Calendar Girls

Annie Clarke and Chris Harper live in the Yorkshire village of Knapely, where they spend much time at the local Women's Institute and with each other. When Annie's husband, John, is diagnosed with terminal leukaemia, Chris regularly visits them at the hospital.

Chris complains about the uncomfortable couch in the waiting room. After noticing a "girlie" calendar in a local mechanics shop, she hits upon an idea to raise funds to buy a new sofa. She proposes producing a calendar featuring members of the Knapely branch of the Women's Institute discreetly posing nude while engaged in traditional WI activities, such as baking and knitting.

Chris's proposal initially is met with skepticism, but she eventually convinces nine additional women to participate in the project with her and Annie. They enlist Lawrence, a hospital worker and amateur photographer, to help with the project. The women are all quite shy, but they support each other, overcoming their fears.

The head of the local Women's Institute branch refuses to sanction the calendar, so Chris and Annie plead their case to the national congress of the Women's Institute in London. They are told the final decision rests with the local leader, who grudgingly agrees to the calendar's sale.

The initial printing of 500 quickly sells out and gains national and international media attention. The women are invited, all expenses paid, to appear on The Tonight Show with Jay Leno in Los Angeles. Initially Chris is convinced to not go, to watch after her troubled teen by Annie, but a scandalous story about her in a gossip rag by a paparazzi-journalist causes her to follow them to L.A.

The publicity surrounding the calendar eventually takes a toll on their personal lives and, during a photo shoot, tension boils over, Chris and Annie angrily clash. Annie accuses Chris of ignoring her husband and son and the demands of the family business in favour of newfound celebrity; Chris believes Annie revels in her Mother Teresa-like status of catering to the ill and bereaved who have bombarded her with fan mail.

All is resolved eventually, and the women resume their normal, pre-calendar lives.

Before the credits, it is shown that they made over half a million pounds with the calendars and with the proceeds built a special leukemia wing on their local hospital.

• Helen Mirren as Chris Harper, the driving force behind the idea of stripping off for the local Women's Institute calendar.
• Julie Walters as Annie Clarke, Chris's best friend whose husband John's leukemia death serves as the basis for her friend's idea to purchase a sofa for hospital visitors in remembrance of him.
• Linda Bassett as Cora, a shop owner and divorced single mother. She is the official pianist of the Knapely WI.
• Annette Crosbie as Jessie, a retired teacher.
• Celia Imrie as Celia, a major's wife.
• Penelope Wilton as Ruth Reynoldson, a carpet dealer's housewife. Wilton initially rejected the offer to join the project as she refused to be filmed semi-naked.[5]
• Geraldine James as Marie, chairwoman of the Knapely WI group.
• Philip Glenister as Lawrence Sertain, John Clarke's nurse and photographer of the calendar, based on photographer Terry Logan.[6]
• Ciarán Hinds as Rod Harper, Chris's husband, a florist.
• John Alderton as John Clarke, Annie's husband, who dies from leukaemia.
• George Costigan as Eddie Reynoldson, Ruth's husband. He generally shows little affection for Ruth and ultimately bashes her participation in the calendar. Ruth later leaves him when he has an affair with a woman whom he introduced himself to as a widower.
• John-Paul Macleod as Jem Harper, Chris and Rod's son.

The film's fellow calendar girls include Georgie Glen, Angela Curran, Rosalind March, Lesley Staples and Janet Howd as Kathy, May, Truday, Julia and Jenny respectively.[7] Calendar Girls also cast Graham Crowden as Jessie's husband Richard, Belinda Everett as Cora's daughter Maya, Marc Pickering as Jem Harper's friend Gaz and Harriet Thorpe as WI president Brenda Mooney.[7] Gillian Wright appears as Eddie Reynoldson's lover, while John Sharian plays an American commercial director named Danny. In addition actors and actresses Richard Braine, Ted Robbins, Alison Pargeter, Angus Barnett, John Sparkes, Elizabeth Bennett, Christa Ackroyd, Matt Malloy, Patton Oswalt and John Fortune appear in short roles.[7] American television host Jay Leno appears as himself in the film during the ladies' visit to California; they also encounter the American heavy metal band Anthrax while relaxing by the pool.[7]

