Coverage (album)

On May 1, 2001, Moore released her self-titled album, Mandy Moore, which had more adult and provocative themes along with the lead single "In My Pocket", but Moore began to get tired of her teen pop style and continuing to go in the direction of and being compared to Christina Aguilera, Jessica Simpson and Britney Spears.[2] In an interview, she said her next album would be more mature than her last, and that she felt more comfortable making it. On the red carpet of the 2003 MTV Video Music Awards, she revealed that her then-upcoming album was a cover album titled Coverage that had covers of 1970s and 1980s songs.

Moore's cover of "I Feel the Earth Move" later appeared on the compilation album Love Rocks from LBGT rights supporters.[3]

The album consists of various covers of 1970s and 1980s songs. The first single, "Have a Little Faith in Me", was written and originally recorded by John Hiatt from his eighth album Bring the Family (1987). The second single, "Drop the Pilot", was written and originally recorded by Joan Armatrading as the first single from her eighth album The Key (1983). The third single, "Senses Working Overtime", was originally recorded by the English band XTC in 1982.

"The Whole of the Moon" was originally recorded by The Waterboys and was released in 1985.[4] "Can We Still Be Friends" was written and originally recorded by Todd Rundgren. Its lyrics describe a strained and ill-fated relationship.[5] "I Feel the Earth Move" was originally written and recorded by Carole King. "Mona Lisas and Mad Hatters" was originally recorded by Elton John for his fifth album Honky Château (1972). It was co-written by John with Bernie Taupin and is his take on New York City after hearing a gun go off near his hotel window during his first visit to the city.[6][7] "Moonshadow" was written and originally recorded by Cat Stevens for his fifth album Teaser and the Firecat (1971). "One Way or Another" was originally recorded by American new wave band Blondie for the band's third album Parallel Lines (1978) and reached No. 24 on the Billboard Hot 100. The song is based on an ex-boyfriend of lead singer Debbie Harry who stalked her after their break-up.[8] "Breaking Us in Two" was written and originally recorded by Joe Jackson for his fifth album Night and Day (1982). "Anticipation" was written and originally recorded by Carly Simon as the title track from her second album of the same name (1971). The song was used in commercials for Heinz Ketchup from the late 1970s into the 1980s.[9] "Help Me" was written, produced and originally recorded by Joni Mitchell for her sixth album Court and Spark (1974). The song was recorded with Tom Scott's L.A. Express.[10]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	64/100[11]
Review scores
Source	Rating
AllMusic	[12]
Blender	[13]
Entertainment Weekly	C[14]
Rolling Stone	[15]
Slant Magazine	[16]

The album received generally favorable reviews from music critics. Stephen Thomas Erlewine of AllMusic remarked, "With this record, she leaves dance-pop behind and heads toward mature pop ... positioning herself as a pop/rock singer by covering classic singer/songwriters ... [W]hile Coverage isn't always successful, it is always admirable and likeable, and certainly puts Moore on the right path for an interesting, successful career."[12]

In the United States, Coverage debuted at number 14 on the Billboard 200 chart with 53,000 first week sales. It was Moore's highest peak position on the chart.[17] The album spent a total of thirteen weeks on the Billboard 200 chart, it was her third longest charting album on the chart.[18] According to Nielsen SoundScan, Coverage had sold 315,000 copies in the United States, it was Moore's fourth highest selling album in the US.[19]

In Australia, Coverage debuted at number 97 on the ARIA Albums chart with modest sales, It was Moore's lowest charting album in the country.[20]

All songs produced by John Fields.

• Jim Anton – bass
• Kevin Augunas – bass (electric), engineer
• Tommy Barbarella – synthesizer, piano, organ (Hammond), piano (electric)
• Michael Bland – drums
• Monika Blunder – make-up
• D.J. Bonebrake – vibraphone
• Ken Chastain – bass, percussion, tambourine
• Julius Collins – vocals
• Colleen Conway – hair stylist
• Dorian Crozier – percussion, drums, engineer
• Andy Sturmer - Engineer, Vocals, Drums
• Evan Dando – guitar (acoustic)
• Christina Ehrlich – stylist
• John Fields – bass, guitar, guitar (baritone), guitar (electric), French horn, keyboards, vocals, producer, engineer, string arrangements, mixing, effects
• Dirk Freymuth – guitar
• Loren Gold – piano
• Billy Hawn – percussion
• Eric Heywood – pedal steel
• Kenny Holmen – flute, sax (tenor)
• Dave Jensen – trumpet
• Kathy Jensen – sax (baritone)
• Ameena Maria Khawaja – cello
• Dan Leffler – mixing engineer
• Noah Levy – drums
• Matt Mahaffey – piano, drums, engineer, Chamberlin, effects, Minimoog
• George Scot McKelvey – guitar
• Mandy Moore – main vocals
• Josh Myers – string arrangements
• Danielle Nesmith – violin
• Jason Orris – engineer
• Julian Peploe – art direction, design
• Mike Ruekberg – guitar (acoustic)
• Phil Solem – guitar (acoustic), guitar, mandolin, vocals
• Audrey Solomon – violin
• Steve Strand – trumpet
• Chris Testa – engineer
• Danny Wilde – vocals
• Dan Wilson – vocals
• Jordon Zadorozny – guitar

• Mandy Moore on Oprah
• Coverage at Metacritic