Blind Idiot God (album)

English electro and dub music producer Adrian Sherwood was originally considered to helm production duties on Blind Idiot God. Instead, the band met Brooklyn-based producer Martin Bisi, who had collaborated with a plethora of New York-based acts and shared the band's eclectic tastes.[5] It was recorded during the months of January and February 1987 at Bisi's B.C. Studios located in Brooklyn, New York.[1]

Brian Olewnick describes the music in his review of the album for allmusic: "Often they begin with anthemic lines, precisely and forcefully etched by Andy Hawkins' guitar, backed by the supple, powerful drumming of Ted Epstein. But, midway through, the melodies tend to be twisted and pulled like taffy, elongating into mutant forms only hinted at previously. This creates a marvelous tension, as one is never certain how a given song will resolve."[1]

Professional ratings

Review scores
Source	Rating
Allmusic	[1]
New Musical Express	10/10[6]

Critic Brian Olewnick lauded Blind Idiot God, giving it four and a half out of five stars and saying "the listener feels buffeted about, as if inside a roaring engine at 30,000 feet."[1] Option described the band as sounding "as much like jazz-based ensembles like Bill Laswell's Last Exit and Zorn's Spy Vs. project trying to dip into hardcore as they do like angry young boy thrash."[4] Electronic Musician praised the virtuosity of the players and said "jazz, heavy metal, reggae, art music - B.I.G. has elements of all of these, yet establishes their very own recipe."[7]

Adapted from the Blind Idiot God liner notes.[8]

• Blind Idiot God at Discogs (list of releases)