The review aggregator website Rotten Tomatoes reported that 74% of critics gave the film a positive rating, based on 126 reviews, with an average score of 6.5/10. Its consensus states "A charming, but clichéd comedy reminiscent of The Full Monty."[20] On Metacritic, the film has a weighted average score of 60 out of 100, based on reviews from 30 critics, indicating "mixed or average reviews".[21] Audiences surveyed by CinemaScore gave the film a grade "A-" on scale of A to F.[22]

Helen Mirren and Julie Walters both received favourable reviews from critics for their performances.[23]

Ruthe Stein, writing for The San Francisco Chronicle, said it is "A charming movie [that] should appeal to fans of The Full Monty and Waking Ned Devine – and not just because they also featured nudity that made you smile instead of smirk. The films share a wonderfully British wry humor. They're not laugh-out-loud funny, but there's quite a bit to amuse you when thinking about the scenes later."[24] Roger Ebert of the Chicago Sun-Times said, "It's the kind of sweet, good-humored comedy that used to star Margaret Rutherford, although Helen Mirren and Julie Walters, its daring top-liners, would have curled Dame Margaret's eyebrows [...] That the movie works, and it does, is mostly because of the charm of Mirren and Walters, who show their characters having so much fun that it becomes infectious."[25]

In his review for The New York Times, Elvis Mitchell called "minty-cool" Helen Mirren and "deft" Julie Walters "a graceful pair of troupers" and "a sunny, amusing team." He described the film as "yet another professionally acted and staged wry-crisp comedy about British modesty [...] that gets its laughs, but seems increasingly out of date [...] When the biggest compliment you can pay a picture is that it is professional and not smug, there's a little something missing, like invention."[26] Manohla Dargis of the Los Angeles Times said the film "is closer in texture and consistency to individually wrapped American cheese than good, tangy English Cheddar. But even humble plastic-wrapped cheese has its virtues and so does this film [...] Chief among those graces are Helen Mirren and Julie Walters, two well-matched and criminally underused actresses [...] Although they have little to do but grin and bare it, Mirren and Walters are delightful company."[27]

In Entertainment Weekly, Lisa Schwarzbaum, who graded the film B+, compared Calendar Girls with other British comedy films such as Billy Elliot and Saving Grace. She commented that "[It] is the first export from the light-comedy-steamroller division of the British film industry that avoids, for the most part, the kind of queasy class condescension such hell-bent charmers have relied on since unemployed steel-mill workers shook their groove thangs in The Full Monty."[28] Variety critic Derek Elley wrote that the film "delivers very likable, if sometimes dramatically wobbly, results". He found that "though the film is never dull, and playing by the cast is spirited, it's actually a surprisingly gentle movie [...] The humor has a typically British, offhanded flavor, and the essentially simple story plays more as a multi-character rondo on a single idea. For every laugh-out-loud moment, or eccentric touch, there are equal moments of reflection and pause [...] Despite an uncertain start in establishing a consistent comic tone, pic builds into an engaging, light character comedy, played somewhere between the Ealing tradition and contempo regional comedy."[29]

In The Guardian, Peter Bradshaw rated the film three out of a possible five stars and added, "This genial comedy, directed by Nigel Cole, with an excellent, tightly constructed script by Tim Firth and Juliette Towhidi, accentuates the positive. There's lots of wit and pluck and not much heartbreak,"[23] and Mark Kermode of The Observer said, "When the film succeeds, as it does magnificently in the first two-thirds, one can only marvel at the miracle of a world in which such plotlines could literally land on a producer's doorstep with the morning papers. When it fails, it is the film's acknowledgment of its own big-screen inevitability that is to blame. The result is half a great British screen comedy, twice as much as one usually expects from the genre nowadays ... Ultimately, however, this remains an immensely likeable and often impressive romp."[23]

Calendar Girls is a 2008 stage play based on the film that was part of the Chichester Theatre Festival. It subsequently transferred to the West End.

The Girls is a 2015 musical based on the story of the film, written by Tim Firth and Gary Barlow. It premiered in Leeds and then transferred to the West End, opening at the Phoenix Theatre in February 2017.

• Calendar Girls at AllMovie
• Calendar Girls at IMDb
• Interview with the women of Calendar Girls
• Calendar Girls: 10 Years On at True North Productions