Cristina García (journalist)

After returning to the United States, García pursued a career in journalism, after having worked as a part-time "copy girl" with The New York Times. While at Johns Hopkins, she obtained an intern position with The Boston Globe and a job as a reporter for the Knoxville Journal. In 1983 she was hired by Time magazine. Beginning there as a reporter/researcher, she became the publication's San Francisco correspondent in 1985, and its bureau chief in Miami for Florida and the Caribbean region in 1987. In 1988 she was transferred to Los Angeles. She terminated her employment with Time to write fiction full-time in 1990.

Of García's first novel, Dreaming in Cuban, (1992) García said, "I surprised myself by how Cuban the book turned out to be. I don't remember growing up with a longing for Cuba, so I didn't realize how Cuban I was, how deep a sense I had of exile and longing."[5] The book was nominated for the National Book Award.

Her second novel The Agüero Sisters (1997) won the Janet Heidiger Kafka Prize.

García has reported experiencing unease in relating to other Cubans—both with those still in Cuba and those in exile in Florida. Some question why she writes in English. Others take issue with her lack of engagement in anti-Castro causes. She has said she attempts to emphasize in her novels the fact that "there is no one Cuban exile".[6] In 2007 she also said that she "wanted to break free of seeing the world largely through the eyes of Cubans or Cuban immigrants. After the first three novels—I think of them as a loose trilogy—I wanted to tackle a bigger canvas, more far-flung migrations, the fascinating work of constructing identity in an increasingly small and fractured world."[7] At this time García described this "bigger canvas" as including "the entrapments and trappings of gender in my novel", partly because "it would be easy, and overly simplistic, to frame everything in terms of equality, or cultural limitations, or other vivid measurables. What's most interesting to me are the slow, internal, often largely unconscious processes that move people in unexpected directions, that reframe and refine their own notions of who they are, sexually and otherwise."[7]

While García has expressed a desire to move away from anti-Castro sentiments, the influence of her heritage is made clear when she discusses the symbolism and characters in her work. She has said, about the symbol of a tree, for example:

In Afro-Cuban culture, the ceiba tree is also sacred, a kind of maternal, healing figure to which offerings are made, petitions placed. So absolutely, for me trees do represent a crossroads, an opportunity for redemption and change. In Dreaming in Cuban, Pilar Puente has a transformative experience under an elm tree that leads to her returning to Cuba. Chen Pan, in Monkey Hunting, escapes the sugarcane plantation under the watchful protection of a ceiba tree…In A Handbook to Luck, Evaristo takes to living in trees as a young boy, to escape the violence of his stepfather. He stays there for years, first in a coral tree and then in a banyan. From his perches, he witnesses the greater violence of the civil war in El Salvador and speaks a peculiar poetry, born, in part, of his co-existence with trees.[7]

"King of Cuba", is a darkly comic fictionalized portrait of Fidel Castro, an octogenarian exile, and a rabble of other Cuban voices who refuse to accept their power is ending.[8]

• "About the Author" and "A Conversation with Cristina García" in The Agüero Sisters. Random House Publishing Group, 1998. ISBN 0-345-40651-6.
• Alvarez-Borland, Isabel. Cuban-American Literature of Exile: From Person to Persona. Charlottesville: University Press of Virginia, 1998.
• Caminero-Santangelo, Marta, University of Kansas. "Cristina Garcia". The Literary Encyclopedia. 17 May 2005. The Literary Dictionary Company. (retrieved 14 March 2007)
• Caminero-Santangelo, Marta. On Latinidad: U.s. Latino Literature and the Construction of Ethnicity. Gainesville: University Press of Florida, 2007.
• Cox, Annabel. "Cristina García's Dreaming in Cuban: Latina literature and beyond?" Latino Studies 7.3 (Fall 2009): 357–377.
• Dalleo, Raphael. "How Cristina Garcia Lost Her Accent, and Other Latina Conversations". Latino Studies 3.1 (April 2005): 3–18.
• Dalleo, Raphael, and Elena Machado Sáez. "Latino/a Identity and Consumer Citizenship in Cristina Garcia's Dreaming in Cuban". The Latino/a Canon and the Emergence of Post-Sixties Literature. New York: Palgrave Macmillan, 2007. 107–132. https://web.archive.org/web/20131029193238/http://www.post-sixties.com/.
• Johnson, Kelli Lyon. "Cristina Garcia - b. 1958". VG: Voices from the Gaps. May 9, 2005. (retrieved March 13, 2007)
• Kevane, Bridget. Latino Literature in America. Westport: Greenwood Press, 2003.
• Luis, William. Dance Between Two Cultures: Latino Caribbean Literature Written in the United States. Nashville: Vanderbilt University Press.com/articles/2007/05/16/features/arts_and_entertainment/doc464a9519e9ece723665622.txt article mentions Garcia's 2006 move to Napa, California] A Handbook to Luck May 16, 2007 (retrieved May 16, 2007)
• Loustau, Laura R. "Cuerpos errantes: Literatura latina y latinoamericana en Estados Unidos. (On The Agüero Sisters). Beatriz Viterbo Editora, Argentina. 2002. ISBN 950-845-118-1.
• Viera, Joseph M. "Exile among Exiles: Cristina Garcia". Poets and Writers. September/October, 1998.