 euros.[9] The film was herbXfilm's first co-produced with StudioCanal and SevenPictures.[10]

In NDR Info, Krischan Koch explains that Herbig strives for authenticity down to the smallest details in his film. Nevertheless, Ballon was not a film about state security and political oppression in the GDR. Rather, Herbig focuses on the drama of the escape.[11] Norbert Koch-Klaucke also noted in the Berliner Zeitung that after the successful escape, real life wrote a completely different script for the two families, which the film does not show: "A new drama begins. After the successful escape, which made headlines in the West and embarrassed the GDR worldwide, the two families are now feeling the vengeance of the SED state. They are being persecuted by the Stasi in the west." On the one hand, they wanted to persuade the families to return to the GDR, on the other hand, according to the Stasi files, Mielke's spy system initiated the operational process "Pear" immediately after the spectacular balloon escape in order to make life in the West a hell for the balloon refugees.[12]

Filming and equipment
In the open-air museum in the walled city Mödlareuth, where the film was shot in October 2017, there are preserved GDR watchtowers

The shooting took place in Bavaria, Thuringia and Berlin and started on September 18, 2017 in Munich.[13] In October 2017 they shot in Nordhalben, where the town was made to look like in the GDR in the 1970s,[14] and in the wall village of Mödlareuth, which is partly in Bavaria and partly in Thuringia.[15] Recordings were also made in Berlin in October 2017. The Hotel Stadt Berlin shown in the film is today's Park Inn Hotel on Alexanderplatz. On 24 November 2017, the shooting ended after 50 days.[2] Torsten Breuer acted as cameraman.[1]

Herbig had insight into the Stasi files of the escape and into the photos of the balloon gondola, which were taken by the Stasi at the crash site. These photos can be seen in the credits of the film along with a few other recordings.[4] The two balloons used in the film were not created on the computer, but actually recreated. The second balloon was 32 metres (105 ft) high, consisted of 1,245 square metres (13,400 sq ft) of fabric and had a volume of 4,290 cubic metres (151,000 cu ft). The real escape balloon was not available because it was being restored. Nevertheless, green screen technology was used during the filming.[16] The real escape balloon is exhibited in the Museum of Bavarian History in Regensburg, which opened in June 2019.[17]

Music and release

The film's music was composed by Ralf Wengenmayr and recorded by the Babelsberg German Film Orchestra. Sidney Schering from Quotenmeter.de wrote that the music of Herbig's main composer contributes in part to the fact that Ballon develops such an enormous tension. "Similar to Christopher Nolan's Dunkirk, in which Hans Zimmer keeps the ticking of a clock sounding, "Ballon" also has a short, cool beat running through the score, which relies on distorted percussion, cool synthesizers and cutting string sections."[18] In the film, Petra Wetzel hums the children's song Bummi-Lied in the balloon to calm the children, which was actually sung by the real Petra Wetzel in this situation.[16]

A first trailer was released at the end of June 2018.[19] Ballon celebrated its world premiere on 12 September 2018 in the Mathäser Filmpalast in Munich. Günter Wetzel and the two sons of the other family, Frank Riedmann and Andreas "Fitscher" Strelzyk, were also present at the premiere. Herbig, on the other hand, was prevented from coming for health reasons.[20]

The film was released in German cinemas on 27 September 2018.[20] In the autumn of 2018 there were also presentations at the Zurich Film Festival and at the Haifa International Film Festival.[21][22] A theatrical release in the UK took place on 14 June 2019. Ballon received 200,000 euros of distribution support from FilmFernsehFonds Bayern,[23] and 150,000 euros from the Medienboard Berlin-Brandenburg.

Reception

In Germany, the film was approved for children aged 12 and over.[24] Around 936,000 cinema-goers saw the film in Germany.[25] Ballon was in the preselection for the German Film Award 2019.[26]

Critical reception

As of October 2021, 74% of the 30 English-language reviews compiled by Rotten Tomatoes are positive and have an average rating of 7.1/10.The site's critical consensus reads, "Balloon isn't as exciting as the real-life story that inspired it, but it remains a solidly made and often engrossing political thriller."[27] At Metacritic, which assigns a weighted average rating, the film has received an average score of 53 out of 100, based on 9 critics, indicating "mixed or average reviews".

