Carnal Circuit

Carnal Circuit (Italian: Femmine insaziabili, German: Mord im schwarzen Cadillac, also known as The Insatiables and Beverly Hills) is a 1969 Italian-German giallo written and directed by Alberto De Martino.[3][1][4][5]

Carnal Circuit
Directed byAlberto De Martino
Screenplay by
  • Lianellà Carell
  • Carlo Romano
  • Alberto De Martino
  • Vincenzo Flamini
Produced byHans Pflüger
Starring
CinematographySergio D'Offizi
Edited byOtello Colangeli
Music byBruno Nicolai
Production
companies
  • Empire Films S.r.l.
  • Corona Filmproduktion GmbH[1]
Distributed byFida
Nora Filmverleih GmbH & Co. KG[1][2]
Release dates
  • August 14, 1969 (1969-08-14) (Italy)
  • August 13, 1970 (1970-08-13) (West Germany)
[1]
Running time
93 minutes[2]
Countries
  • Italy
  • West Germany[2]
LanguagesItalian
English

Plot

A man hides his best friend from the criminals out to get him and suffers a violent beating. His friend gets killed, and he tries to find out why.

Cast

Production

Carnal Circuit was shot in Rome between February 12, 1968, and February 1969.[2]

During an underwater scene the camera operator unexpectedly and without Romina Power's knowing, pulled down the bottom part of her swimsuit. For a moment you can see her bum. Afterwards, Romina's mother went to the producer Goffredo Lombardo shouting and complaining about director Alberto De Martino.[6]

Release

In West Germany, Carnal Circuit was released on August 13, 1970.[2]

References
  1. Roberto Chiti; Roberto Poppi; Enrico Lancia; Mario Pecorari. "Femmine insaziabili". Dizionario del cinema italiano. I film. Gremese Editore, 1992. ISBN 8876055932.
  2. "Mord im schwarzen Cadillac". Filmportal.de. Retrieved October 11, 2016.
  3. Margot Winick (1996). Spaghetti Nightmares. Fantasma Books, 1996. ISBN 0963498274.
  4. Paolo Mereghetti. Il Mereghetti - Dizionario dei film. B.C. Dalai Editore, 2010. ISBN 8860736269.
  5. Marco Giusti (1999). Dizionario dei film italiani stracult. Sperling & Kupfer,1999. ISBN 8820029197.
  6. Darkening the Italian Screen: Interviews with Genre and Exploitation, p. 101, p. 101, at Google Books


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