Cosmic Psychos

Cosmic Psychos developed from Spring Plains which formed in 1982 in Melbourne with a line-up of Peter Jones on guitar and vocals; Steve Morrow on lead vocals; Neal Turton-Lane on bass guitar; and Bill Walsh on drums and vocals.[1] According to Australian rock music historian, Ian McFarlane, their music was "arty kind of punk noise, somewhere between The Birthday Party and a more narcotic sounding Ramones".[1] In 1984 the group recorded a track, "American Hymn", for a various artists compilation, Asleep at the Wheel.[1] Late that year Morrow and Turton-Lane were replaced by Ross Knight (ex-Rancid Spam) on bass guitar and lead vocals.[1][2] They financed a self-released cassette which included "Custom Credit".

By early 1985 the group were performing as Cosmic Psychos, which McFarlane felt used "equal parts Stooges riffs, Ramones tempos, lashings of wah wah guitar, American 1980s hardcore attitude and a healthy dose of yobbo humour. [They] played no-frills, stripped-down punk rock".[1] In December 1985 they issued a five-track mini-LP, Down on the Farm, on Mr Spaceman Records.[1] It included "Custom Credit" and was produced by Ross Giles (Depression).[3] In October 1987 they issued a single, "Lead Me Astray", which was co-written by Walsh, Knight and Jones.[4] In December Mr Spaceman Records followed with the band's debut self-titled LP, which was produced by Rene Roth.[1][5] In June 1989 a performance at Melbourne's The Palace was recorded and issued in November 1990 as their first live album, Slave to the Crave.[1][2] An early band manager was Neil Rogers (of The Bo-Weevils, and a 3RRR radio show host).[6]

Cosmic Psychos signed to Survival Records and in December 1989 released, Go the Hack,[1] which was produced by John Bee (Dynamic Hepnotics, Eurogliders).[7] In 1990 the album was released on Sub Pop Records into North America.[8] Allmusic's Patrick Kennedy found it was "dirty, mean, simple, garagey punk rock & roll. Dr. Knighty's vocals and lyrics evince the rough-hewn stain of manual labor, tempered with a night out at the pub. In other words, this is a working man's rock band".[8] A single, "Lost Cause", appeared with the album, with writing credits to Walsh, Knight and Jones.[1][9] Early in 1990 Jones left to join Enter the Vertex and Robbie "Rocket" Watts (ex-I Spit on Your Gravy, Quivering Quims) replaced him on guitar.[1]

The group signed to Amphetamine Reptile Records for the American market for their 1991 album, Blokes You Can Trust. Production duties were by Butch Vig,[1][10] fresh from completing Nirvana's Nevermind, at his Smart Studios in Wisconsin.[2] Blokes You Can Trust provided two singles, "Dead Roo" (October 1991), which shed light on some Australian highway hazards; and "Back at School" (May 1992) which was a shared single with L7's "Shove".[1] In May 1993 the band released a six-track extended play, Palomino Pizza, on the local Arschlock/Shagpile label, which was distributed by Shock Records.[1] It included cover versions of Lobby Loyde's "G.O.D.", Billy Thorpe & the Aztecs' "Most People I Know" and Buffalo's "Sunrise"; and three originals.[1]

They followed with two studio albums on Arschlock/Shagpile distributed by Shock Records, Self Totalled (1995) and Oh What a Lovely Pie (August 1997), which appeared on Amphetamine in America.[1] For Self Totalled the band's members were given pseudonyms: "Fess Parker" on guitar, "Slapper Jackson" on bass guitar and lead vocals, and "Billy Arschlock" on drums and vocals; while their producer, Lindsay Gravina, was "Big Vinny" Gravina.[11][12] Kennedy described the work as "[p]erhaps the band's most full-realized album, Self-Totaled doesn't deviate from the band's formula of hard driving rhythms, fuzzed out guitars, humorously sneering vocals, and true-to-the-bone working man's attitude. In fact, it builds on that formula: The melodies show better craftsmanship, the band is tighter, and the engineering is perfect".[13] Associated singles were "Neighbours" (August 1994)[14] and "Whip Me" (June 1996).