Michael Herbig at the presentation of the film at the Zurich Film Festival

Andre Petzer from epd Film says that though Michael Herbig takes dramaturgical liberties when he reduces the three escape attempts to two and condenses the long tinkering with the second balloon to six weeks, he manages to create very emotional moments. You can watch the filmmaker completely reinvent himself, says Petzer: "A director who uses the whole range of suspense cinema. And who succeeds in banging along until the last minute, even though the end is known. At the very end there is a bitter punchline. When the refugees land in Upper Franconia, a Bavarian asks: 'How many are there still?' Suddenly the film is very close to today's refugee crisis. And makes it clear that it wasn't that long ago that Germans also fled because they saw no future."[28]

Karoline Meta Beisel writes less euphorically in the Süddeutsche Zeitung that the film is covered with a "soapy carpet of music like in the most beautiful private television event two-part", and that there is "a little too much of everything: too much music, too much pathos, too much drama".[29]

Balloon was given the rating of Particularly Valuable by the German Film and Media Assessment. The reasoning states: "Herbig stages the cat and mouse game between the Strelzyk family and the investigator Seidel like a crime thriller and especially towards the end with breathless tension. The music perfectly supports the drama of the situation, the setting, the equipment and the costumes leave no doubt about the high research effort and the attention to detail. The system of the GDR itself is shown with all its reprisals, but Herbig also finds fine nuances for the attitude of the citizens towards their homeland. That makes Balloon a highly exciting, precisely staged and differentiated film about the apparently unattainable desire for freedom – which came true."[30]

