Charles-Alexandre, Marquis de Ganay

Charles-Alexandre de Ganay, 3rd Marquis de Ganay (29 April 1803 – 4 January 1881) was a French aristocrat, diplomat and art collector.

Portrait of the Marquis de Ganay, by James Tissot, 1868.

Early life

Charles-Alexandre was born on 29 April 1803 in Saône-et-Loire in Burgundy, France.[1] He was the only son of Françoise Bonne de Virieu (1776–1870) and Gen. Antoine-Charles de Ganay, 2nd Marquis de Ganay (1769–1849),[2] a representative for Saône-et-Loire from 1810 to 1823.[3]

His paternal grandfather was the Governor of Autun, Paul-Louis, 1st Marquis de Ganay (son of Nicolas, seigneur de Virigneux who was raised to the nobility in 1739)[1] and was married to Ana Marie Thérèse Gravier de Vergennes (a niece of Charles Gravier, comte de Vergennes, the Chief Minister of the French Monarch under King Louis XVI).[2] They owned the Château de Visigneux. His maternal grandparents were Nicolas de Virieu de Beauvoir, Vicomte de Virieu, and Claudine de Maleteste, Vicomtesse de Virieu.[4][5]

Career

The Circle of the Rue Royale, by James Tissot, 1868.

A diplomat, he served as Minister Plenipotentiary to the Grand Duchy of Tuscany in Italy.[6] The United Provinces of Central Italy, a client state of the Kingdom of Sardinia, annexed Tuscany in 1859. Tuscany was formally annexed to Sardinia in 1860, as a part of the unification of Italy resulting in the Kingdom of Italy in 1861.[7]

After his father-in-law's death, his wife inherited the Château de Luins in the Swiss Canton of Vaud.[8]

Ganay, and his son Etienne were both featured in James Tissot's 1868 group portrait painting The Circle of the Rue Royale. The painting depicted the gathering of the Circle of the Rue Royale, a male club founded in 1852 who commissioned the work,[9] and takes place on one of the balconies of the Hôtel de Coislin, overlooking the Place de la Concorde. Each of the twelve subjects paid 1,000 francs for the painting to be made.[10] Others in the painting included Gaston, Marquis de Galliffet (known as an opponent to the 1871 Paris Commune), Prince Edmond de Polignac, the Comte Julien de Rochechouart, the Marquis René de Miramon, Baron Gaston de Saint-Maurice, Capt. Coleraine Vansittart, Baron Rodolphe Hottinguer, Marquis Alfred du Lau d'Allemans, Comte Alfred de La Tour-Maubourg, Charles Haas (who was a source for the character of Charles Swann in Marcel Proust's Remembrance of Things Past).[11]

Personal life

Portrait of his wife, Élisa, c.1830.

In 1831, the Marquis de Ganay was married to Élisa Calixte de Pourtalès (1810–1877), a daughter of Count James-Alexandre de Pourtalès, a prominent banker and art collector who served as chamberlain to the King of Prussia Frederick William III. Together, they were the parents of:[2]

His wife died in 1877. The Marquis de Ganay died on 4 January 1881 in Piedmont, Italy.[2] After his death, a catalog featuring some of his rare and precious books, manuscripts and prints, was compiled and published in Paris.[18]

Descendants

Through his eldest son, he was a grandfather of Marianne-Constance de Ganay (1860–1931), who never married, instead, becoming a nun and writer (who won the Prix Juteau-Duvigneaux from the Académie Française in 1914).[19]

Through his second son Etienne,[20] he was a grandfather of Marguerite de Ganay (1859–1940), wife of Arthur O'Connor (a grandson of Arthur O'Connor, an Irish general in Napoleon's army, and the great-grandson of the Marquis de Condorcet); Charles Aimé Jean, 6th Marquis de Ganay (1861–1948),[21] husband of salonnière Berthe, Countess de Béhague[22][23] (their son, Count Bernard de Ganay, married Magdeleine Goüin); Jacques André de Ganay, Count de Ganay (1863–1912), husband of Jeanne le Marois; Charlotte Gabrielle de Ganay, wife of Thierry, Prince d'Hénin, and Gérard de Ganay, husband of Zélie Schneider.[24][15]

