Claudio Bonivento
Claudio Bonivento (born 14 November 1950) is an Italian film producer, director, and screenwriter.
Claudio Bonivento | |
---|---|
Born | 14 November 1950 72) Faggeto Lario, Italy | (age
Occupation(s) | Producer, director, screenwriter |
Life and career
Born in Faggeto Lario, Como, Bonivento began his career as a theatrical organizer, an agent and a record producer.[1] In the late 1970s he started working as a film, television and stage producer. In 1997 he made his directorial debut with Other Men.[1]
In 1989 Bonivento won the Nastro d'Argento for Best Producer for Marco Risi's Forever Mery.[2] He also won three David di Donatello for Best Producer in 1991, 1993 and 2011, respectively for Boys on the Outside, The Escort and 20 sigarette.[2][3]
Selected filmography
- Producer
- I fichissimi (1981)
- Viuuulentemente mia (1982)
- I'm Going to Live by Myself (1982)
- Eccezzziunale... veramente (1982)
- Time for Loving (1983)
- A Boy and a Girl (1984)
- Chewingum (1984)
- Love at First Sight (1985)
- Blues metropolitano (1985)
- Il ragazzo del Pony Express (1986)
- Soldati - 365 all'alba (1987)
- Sweets from a Stranger (1987)
- Sposi (1987)
- Delitti e profumi (1988)
- Appointment in Liverpool (1988)
- Days of Inspector Ambrosio (1988)
- Forever Mery (1989)
- Boys on the Outside (1990)
- Pummarò (1991)
- Una storia semplice (1991)
- The Inner Circle (1991)
- Sabato italiano (1992)
- When We Were Repressed (1992)
- Ultra (1992)
- The Escort (1993)
- Policemen (1995)
- Who Killed Pasolini? (1995)
- Director
- Other Men (1997)
- Le Giraffe (2000)
- Il Pirata: Marco Pantani (2007)
- Era mio fratello (2007)
- Anita Garibaldi (2012)
References
- Giulio Martini, Guglielmina Morelli (1997). Patchwork Due: Geografia Del Nuovo Cinema Italiano. Centro studi cinematografici Lombardia, 1997. ISBN 8880331043.
- Enrico Lancia (1998). I premi del cinema. Gremese Editore, 1998. ISBN 8877422211.
- Alice Zampa (8 May 2011). "David di Donatello: Noi credevamo trionfa con 7 premi". Best Movie. Retrieved 24 September 2015.
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