Dan Pyle

Weary Traveller (2014)

Dan Pyle was born in Wolf Point, Montana, and grew up in Washington state. Dan Pyle has been drawing since his childhood and was awarded for his works early on. However, his artistic career began as a dancer with the Pacific Northwest Ballet in Seattle, and was substantially influenced by his admiration for black and white photography. This cross fertilization is where his specific artistic style developed.[2] Moreover, Pyle's work is marked by contrasts and the special light of a Jan Vermeer and a William Turner. Thematically, the human body with its muscles, shapes and movements are at the forefront of his work, which he is able to present authentically and expressively as a former ballet dancer.[3] After moving to California, Dan Pyle settled in West Hollywood, developing his detailed technique with new and unconventional materials.[4]

Lost in the Moment (2008)

Pyle's media initially include paintings in oil and acrylic, and, during a later period, murals for public spaces. After several phases, in which he also experimented with ink and pencil, as well as pastels and watercolors, Pyle finally found charcoal as the medium of his choice.[5] In addition to focusing on the human body there are unexpected and aged objects that he transforms into his charcoal compositions. So, in addition to living figures, old teapots to rusted motorcycles become his models to which he gives a new identity through the use of contrast, negative space and isolation. The anonymity that his art is reflecting are subject and intention at the same time.[6]

Crushed (2014)

Pyle's technique with shadows and light seems to make the presence of color superfluous. So only a few of his works show deliberately weak color characteristics.[7] Even in his current phase, the artist shows himself adventurous and works, e.g., with formats on wood. The substrate with its idiosyncratic structures gives his drawings an additional dimension.[8]

When editing his works Pyle aims to include negative space which isolates the subject of the drawing. His original compositions are already in his mind's eye, and the photography helps Pyle to capture the exact vision that he wants to realize. By avoiding a final photographic sharpness, Pyle's work breaks away from photorealism and takes on its own interpretation of modern realism.[9]

Dan Pyle's works are exhibited primarily in the US and increasingly in Europe. With 23 images, the Cosmopolitan Hotel in Las Vegas owns one of the largest private collections.[10] Other exhibitions were held in West Hollywood, Palm Springs, Beverly Hills, Los Angeles, Hollywood, Santa Ana, Long Beach, Provincetown and New York, and now also in Asia.[11]