Calypso Cat

Calypso Cat is a Tom and Jerry animated short film, produced in 1961 and released on June 22, 1962.[1] It was the seventh of the thirteen cartoons in the series to be directed by Gene Deitch and produced by William L. Snyder in Czechoslovakia.

Calypso Cat
The title card of Calypso Cat
Directed byGene Deitch
Animation direction:
Václav Bedřich
Story byLarz Bourne
Produced byWilliam L. Snyder
Music bySteven Konichek
Animation byJindra Barta
Antonín Bures
Mirek Kacena
Milan Klikar
Vera Kudrnová
Vera Maresová
Olga Sisková
Zdenka Skrípková
Zdenek Smetana
(all uncredited)
Checking:
Ludmila Kopecná (uncredited)
Backgrounds byBackground paint:
Bohumil Siska (uncredited)
Assistant background paint:
Miluse Hluchanicová (uncredited)
Color processMetrocolor
Production
company
Distributed byMetro-Goldwyn-Mayer
Release date
June 22, 1962
Running time
8:00
CountriesUnited States
Czechoslovakia
LanguageEnglish

While the Deitch shorts were generally negatively-received by the Tom and Jerry fans, this particular short is often considered one of the best of the thirteen cartoons. This is due to its love triangle that harkens back to the Hanna-Barbera era, as well as the background art and the calypso-flavored soundtrack.

Plot

While chasing Jerry around a dock Tom sees and instantly falls in love with a female cat. The female cat appears to return Tom's interest, so Tom sneaks aboard the ship the female cat and her owner have just boarded.

Jerry follows Tom onto the boat and proceeds to interfere with Tom's subsequent flirtations. On board the ship, Tom gives the Persian cat a tray of refreshments, but the mouse intends to give trouble by booting the bench the female cat's sitting on as she begins to enjoy the refreshments on the tray. Then, when the refreshments are dumped on her (by Jerry collapsing her chair), and Tom trips and falls on her when getting a wet towel, the Persian cat gets annoyed and bangs the tray onto Tom's head that it turns the shape of a bell.

Now the Persian cat plans on ignoring Tom, but Tom decides to certify her with something else. Just then, the second trouble Jerry is trying to give is to put a bouquet of flowers in a fire hose's water spraying space and switches on the water tap so that once Tom gives it to the female cat, water will definitely splash on her cheeks while she was smelling the bouquet of flowers. Not long later, after the Persian cat gets splashed into a ship pipe and her bow tie is tied onto her lips she smacks Tom on the part below the mouth. The cat's mouth enlarges virtually long right after being smacked by the female cat, then Tom makes it back to normal.

He dashes after the female cat down the steps at the edge of the ship, pleading for forgiveness but she seems to be paying no attention to him. Tom holds the Persian cat's hand trying a reason to get along with her but she continues to leave apart. Jerry then tricks Calypso cat into assaulting Tom by hitting the steel drum with a stone (Calypso cat thought Tom had kicked it). Obviously, Tom retaliates and the two start to fight each other, using the drums sticks and steel drum as weapons. Tom loses the fight when Calypso cat slammed the drum onto Tom and turned him into a turtle, as Tom comes out of his shell, and Calypso cat proceeds to walk off, as Tom runs around and around and spins around on his shell, and Jerry laughs and laughs himself silly, accompanied by the female cat, making Tom heartbroken.

Jerry then sets Tom's feet on fire to get his attention, and Tom, now realizing that Jerry sabotaged his potential relationship, proceeds to chase Jerry back onto the ship in a crazed fury. The ship arrives back at the dock where it had been at the start, and the chase continues on the dock. Despite being chased by Tom, Jerry is smiling through the camera for the closing as if it was all worth it.

Production

  • In scoring the Tom and Jerry series, newcoming composer Steven Konichek "found a way forwards" through "avoiding old-style chase music" and "concentrating on atmospheric underscoring" in the Deitch shorts; his cues in this particular cartoon have been described as "dissonantly jazzy".[2]

Trivia

This cartoon's plot bears resemblance to Hanna-Barbera era one, Springtime for Thomas.

References

  1. Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 150–151. ISBN 0-8160-3831-7.
  2. Cooke, Mervyn (2008). A History of Film Music. New York: Cambridge University Press.
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