The band had appeared at the 1995 Big Day Out tour and returned for the 1997 tour. Gravina also produced Oh What a Lovely Pie. Kennedy felt it was "the sound of a band at its creative end, trying, perhaps to keep a torch lit that would prefer to yield to the wind ... Not to say – even for a minute – that the band doesn't have its merits, or that this is a bad album ...but this one shows a once proud formula grown tired of its own reflection".[15] Also that year United Kingdom band, The Prodigy, covered a version of L7's track, "Fuel My Fire", which itself was based on the Cosmic Psychos' tune, "Lost Cause".[1] "Fuel My Fire" is credited to D Sparks (L7), Walsh, Knight and Jones.[16]

In 2001 the group issued a compilation album, 15 Years, a Million Beers, in both 2× CD and 2× LP formats on Dropkick Records. Also that year Knight was in a side-project, Dung, as "Standin Dung" on bass guitar and lead vocals; with Dean Muller (ex-Hoss) as "Kerry-Anne Dung" on drums; and Kieran Clancy as "Chairman Mao Tse Dung" on guitar and vocals.[17] They released their debut album, Who Flung, on Shock Records, which was produced by Gravina.[17] In 2006, Cosmic Psychos issued their first studio album for nine years, Off Ya Cruet, on Sydney's Timberyard Records with Gravina producing.[18] In late 2005 Walsh had been replaced by Knight's bandmate from Dung, Muller (ex-Voodoo Lust).[18] The opening track on the album is "Kill Bill", a bitter song about Walsh;[18] which was written by Knight.[19] i94Bar's The Barman found that "there's a consistently focused edge in what the Psychos do that makes them sound more than a little wired and seriously unhinged. When Ross Knight sings about sending a former drummer to meet his maker ("Kill Bill") by severing his head, you just know he means it".[18]

While on a tour promoting the album, Cosmic Psychos were in Bendigo for a gig, the following morning on 1 July 2006 Robbie "Rocket" Watts died in a friend's kitchen from a heroin overdose.[20][21] The group decided to continue with John "Mad Macka" McKeering (The Onyas) on guitar.[18] The Barman noted that McKeering "has slotted in a treat on guitar, mining the same stylistic ground but retaining his own sound".[18] On 9 June 2007 they released their next studio album, Dung Australia, with a cover of Buffalo's song "Skirtlifter".[22] In July that year they released Off Ya Cruet! on the European label, Pitshark Records with a different digipak cover. On 13 December 2008, Pitshark issued Dung Australia with a bonus unreleased track, "Anarchy in Boondall".

In April 2011 Cosmic Psychos released a new studio album, Glorius Barsteds, which appeared on Missing Link Records in a 2× CD format. Mess+Noise's Patrick Emery felt "[t]hankfully, they're still on the same fuzz-laden straight-and-narrow road to the pub they've always been on ... The paradox of [their] simplistic formula is the astute social commentary that lies just beneath the rough-as-guts surface".[23] In 2012 the band was the subject of a proposed biographical documentary, Cosmic Psychos: Blokes You Can Trust, directed and produced by Matt Weston.[24][25] The film includes interviews with Knight and Walsh; and fans of the band including Eddie Vedder (Pearl Jam), Butch Vig, Mudhoney and The Melvins.[26] In November 2012 one of the band's last performances at The Tote – the venue was subsequently closed down – was filmed and is to be released with the documentary as a bonus disc.[27] Madison Thomas reviewed the third performance at The Tote for Tone Deaf, "[t]he band plays relentlessly, barely stopping to catch their breath but making enough time for Knight to pound down a never ending supply of Pure Blonde sitting atop his amp ... Muller’s drums are viciously belted ... McKeering noodles away sludgily on 'Custom Credit' and battles on against foldback problems".[28]

Known for their droning, fuzzed-out bass and wah-wah guitar with repetitive lyrics, the Cosmic Psychos have a simple sound that has remained relatively unchanged since they formed in 1982.

The Cosmic Psychos had a significant influence on the Seattle Sound during the 1990s, and were seen as some of the pioneers of grunge. Known for their hard drinking behaviour and vulgar lyrics, the Cosmic Psychos are one of the defining bands of the yob rock genre, a movement that celebrates the Australian male lifestyle; yob rock contemporaries include The Onyas and The Vee Bees. Their fans include Buzz Osborne from the Melvins, Donita Sparks from L7, Lindsay McDougall from Frenzal Rhomb and Kurt Cobain from Seattle band Nirvana. Pearl Jam singer Eddie Vedder recognised the Cosmic Psychos at a 2009 Melbourne solo show as an early influence on him and his band.

The band appeared on the RMITV show Under Melbourne Tonight on 19 June 1996.[32]

• Blunt, Bob (2001). Blunt: A Biased history of Australian Rock. Northcote, Vic: Prowling Tiger Press. ISBN 0-9586647-5-7.
• Beteta, Manuel (2016). El año que matamos a Skippy: Un recorrido por el high-energy, punk, garage y power-pop australiano (in Spanish). Barcelona: 66 rpm Edicions. ISBN 978-84-945330-6-8.
• McFarlane, Ian (1999). Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86448-768-2.

• Official website
• Cosmic Psychos's channel on YouTube
• Cosmic Psychos on Facebook
• Cosmic Psychos on Bandcamp
• Cosmic Psychos at AllMusic
• Cosmic Psychos: Blokes You Can Trust (Documentary) at IMDb
• Cosmic Psychos on Myspace