Cancer Attack

In Budapest, Earn (Donald Glover), Alfred (Brian Tyree Henry) and Darius (Lakeith Stanfield) stay at a venue for a concert. As Alfred meets and greets his fans, Earn tries to contact Van, whom he hasn't heard from in almost a week. Darius is convinced that the place is "haunted" and plans to search the place, but is brushed off by Alfred. Alfred tries to talk with Earn, but Earn is also busy with managing the concert. As Alfred prepares to perform, a fan introduces him on stage and is told by Earn to get off the stage.

After the concert is over, Earn sees Alfred, Darius and Socks (Hugh Coles) trying to find Alfred's phone, which disappeared. As Alfred tries to remember the last time he saw the phone, he brings up that he had it at the meet and greet with a boy who had cancer. Earn then contacts security to stop the boy but is informed that the boy is being rushed out of the building for a "cancer attack". Earn intercepts the paramedics and the boy, Marvy. While Marvy is initially supportive, Earn frenetically starts checking him and is booed by everyone present, forcing him to leave and not finding the phone.

Earn then deduces that the boy who presented Alfred, Wiley (Samuel Blenkin), could've taken it as he was backstage throughout the day. Earn contacts the venue manager, who states that Wiley is his nephew and does not believe he took it. As the manager surprisingly does not have Wiley's phone number, Earn takes Wiley's resume to contact him. They call Wiley, who finds it suspicious why they would call fans randomly. Socks then takes the phone and threatens him to go back to the venue with the phone, until Alfred takes the phone away from him and tries to reason with Wiley but Wiley hangs up.

Wiley returns to the venue, despite the threat. Wiley denies being involved in the robbery and his talk seems to unnerve Alfred, as it appears to include many of his desires and past events, which could only be found in his phone. Earn and Alfred then decide to use the good cop/bad cop tactic, but Wiley deviates from the subject. When he asks for a phone call, he gives Alfred's phone number, prompting Alfred to nearly attack him. Wiley then farts in a panic and states he is just 32, something the stage manager refuses to believe. As Earn tries to make the manager see Wiley's strange behavior, Socks returns, revealing that the address Wiley provided was for a Cirque du Soleil venue.

Alfred then privately talks with Wiley, stating that his most personal items are on the phone and he needs it back. Wiley once again deviates from the conversation, expressing admiration for Alfred's mixtape, Postal, and takes a guitar to sing. While Alfred is not moved by the song, he doesn't stop Wiley from leaving the venue. Earn, Alfred, Darius and Socks then board the bus to leave the venue, with Socks apologizing to Alfred for his behavior. Earn receives a message from Van, stating she is fine. As everyone boards, Socks is revealed to have taken Alfred's phone and tosses it in a trash container before boarding the bus.

The character of Wiley was analyzed by many industry trades, with many considering the possibility that the character is a ghost.[11] Evidence used one of the opening scenes, where Darius planned to search the venue as he believes it may be haunted by ghosts, only for Alfred to state "Yo, as long as it's not another Milwaukee man, I'm cool", a reference to urban legends regarding The Rave/Eagles Club.[12] The date of the episode's airing, April 14, also coincided with "Milwaukee Day", a local day in the area.[12]

Cracked.com further elaborated on Wiley, "if the unnerving events at the Budapest venue were inspired to some degree by the Milwaukee stories, Buddy Holly becomes an interesting thematic jumping point. So much of this season has manifested the ghosts of racial injustice that people accept as everyday parts of life. Music legend Buddy Holly inarguably took what was happening in the Black music scene and repackaged it for a white audience. In Atlanta, Al's phone is taken, and importantly, it contains his new musical ideas, a literal embodiment of his creativity and artistry, stolen by a white associate. And our 'ghost' Wiley is not entirely un-Buddy Holly-like. Sure, he's not American, and he doesn't wear thick glasses, but he's still a scrawny guy with a similar haircut who also turns out to be a guitar player and singer."[11]

• "Cancer Attack" at IMDb