Bradford Cox

Cox founded Deerhunter with bassist Paul Harper and drummer Dan Walton (who named the band) in early 2001. The band expanded after Cox met a teenage transient, Moses Archuleta, who was sleeping on the floor of Cox's friends. Archuleta initially played Ace Tone Organ and electronics. The band's first shows were experimental and based on improvisation. Cox continued recording slightly more structured material and releasing it on CD-R and cassette using the name Atlas Sound. Paul Harper moved to Ohio and was replaced by Justin Bosworth. At this point Colin Mee also joined the band on guitar. Dan Walton left and Cox suggested Archuleta move to drums. The band's live shows and recordings became more song-oriented. They recorded their debut 7" for Die Slaughterhaus. Josh Fauver joined the band in 2004 after Bosworth died in a freak skateboarding accident. This lineup recorded Deerhunter's debut LP on Atlanta label Stickfigure Records. Cox suggested Lockett Pundt, whom he befriended while attending Harrison High School in Kennesaw, Georgia, join the band on guitar so that he could concentrate on vocals and electronics. This lineup recorded their breakthrough record, 2007's Cryptograms until 2010's Halcyon Digest. Colin Mee left the band after failing to show up for a North American tour. Josh Fauver subsequently left the band and was replaced by Josh McKay. The band is now a four piece consisting of Cox on guitar and vocals, Pundt on guitar and occasional vocals, McKay on bass, and Archuleta on drums.

Atlas Sound is the musical solo project of Cox, although he has used the name to represent his music since he was a child. He had access to a cassette player with two tape decks, which he used to layer guitar and drum sounds, and his own voice. In listening to some of these old tapes (of which Cox believes he has over five hundred in storage) he found "Some of it is absolutely, terrifyingly bad, but sometimes I'm just like, 'Wow, that's cool.' That's actually how some Deerhunter songs happened. 'Spring Hall Convert' [from Cryptograms] was like that. That was a tape I made in ninth or tenth grade." Cox writes his music stream-of-consciousness, not writing lyrics in advance, and constructing songs by adding more parts until he feels "it's getting crowded."[6] The name of his project is derived from the brand of tape player he used, Atlas Sound.[7]

Cox began Atlas Sound in the wake of his work with Deerhunter because "I have ideas that I can't make work with a five piece rock band...There's kind of this palette of sounds that I use that I don't necessarily get to use with Deerhunter."[8] Because the music Deerhunter makes is a collaborative effort, Cox does not want to assert himself as its principal songwriter. "I might have an idea for a fragment of a song, but I want to leave it skeletal so the guys can fill it out. Whereas with Atlas Sound, everything is done in an hour." Cox created the music for his first record in the software Ableton Live, using an array of computer-based instruments, as well as his own live recordings.[9]

To date, there have been four major releases by Cox as Atlas Sound: Let the Blind Lead Those Who Can See but Cannot Feel (2008), Logos (2009), a four-album set of previously unreleased songs called Bedroom Databank (2010), and finally Parallax in 2011. The lyrics of Let the Blind Lead are autobiographical in nature, reflecting life experiences of Cox.[9] In discussing his second album, Cox characterized his first as being a "bedroom laptop type thing" and "Very introverted." In contrast, Logos was written in several parts of the world, and is "not about me. There are collaborations with other musicians. The lyrics are not autobiographical. The view is a lot more panoramic and less close-up. I became bored with introspection."[10] An unfinished version of Logos was leaked onto the internet in August 2008, over a year before its release date.[11] In response, Cox almost ceased production on the record, later saying "I did not react well to the leak, in retrospect. It became the kind of internet-fueled drama that I was quickly learning to despise."[10]

In late 2010, Cox published four volumes of demos on his blog, entitled "Bedroom Databank". These demos were taken down from Mediafire by Sony, but they later apologized to Cox, stating that the files "were mistakenly removed".[12][13] Atlas Sound was chosen by Animal Collective to perform at the All Tomorrow's Parties festival that they curated in May 2011.[14]

Cox has also recorded as part of other bands, such as the short lived "Wet Dreams", an otherwise all-girl garage / noise band in which he played drums. He also recorded several tracks on the Black Lips second album We Did Not Know the Forest Spirit Made the Flowers Grow, playing drums on the song "Notown Blues" from that album.

He also is a part of the "Avant-Garage" band Ghetto Cross, with Cole Alexander from Black Lips, Frankie Broyles, and Asha Lakra.

Cox contributed to the Karen O-scored soundtrack for the 2009 film Where the Wild Things Are.[15]

In November 2012, it was announced that Cox would portray Jared Leto's lover in the feature film, Dallas Buyers Club, co-starring Matthew McConaughey and Jennifer Garner; this is Cox's film debut.[16]

For the most part, Bradford favors vintage and modern Fender and Gibson guitars. Some of his guitars include:[17]

• Fender Jaguar (1964 Fiesta Red, Formerly owned by Stereolab's Tim Gane)
• Fender Jazzmaster (1966, Block Inlays Originally white, has aged to a yellow color)
• Fender Stratocaster[18]
• '74 Gibson Les Paul Signature[19]
• Fender Bronco (70s stripped natural finish)
• Teisco Del-Rey EV-2, Humbuckers, Blue (possibly modified)
• Various Gibson Acoustics
• EKO 60's 12 String Acoustic
• Epiphone Small Body Acoustic strung in "Nashville Tuning"

Pedalboard

[17][20][21]

Bradford Cox's Deerhunter Pedalboard as of 2016 Tours

1966 Fender Jazzmaster into – (signal chain as follows)

• Boss TU-2 Chromatic Tuner
• Fairfield Circuitry Unpleasant Surprise (Used for Lead Parts, Noise)
• Henretta Engineering Chord Blaster (Used For Overdrive)
• Eventide PitchFactor
• Behringer Reverb Machine RV600
• Ibanez CF7 Chorus / Flanger (Rarely Used)
• Ibanez DE7
• Line 6 DL4
• Boss Noise Suppressor

Out to Fender Hot Rod DeVille 4x10

Cox Also Uses an Exposed Spring Reverb Tank / Filter Unit for Noise and Effects

Vocal Effects Pedal Board Beyerdynamic M69 Mic Into:

• Digitech DigiVerb (through Mic for Backwards Vocals Only)
• Digitech DigiDelay (through Mic for Vocal Loops Only)
• Eventide Mixing Link Pre Amp / FX Loop

Amps

When playing live with Deerhunter, Bradford previously used Univox U-1226 Head into a vintage Marshall 4x10 Cabinet. He has also used a Marshall JCM800 half-stack, and occasionally a 1970s Peavey Classic combo amplifier. He Currently uses a Fender Hot Rod DeVille 410.[17]