Charlie Chan (composer)

The child of a Chinese-Malay father and Scottish-Australian mother, Chan was born and raised in Melbourne, Australia and grew up in the Dandenong area, 30 km (19 mi) from the city's centre. they received a ukulele at age three which they took to immediately – a gift from their father's employer, GM Holden, given to Charlie at the annual company Christmas party. Chan's parents rewarded their musical interest with a Skylark acoustic guitar and music lessons when they turned five, and they soon began playing their uncle's pianola and the piano shortly thereafter. Chan also taught themself drums and started their first band at eight years of age with friends at their local Catholic girls' school.

At this time, influences included those from their parents' record collection – musicals such as My Fair Lady, Oklahoma! and The Sound of Music, along with pop and jazz influences like Chicago, Simon & Garfunkel, The Carpenters, flugelhorn player Chuck Mangione and the Getz/Gilberto collaboration that featured their famous rendition of "The Girl from Ipanema".

At the age of 12, Chan began work experience in a local Yamaha music store, gaining access to innovative instruments like the Yamaha CP70 electric grand piano along with drum kits and a Rhodes piano. A determined teenager by 13, they cajoled their school into buying a double bass and reached the classical training standard of Grade 7 within three years.

It was at this time that Chan's experience with music orchestration began. At the age of 14, they started work experience with Young Talent Time as a music copyist, approaching the production themself, and turning up repeatedly until they were offered an ongoing role.

Chan auditioned for and was accepted by three highly-regarded music-focused schools at age 15 – the Victorian College of the Arts, Blackburn High School and University High School – opting to attend the latter. By 15, Chan had furthered their orchestration experience by composing and/or arranging music for small ensembles of up to 15 musicians at school, along with drama and music camps. One of Chan's early major orchestration assignments at drama camp was for a stage adaptation of the novel They Shoot Horses Don't They?.

As Chan grew into adulthood, the musical influences that stayed with them included an eclectic range: from classical greats Mahler, Smetana and Wagner, through contemporary composer/artists Herbie Hancock, Brian Eno, Laurie Anderson, Ryuichi Sakamoto, Philip Glass and Keith Jarrett, to world-renowned Pakistani musician Nusrat Fateh Ali Khan and experimental pop artists like David Sylvian (and his band Japan), Grace Jones and Peter Gabriel.

Chan left Melbourne for Sydney at age 16, which led to commissioned work with drama and dance groups plus stints playing keyboards and drums with successful pop bands Electric Pandas, The Allniters and iconic women's band The Stray Dags.[3]

These experiences culminated with the release of Chan's solo recordings and, in 1996 after the band's management was sent a Charlie Chan recording, an Australian and Asia Pacific tour supporting world music electronica band Deep Forest.

In the 1990s, Chan released three critically celebrated solo albums on their own label in partnership with the Sony Masterworks classical label and Sony Music Publishing. These were called The Adventures of Charlie Chan (1993), East and West (1996) and Wild Swans (1998). Each of Chan's recordings reflected their adventurous spirit, creating an unusual compositional blend of classical piano and minimalism, ambient soundscapes, globally inspired tribal folk music, jazz trio improvisation, and world-pop styled music.

Wild Swans achieved Gold status for CD sales and contains two collaborative tracks with ARIA Award-winning Australian singer/songwriter Monique Brumby. Chan's albums received positive media reviews. The Sydney Morning Herald wrote of The Adventures of Charlie Chan, "defies all boundaries, shatters musical categories and constantly takes the listener by surprise. ... intelligent, sensuous music for the open minded."[4] The Sunday Telegraph described Wild Swans as a "harmonic meeting of classical music and high-tech soundscapes ... ambient yet energetic",[5] while Sydney's Drum Media said, "organic origins of song, interaction of musicians, and cultural exploration create ... a fresh and beautiful collection of music."[6]

Bringing two of their artists together, around this time Sony Masterworks released a recording of Charlie Chan and Australian classical guitarist Slava Grigoryan. The pair had recorded an improvised rendition of Chan's piece Paradise, the original meanwhile was used as the score for popular ABC television series Australian Story.

Chan has sold more than 75,000 physical CDs, and more than 500,000 individual track downloads to fans via their web site.[7]

Chan has always been a digital pioneer, combining technology and creativity to produce, perform, promote and distribute their music.

Working with Yamaha as a new product demonstrator in their teens, Chan was exposed to a plethora of new music technology. they became proficient on the Yamaha DX7 – the first commercially successful digital synthesizer. they also took to the Minimoog – a monophonic analog synthesizer released in the early 1970s. This led to further experimentation with keyboards, sequencing software and electronic sampling – something Chan embraced at a very young age, and has continued to incorporate into their ongoing work with original albums as well as for stage and screen scores.

Chan was one the first musician/composers to embrace technology in their work. As noted by journalist Cal Clugston writing for Revolver magazine: "As well as being known for their forays into sampling and electronica, this cutting-edge pianist and songwriter has an association with multimedia (and) the internet."[1]

In the early to mid 2000s, Chan expanded their own label, Martian Music, into a successful independent online music service for themself and other artists. Its Internet based sales and distribution mechanism pioneered digital downloads and music e-commerce in Australia.

Technology is also woven through Chan's work with the Global Orchestra, with conductor cam and live streaming utilised to connect musicians from multiple locations globally. In 2017 the Global Orchestra created the Interactive Orchestra. This immersive, interactive orchestral experience, in partnership with Accenture Interactive, brought together data, artificial intelligence, music, real-time visualisations and the Adobe Experience Cloud. A world-class 40-member jazz ensemble performed on stage alongside Baxter, an AI-powered robot rescued from a production line, playing marimba.

As a composer for screen and stage, Chan's myriad credits include soundtracks for drama series Killing Time (starring David Wenham) and McLeod's Daughters, feature film Me Myself I (starring Rachel Griffiths), TV documentary series Australian Story, acclaimed Sydney Theatre Company play Gift of the Gorgon and numerous free-to-air, National Geographic and Discovery Channel documentaries including Addiction, The Last Warriors, Persons of Interest and many more.

A Soundscapes[8] feature article summarised Chan's musical career this way, stating "Charlie Chan is a refreshing change" and that they compose and improvise with "fluency and simplicity". "The wide appeal of [their] music is attested to by the amount of work Chan is ... commissioned to write and perform."[9]

Charlie Chan lives and works in Sydney & Brisbane, Australia with their dog, a border collie named Salty. Outside of music, Chan has an avid interest in horology, sailing, kayaking and meditation. They also have a passion for vintage car and vintage sailboat restoration.

• http://www.charliechan.com.au