Awards

References
  1. Balloon at IMDb
  2. "'Balloon' depicts miraculous escape from the GDR". DW. 27 September 2018. Retrieved 19 March 2021.
  3. Le Duc, Eric (18 July 2019). "'Ballon' ✭✭✭". De Telegraaf (in Dutch). Retrieved 18 March 2021.
  4. Lenz, Susanne (26 September 2018). "Filmkritik "Ballon": "Die Frage nach dem Warum ist eine Wessi-Frage"" [Film Review "Balloon": The question of why is a Wessi question"]. Frankfurter Rundschau (in German). Retrieved 18 March 2021.
  5. ""Bully" Herbig dreht Film über Ballon-Flucht einer Thüringer Familie" ["Bully" Herbig is making a film about a Thuringian family escaping from a balloon]. Freies Wort (in German). 23 June 2017. Retrieved 18 March 2021.
  6. "Medienboard Förderzusagen Juni 2017" [Medienboard funding commitments June 2017] (PDF) (in German). Medienboard Berlin-Brandenburg. Retrieved 18 March 2021.
  7. "Ballon" (in German). StudioCanal. Retrieved 18 March 2021.
  8. "MDM fördert 33 Projekte mit 3,7 Millionen Euro" [MDM funds 33 projects with 3.7 million euros]. Leipziger Volkszeitung (in German). 27 October 2017. Retrieved 18 March 2021.
  9. "Bald hoch am Kinohimmel: Bully's "Ballon"" [Soon high in the cinema sky: Bully's "Ballon"]. spielfilm.de (in German). 27 October 2017. Archived from the original on 1 March 2021. Retrieved 18 March 2021.
  10. "Firmengeschichte" [Company history] (in German). herbXfilm. Retrieved 18 March 2021.
  11. ""Ballon": Dramatische Flucht aus der DDR" ["Ballon": Dramatic escape from the GDR]. NDR Info (in German). 26 September 2018. Archived from the original on 3 August 2019. Retrieved 19 March 2021.
  12. Koch-Klaucke, Norbert (17 September 2018). "Film "Ballon" von Michael Bully Herbig: Das Stasi-Drama, das der Film nicht zeigt" [Film "Ballon" by Michael Bully Herbig: The Stasi drama that the film does not show]. Berliner Zeitung (in German). Retrieved 19 March 2021.
  13. "Bully lässt "Ballon" steigen" [Bully lets "Balloon" rise] (in German). mediabiz.de. 18 September 2017. Retrieved 19 March 2021.
  14. Knauer, Julia (10 October 2017). "Nordhalben: Dreharbeiten sorgen für Stau" [Nordhalven: Filming causes traffic jams]. [[:de:Frankenpost|]] (in German). Retrieved 19 March 2021.
  15. Steger, Alexander (28 October 2017). "Mödlareuth wird zur Filmkulisse" [Mödlareuth becomes a film set]. [[:de:Frankenpost|]] (in German). Retrieved 19 March 2021.
  16. Lenz, Susanne (22 September 2018). "Michael "Bully" Herbig über "Ballon": "Der Wahnsinn dieser Geschichte"" [Michael "Bully" Herbig on "Ballon": "The madness of this story"]. Berliner Zeitung (in German). Archived from the original on 13 April 2021. Retrieved 13 April 2021.
  17. "Flug in die Freiheit: "Ballon" von Bully Herbig" [Flight to freedom: "Ballon" by Bully Herbig]. Hamburger Abendblatt (in German). 24 September 2018. Archived from the original on 3 August 2019. Retrieved 13 April 2021.
  18. ""Ballon": Bully kann auch Spannung" [«Ballon»: Bully can also excite]. Quotenmeter.de (in German). 26 September 2018. Archived from the original on 31 March 2019. Retrieved 4 September 2021.
  19. "Michael "Bully" Herbig kann auch Gänsehaut-Drama: Der erste Trailer zu "Ballon"" [Michael "Bully" Herbig can also get goosebumps drama: The first trailer for "Ballon"]. Filmstarts (in German). 26 September 2018. Archived from the original on 28 February 2021. Retrieved 4 September 2021.
  20. "Bullys "Ballon" überzeugt auf ganzer Linie" [Bully's "Ballon" is convincing all along the line]. Stern (in German). 13 September 2018. Archived from the original on 16 September 2020. Retrieved 4 September 2021.
  21. "Ballon / Balloon – Archive". Zurich Film Festival (in German). Archived from the original on 3 August 2019. Retrieved 4 September 2021.
  22. "Ballon | Balloon | Haifa 37th International Film Festival". Archived from the original on 1 November 2019. Retrieved 4 September 2021.
  23. "Vergabeentscheidung vom 18. Juli 2018" [Award decision of July 18, 2018] (PDF). Stern (in German). 18 July 2018. Archived from the original (PDF) on 3 August 2019. Retrieved 4 September 2021.
  24. "FSK – Freigabebegründungen" [FSK – Reasons for release] (in German). Archived from the original on 3 August 2019. Retrieved 22 September 2021.
  25. "Die erfolgreichsten Filme in Deutschland 2018" [The most successful films in Germany 2018] (in German). InsideKino. Retrieved 22 September 2021.
  26. "Vorauswahl" [Preselection 2018] (in German). Deutscher Filmpreis. Archived from the original on 27 February 2019. Retrieved 22 September 2021.{{cite web}}: CS1 maint: unfit URL (link)
  27. "Balloon". Rotten Tomatoes. Fandango. Retrieved October 10, 2021.
  28. "Kritik zu Ballon" [Review of Balloon]. epd Film (in German). 21 September 2018. Archived from the original on 3 August 2019. Retrieved 22 September 2021.
  29. ""Ballon" im Kino – Mit viel Pathos in den Westen" ["Balloon" in the cinema – With a lot of pathos in the West]. Süddeutsche Zeitung (in German). 28 September 2018. Archived from the original on 11 April 2021. Retrieved 22 September 2021.
  30. "Film » Ballon" (in German). Deutsche Film- und Medienbewertung (FBW). Retrieved 22 September 2021.
  31. ""Ballon": Friedenspreis des Deutschen Films für Michael Herbig" ["Balloon": Peace Prize of German Films for Michael Herbig] (in German). T-Online. 26 June 2019. Archived from the original on 22 September 2021. Retrieved 22 September 2021.
  32. "28th Annual Heartland International Film Festival Announces Filmmaker Award Winners". WBIW. 22 October 2019. Archived from the original on 23 February 2020. Retrieved 22 September 2021.
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