Bang on a Can

In 2002, Bang on a Can began the yearly Summer Institute of Music,[4] a program at the Massachusetts Museum of Contemporary Art (MASS MoCA) for young composers and performers. This program is sometimes referred to by the nickname "Banglewood" in reference to the nearby but far more traditional Tanglewood Music Festival.

The three artistic directors occasionally collaborate by jointly composing large staged works, often without revealing which sections each contributed. Examples include:

• The Carbon Copy Building - a "comic book opera" with words and drawings by MacArthur Grant recipient Ben Katchor. It was the winner of the 2000 Obie Award for Best Production.[5]
• Lost Objects - a contemporary oratorio, with a libretto by Deborah Artman. It is a fusion of baroque music and modern soundscapes, rendered in performance by the original instruments ensemble Concerto Köln with four electronic instruments, three solo vocalists, a choir, and a live remix generated by DJ Spooky.[6][7]
• The New Yorkers - a staged multimedia concert with additional contributions by filmmakers and visual artists including: Ben Katchor, Bill Morrison, Doug Aitken, and William Wegman.
• Shelter - a multi-media work that, in the words of librettist Deborah Artman, "evokes the power and threat of nature, the soaring frontier promise contained in the framing of a new house, the pure aesthetic beauty of blueprints, the sweet architecture of sound and the uneasy vulnerability that underlies even the safety of our sleep."

Bang on a Can has commissioned and premiered pieces by composers including Steve Reich, Terry Riley, Michael Nyman, John Adams, Somei Satoh, Iva Bittová, Roberto Carnevale, Ornette Coleman, Donnacha Dennehy and Bun-Ching Lam. In 1998 the organization began the People's Commissioning Fund,[8] which supports the creation of new musical compositions by pooling contributions from numerous member-commissioners whose donations range from $5 to $5,000.

• 1998 Virgil Moorefield, Pamela Z, Dan Plonsey
• 2000 Marc Mellits, Edward Ruchalski, Miya Masaoka, Toby Twining
• 2001 Jeffrey Brooks, Sussan Deyhim, James Fei, Keeril Makan
• 2002 Eve Beglarian, John King, Matthew Shipp
• 2003 Annea Lockwood, Ingram Marshall, Thurston Moore
• 2005 Cynthia Hopkins, Carla Kihlstedt, J.G. Thirlwell
• 2006 Yoav Gal, Annie Gosfield, John Hollenbeck
• 2007 Stefan Weisman, Joshua Penman, Lukas Ligeti
• 2008 Tristan Perich, Erdem Helvacioglu, Ken Thomson
• 2009 Kate Moore, Lok Yin Tang[9]
• 2010 Oscar Bettison, Nik Baertsch, Christine Southworth, Dave Longstreth (of Dirty Projectors)
• 2011 Bryce Dessner (of The National), Karsh Kale, Nick Brooke[10]
• 2012 Mira Calix, Florent Ghys, Christian Marclay, Nick Zammuto (of The Books)
• 2013 Anna Clyne, Dan Deacon, Jóhann Jóhannsson, Paula Matthusen[11]
• 2014 Glenn Kotche, Jace Clayton (aka DJ/rupture), Ben Frost
• 2015 Caroline Shaw, Gabriella Smith, Zhang Shouwang
• 2016 Anna Thorvaldsdottir, Juan Felipe Waller, Nico Muhly

[8]

The Bang on a Can All-Stars is an amplified sextet formed by its parent organization in 1992. The All-Stars tour internationally and have received awards and public recognition for their work in the contemporary classical music field.[1][12]

The instrumentation of the Bang on a Can All-Stars is clarinet, cello, electric guitar, piano/keyboard, percussion, double bass. Current members include Robert Black, Vicky Chow, David Cossin, Arlen Husklo, Mark Stewart and Ken Thomson.

Asphalt Orchestra is Bang on a Can's 12-piece marching band. The ensemble's premiere performance was in 2009 at the Lincoln Center Out of Doors festival, and featured new commissioned works by Tyondai Braxton (of experimental rock group Battles), Goran Bregovic, and Stew and Heidi Rodewald, alongside arrangements of songs by Björk, Meshuggah, Mingus, Nancarrow, and Zappa.[13]

The New York Times has called Asphalt Orchestra's members "12 top-notch brass and percussion players", and praised their performance as "coolly brilliant and infectious."[14]

An independent project founded in 2009 and produced by Bang on a Can, Found Sound Nation (FSN) engages at-risk youth and underrepresented communities producing original audio and video projects across the globe in economically disparate settings. The work of FSN emphasizes a mobile, accessible, collaborative way of recording and producing professional quality music, a technique developed by combining the art music traditions of Bang on a Can with traditions of musique concrète, hip hop, and contemporary composition.[15][16]

FSN has led site-specific projects in New York City, India, Zimbabwe, Mexico, Italy, Switzerland and Haiti.

In 2012, the project received an award from the U.S. Department of State to produce OneBeat,[17] an international music exchange which will bring together innovative musicians from around the world to compose, produce and perform original music.[18]

Found Sound Nation was co-founded by Christopher Marianetti and Jeremy Thal. The project is directed by Marianetti, Thal and Elena Moon Park.[19]

In C by Terry Riley

• Bang on a Can Live, volume 1 (1992)
• Bang on a Can Live, volume 2 (1993)
• Bang on a Can Live, volume 3 (1994)
• Industry (1995)
• Cheating, Lying, Stealing (1996)
• Music for Airports (composed by Brian Eno) (1998)
• Renegade Heaven (2001)
• Lost Objects (2001)
• In C (composed by Terry Riley) (2001)
• Bang on a Can Classics (2002)
• Gigantic Dancing Human Machine (music of Louis Andriessen) (2003)
• ShadowBang (composed by Evan Ziporyn) (2003)
• Music in Fifths / Two Pages (composed by Philip Glass) (2004)
• Bang on a Can Meets Kyaw Kyaw Naing (2004)
• Elida (composer and guest musician Iva Bittová) (2005)
• A Ballad for Many (composer and guest musician Don Byron) (2006)
• The Essential Martin Bresnick (2006)
• The Carbon Copy Building (2007)
• Music for Airports (Live) (2008)
• Music from the Film (Untitled) (2009)
• Double Sextet / 2x5 (music of Steve Reich) (2010)
• Big Beautiful Dark and Scary (2012)
• Shelter (Ensemble Signal) (2013)
• Field Recordings (2015)