Cut 4 Me

Time Out London characterized the mixtape as "future R&B."[6] Similarly, The Guardian described it as "twisted R&B," adding that "the songs are twisted both sonically – warping 90s R&B melodies with club beats – and emotionally, thanks to her ability to undercut mainstream pop tropes like love and seduction with such dark devotion you get the sense she's singing from a bush outside her ex-boyfriend's house."[7] The New York Times compared Kelela to Aaliyah, while calling the mixtape "bubbly club music of the early 1990s."[8] Exclaim! called the mixtape is "a credible cohesion of '90s house-ish sounds and soul."[9] Time's Douglas Wolk noted that the mixtape "is built on the half-time beats and unsettling negative-space arrangements of the "bass music" collectives Night Slugs and Fade to Mind. It's forbidding stuff, but it meshes with the sweet '90s R&B inflections of Kelela's singing."[10] The Line of Best Fit stated that the mixtape "pushed R&B to its limits by injecting it with UK bass, grime and techno."[11] AllMusic said the mixtape is "predominantly electronic and progressive R&B."[12]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	81/100[13]
Review scores
Source	Rating
The 405	8/10[14]
AllMusic	[15]
Exclaim!	8/10[9]
Fact	4.5/5[16]
Pitchfork	8.3/10[17]
Resident Advisor	3.5/5[18]
Tiny Mix Tapes	3.5/5[19]

At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the mixtape received an average score of 81, based on 6 reviews, indicating "universal acclaim".[13] Fact stated that "there is nothing about Cut 4 Me that doesn't challenge the listener's expectations of what R&B can be in 2013 and beyond."[16] Given their "Best New Music" label, Pitchfork said the mixtape "is an ambitiously catchy record as well as being an aesthetically ambitious one."[17] CMJ said the mixtape is a collection "of flawlessly crafted R&B pop gems, squeezed dry of any sonic excess that tends to signal uncertainty."[20] Calling the mixtape "excellent", The Guardian said, "across 13 tracks Kelela travels from angered to paranoid, horny to high. She will sound fine, then terrible, then merely quite unhappy until finally, for a while at least, she sounds at peace," adding that "the next 12 months are undoubtedly going to be awash with a similar structure of falsettos, surreal beats and eerie minimalism. But let's not forget: Kelela's Cut 4 Me did it first, and almost certainly did it best."[7] Spin said "there's been no shortage of hazily hi-tech R&B over the past couple of years, but none of it sounds as eerie or as ominous as Kelela's does. The music is full of hulking, square-wave bass lines, digital chimes, desiccated claps, and jagged rhythms; synth leads waver queasily around their target pitch, and open-fifth harmonies suggest a faintly Asian air."[21] AllMusic said "Kelela fulfills her desire to make what resembles a remix album," but added that unlike most remix albums, "there's never any sense of a disconnect between the music and the vocals. Kelela's expressive and athletic voice easily slithers between and coasts over the beats."[15]

• Cut 4 Me at Discogs (list of releases)