Compulsion (1959 film)

Close friends Judd Steiner (based on Nathan Leopold and played by Dean Stockwell) and Artie Strauss (based on Richard Loeb and played by Bradford Dillman) kill a boy, Paulie Kessler, on his way home from school in order to demonstrate their "superior intellect". The two, who study at the University of Chicago with each having socially prominent families, also engage in stealing a typewriter from a campus fraternity house and even debate running over a drunk. They study with people such as Sid Brooks, a student working at a newspaper to pay his way forward. Strauss believes they have committed the "perfect crime", but they are caught when police find a key piece of evidence — Steiner's glasses, which he inadvertently left at the scene of the crime that Brooks discovers when assigned a beat about a drowned boy that was found in the park. Eventually, after an investigation that sees the two try to cover the crime up with wavering alibis and a lengthy interrogation, they are accused of murder.

Famed attorney Jonathan Wilk (based on Clarence Darrow and played by Orson Welles) takes their case, saving them from hanging by making an impassioned closing argument against capital punishment.[3] [4]

Welles, whose recent thriller Touch of Evil was overlooked in America (though appreciated in Europe), was bitter at not being selected to direct Compulsion. His time on the set was tense, and he threw frequent tantrums.[5]

In the early 1950s, Meyer Levin visited Nathan Leopold in prison and requested that Leopold cooperate with him on writing a novel based on the murder (the other murderer, Richard Loeb, was dead at that time). Leopold declined saying he did not wish his story told in fictionalized form but asked Levin if he could help him write his memoir. Levin was unhappy with that suggestion and wrote the novel anyway, releasing it in 1956. The novel was called Compulsion, the book the film is based on. Leopold read the book and reportedly did not like it. Leopold later wrote that reading the book made him "physically sick ... More than once I had to lay the book down and wait for the nausea to subside. I felt as I suppose a man would feel if he were exposed stark-naked under a strong spotlight before a large audience."[6]

In 1959, Leopold sought unsuccessfully to block production of the film on the grounds that Levin's book had invaded his privacy, defamed him, profited from his life story, and "intermingled fact and fiction to such an extent that they were indistinguishable."[7][8] Eventually the Illinois Supreme Court ruled against him,[9] noting that Leopold, as the confessed perpetrator of the "crime of the century" could not reasonably demonstrate that Levin's book had damaged his reputation.[10][7]

At the 1959 Cannes Film Festival, Dillman, Stockwell, and Welles won the Best Actor Award.[11] The film was nominated for the BAFTA best picture of the year, Richard Fleischer was nominated for best director by Directors Guild of America, and Richard Murphy was nominated for best screenplay by the Writers Guild of America.

In The New York Times, A. H. Weiler gave the film a positive review, especially praising the performances of the actors: "In Compulsion they have made a dark deed into a bright and fascinating picture."[12] The film holds a critics' approval rate of 100% on Rotten Tomatoes.[13]

• Leopold and Loeb
• Rope, Alfred Hitchcock's 1948 film based on the 1929 play by Patrick Hamilton, also inspired by the murder.
• List of American films of 1959
• Murder by Numbers, 2002 film directed by Barbet Schroeder

Wikiquote has quotations related to Compulsion (1959 film).

• Compulsion at IMDb
• Compulsion at the American Film Institute Catalog
• Compulsion at the TCM Movie Database
• Compulsion at AllMovie
• Compulsion at Rotten Tomatoes