Charles Deas

Charles Deas (December 22, 1818 – March 23, 1867) was an American painter noted for his oil paintings of Native Americans and fur trappers of the mid-19th century.

Charles Deas
The Voyageurs (1846) by Charles Deas
Born(1818-12-22)December 22, 1818
Philadelphia, PA
DiedMarch 23, 1867(1867-03-23) (aged 48)
New York City
NationalityAmerican
Known forpainting

Early life

Charles Deas was born in Philadelphia, Pennsylvania. He was a son of William Allan Deas (1764-1863) and Anne (née Izard) Deas (1764–1863), a daughter of the 18th century American politician Ralph Izard of South Carolina and his wife, Alice De Lancey Izard.[1]

He attempted, and failed, to obtain an appointment to the United States Military Academy at West Point, New York.[2] As a young man, he studied under John Sanderson in Philadelphia, and subsequently embarked upon a career as a painter.[3] The National Academy of Design in New York soon recognized his work, electing him as an associate member in 1839.[4]

Career

By 1840, he had decided to emulate one of his influences, George Catlin, and travel westward in the United States. It was during travels through the Wisconsin Territory that he became a noted painter of trappers and American Indians. By 1841, Deas decided to establish his base in St. Louis, Missouri.[2] During this time, Deas would typically spend "a few months among the Indian tribes, familiarizing himself with their manners and customs."[5]

The artist's works are described as expressing "psychological tension, perceived danger, alarm, and flight," epitomized by his painting Death Struggle which depicts an Indian and trapper locked in combat while falling to their deaths from a cliff.[2]

Deas was most famous while he was still alive. One critic, in 1947, stated that the painter was considered to have "enjoyed more of a reputation during his own lifetime" than currently.[6] Between 1841 and 1848, Deas' regularly exhibited his works in St. Louis at the "Mechanics Fairs." He also shipped many of his works, for sale, to the Pennsylvania Academy of Fine Arts as well as to New York's American Art Union.[7]

Deas returned to New York in 1848 and expressed a desire to open a gallery of Indian art. Before he could do this he was declared legally insane.[8] While he was institutionalized, his paintings were described as being particularly intense. "One of his wild pictures, representing a black sea, over which a figure hung, suspended from a ring, while from the waves a monster was springing, was so horrible, that a sensitive artist fainted at the sight."[9]

Personal life

On May 23, 1848, Deas was committed to New York's Bloomingdale Asylum (a site now occupied by Columbia University). He was institutionalized for the rest of his life.[10]

Deas died of "apoplexy" (possible stroke) in Bloomingdale Asylum on March 23, 1867.[10]

Selected works
Wa-kon-cha-hi-re-ga (1840) by Charles Deas

Bibliography
  • Clark, Carol et al. Charles Deas and 1840s America, Norman : University of Oklahoma Press, 2009. (ISBN 9780806140308) (OCLC 258767488)
  • Tuckerman, Henry T., "Deas" IN Artist-life: or, Sketches of American painters, New York: D. Appleton & Company, 1847. pp. 202–214. (OCLC 813736)

References
  1. Wilson, James Grant. Appletons' cyclopædia of American biography (vol. 2). New York, D. Appleton. p. 118.
  2. Clark, Carol (1996). "Deas, Charles". The Dictionary of Art. New York, NY: Grove's Dictionaries, Inc. 8: 588.
  3. Clement, Clara Erskine; Hutton, Laurence (1885). Artists of the Nineteenth Century and Their Works. Boston: Osgood and Company. p. 187.
  4. "DEAS, Charles". Marquis Who Was Who in America 1607–1984. 2009. Retrieved March 3, 2010.
  5. Lanman, Charles (1847). A summer in the wilderness; embracing a canoe voyage up the Mississippi and around Lake Superior. New York : D. Appleton and Co. p. 15.
  6. Baur, John I. H. (Summer 1947). "Unknown American Painters of the 19th Century". College Art Journal. 6 (4): 280. Retrieved March 3, 2010 from JSTOR. doi:10.2307/772653. JSTOR 772653. S2CID 191257926.
  7. Rubin, Beth (1999). Lawrence O. Christensen (ed.). Dictionary of Missouri Biography. Columbia, MO : University of Missouri Press. pp. 235–236. ISBN 0-8262-1222-0.
  8. Dippie, Brian (1990). Catlin and his contemporaries : the politics of patronage. Lincoln : University of Nebraska Press. p. 495. ISBN 0-8032-1683-1.
  9. Tuckerman, Henry T. (1867). Book of the Artists: American Artistic Life. New York: G.B. Putnam and Son. p. 429. OCLC 3078636.
  10. Clark, Carol (2009). "1". Charles Deas and 1840s America. Norman, Oklahoma: University of Oklahoma Press. pp. 35–45. ISBN 978-0-8061-4030-8.
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