Dead Man Walking (film)

Matthew Poncelet, a convict sentenced to death for the murder and rape of a teenage couple, has been on death row at the Louisiana State Penitentiary for six years. His accomplice, Carl Vitello, was sentenced to life imprisonment without the possibility of parole. As his scheduled execution date approaches, Poncelet asks Sister Helen Prejean, with whom he has corresponded, to help him with a final appeal.

Sister Helen decides to visit Poncelet, who is arrogant, sexist and racist, and does not even pretend to feel remorse. He protests his innocence and insists Vitello killed the two teenagers. Convincing an experienced attorney to take on Poncelet's case pro bono, Sister Helen tries to have his sentence commuted to life imprisonment. After many visits, she establishes a relationship with him. At the same time, she gets to know Poncelet's mother, Lucille, and the families of the two victims. The victims' families do not understand Sister Helen's efforts to help Poncelet and claim that she is "taking his side". They desire "absolute justice" (i.e. his life for those of their children).

Sister Helen's application for commutation is refused. Poncelet asks Sister Helen to be his spiritual adviser through his execution, and she agrees. Sister Helen tells Poncelet that his redemption is possible only if he takes responsibility for what he did. Just before he is taken from his cell, Poncelet tearfully admits to Sister Helen that he had killed the boy and raped the girl, before Vitello killed her. As he is prepared for execution, he appeals to the boy's father for forgiveness and tells the girl's parents that he hopes his death brings them peace.

Poncelet is executed by lethal injection and given a proper burial. The murdered boy's father attends the funeral ceremony; although he is still filled with hatred, he soon begins to pray with Sister Helen.

In 2002, Tim Robbins, who adapted the book for the film, also wrote a stage version of Dead Man Walking. The book has also been adapted as an opera by the same name, premiering in San Francisco.

Yvonne Koslovsky-Golan, author of The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film, stated that even though public debate on the death penalty increased for a period after the release of Dead Man Walking, the film did not result in "real political or legal change" but encouraged additional academic study on the death penalty.[10]

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• Dead Man Walking at the Arts & Faith Top100 Spiritually Significant Films list