References

  1. Saint-Allais, Nicolas Viton de (1816). Nobiliaire universel de France ou recueil général des généalogies historiques des maisons nobles de ce royaume (in French). Au bureau du nobiliaire universel de France. p. 23. Retrieved 11 May 2020.
  2. Melville Amadeus Henry Douglas Heddle de La Caillemotte de Massue de Ruvigny Ruvigny and Raineval (9th marquis of) (1914). The Titled Nobility of Europe: An International Peerage, Or "Who's Who", of the Sovereigns, Princes and Nobles of Europe. Harrison & Sons. p. 686. Retrieved 11 May 2020.
  3. Robinet, Jean-François (1898). Dictionnaire historique et biographique de la Révolution et de l'Empire, 1789-1815 (in French). Librairie historique de la Révolution et de l'Empire. p. 7. Retrieved 11 May 2020.
  4. Memoires de Société éduenne des lettres, sciences et arts (in French). 1892. p. 58. Retrieved 11 May 2020.
  5. Grimoard, Philippe-Henri comte de (1782). Histoire Des Quatre Dernieres Campagnes Du Maréchal de Turenne en 1672, 1673, 1674 & 1675: Enrichie de Cartes Et de Plans Topographiques, Dédiée Et Présentée Au Roi, Par M. Le Chevalier de Beaurain, Géographe de Sa Majesté, & Son Pensionnaire (in French). Chez le Chevalier de Beaurain. p. 217. Retrieved 11 May 2020.
  6. d'Est-Ange, Gustave Chaix (1983). For-Gau (in French). Éditions Vendôme. p. 111. Retrieved 11 May 2020.
  7. François Velde (July 4, 2005). "The Grand-Duchy of Tuscany". heraldica.org. Retrieved 2009-08-19.
  8. "L'histoire du Château – Chateau de Luins". chateaudeluins.ch (in French). Chateau de Luins. Retrieved 9 May 2020.
  9. Blom, Philipp (2010). A Wicked Company: The Forgotten Radicalism of the European Enlightenment. Basic Books. p. 147. ISBN 978-0-465-02278-6. Retrieved 11 May 2020.
  10. Proust, Marcel (2017). Auf der Suche nach der verlorenen Zeit. Gesamtausgabe: Bände 1–8: Vollständige Textausgabe mit Kommentarband (in German). Reclam Verlag. p. 919. ISBN 978-3-15-961800-5. Retrieved 11 May 2020.
  11. Brevik-Zender, Heidi (2015). Fashioning Spaces: Mode and Modernity in Late-Nineteenth-Century Paris. University of Toronto Press. p. 299. ISBN 978-1-4426-6981-9. Retrieved 11 May 2020.
  12. Bois, François-Alexandre Aubert de La Chesnaye Des (1863). Dictionnaire de la noblesse, contenant les généalogies, l'histoire et la chronologie des familles nobles de France,... (in French). Schlesinger Frères. p. 83. Retrieved 11 May 2020.
  13. "Marquise de Ganay". The New York Times. 19 September 1921. Retrieved 11 May 2020.
  14. Gilder, Cornelia Brooke (2017). Edith Wharton's Lenox. Arcadia Publishing. p. 23. ISBN 978-1-62585-788-0. Retrieved 11 May 2020.
  15. Jordan, John Woolf (2004). Colonial And Revolutionary Families Of Pennsylvania. Genealogical Publishing Com. p. 160. ISBN 978-0-8063-5239-8. Retrieved 11 May 2020.
  16. Adams, Henry; Levenson, Jacob C.; Samuels, Ernest (1982). The Letters of Henry Adams. Harvard University Press. p. 75. ISBN 978-0-674-52686-0. Retrieved 11 May 2020.
  17. "JOHN SINGER SARGENT 1856 – 1925 MADAME LA COMTESSE JACQUES DE GANAY". sothebys.com. Sotheby's. Retrieved 9 May 2020.
  18. Booton, Diane E. (2018). Publishing Networks in France in the Early Era of Print. Routledge. p. 254. ISBN 978-1-351-77805-3. Retrieved 11 May 2020.
  19. Muessig, Carolyn (2020). The Stigmata in Medieval and Early Modern Europe. Oxford University Press. p. 270. ISBN 978-0-19-251514-8. Retrieved 11 May 2020.
  20. Jordan, John Woolf (1911). Colonial Families of Philadelphia. Lewis Publishing Company. p. 160. ISBN 9785880233557. Retrieved 11 May 2020.
  21. "Marquis De Ganay". The New York Times. 20 February 1948. Retrieved 11 May 2020.
  22. Kemp, Martin; Simon, Robert B.; Dalivalle, Margaret (2019). Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts. Oxford University Press. p. 358. ISBN 978-0-19-254329-5. Retrieved 11 May 2020.
  23. Times, Marconi Transatlantic Wireless Telegraph To the New York (15 June 1913). "PARIS ARISTOCRATS IN DANCE PAGEANT; Marquise de Ganay's Splendid Entertainment for Rumanian Princess". The New York Times. Retrieved 11 May 2020.
  24. Mension-Rigau, Eric (2015). Singulière noblesse: L'héritage nobiliaire dans la culture française contemporaine (in French). Fayard. p. 213. ISBN 978-2-213-67292-2. Retrieved 11 May 2020.
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