Destined (Ms. Marvel)

By August 2019, Marvel Studios had begun development on a Ms. Marvel television series for the streaming service Disney+.[1] In September 2020, Meera Menon was hired to direct one episode,[2][3] ultimately directing two episodes, including the third.[4] Executive producers include Marvel Studios' Kevin Feige, Louis D'Esposito, Victoria Alonso, and Brad Winderbaum, in addition to Kamala Khan co-creator Sana Amanat, lead directors Adil El Arbi and Bilall Fallah, and head writer Bisha K. Ali.[4] The third episode, titled "Destined",[5] had the teleplay written by Freddy Syborn, A. C. Bradley, and Matthew Chauncey, and the story was written by Syborn.[6]

The episodes introduces the antagonists of the series, the Clandestines, Djinns trying return to their home Noor dimension after being exiled on Earth.[7][8] This group shares the name of an "obscure family of enhanced people" from the comics, the ClanDestine. Marco Vito Oddo at Collider felt changing the group's origins to be from another dimension and connecting them to Pakistani culture and folklore allowed the series to "honor the cultural heritage" of the Khans and connecting Djinns to "create a mystical heritage for Kamala is also a clever solution to pay homage" to her comics origin.[7]

The episode stars Iman Vellani as Kamala Khan, Matt Lintz as Bruno Carrelli, Yasmeen Fletcher as Nakia Bahadir, Zenobia Shroff as Muneeba Khan, Mohan Kapur as Yusuf Khan, Saagar Shaikh as Aamir Khan, Rish Shah as Kamran, Adaku Ononogbo as Fariha, Alysia Reiner as Sadie Deever, Laith Nakli as Sheikh Abdullah, Nimra Bucha as Najma, and Travina Springer as Tyesha Hillman.[9]^{: 41:47–42:19} Also starring are Samina Ahmed as Sana, Ali Alsaleh as Aadam, Dan Carter as Saleem, Anjali Bhimani as Auntie Ruby, Sophia Mahmud as Auntie Zara, Jordan Preston Carter as Gabe, and Nic Starr and Tonia Jackson as Mr. and Mrs. Hillman.[9]^: 43:09 Mehwish Hayat appears, uncredited, as Aisha.[10] Amanat has a cameo appearance as a guest at Aamir and Tyesha's wedding.[11]

External video
Marvel Studios' Ms. Marvel: End Credits Main On End Title Sequence Episode 3 presents the episode's main-on-end title sequence, YouTube video from Perception's channel

Natasha Gerasimova, production designer for the reshoots, called the opening cave set the "hardest one" to design for during the reshoots because there was no real-world equivalent to draw from since it was a "completely invented space". She tried to make it look like a real cave, and it was conceived and built in four weeks, the fastest she had ever designed and built a set. The set was built from foam, and also included the markings of the Ten Rings.[10] The series' main-on-end title sequence was designed by Perception[12] who filmed the sequence in Jersey City to pay homage to Khan's character, while also designing the murals themselves. The inspiration for the design is to show Jersey City from Khan's point of view while "celebrating the comic books and their artwork that this series is based on".[13]

Filming took place at Trilith Studios, Blackhall Studios, and Areu Brothers Studios,[14] with Menon directing the episode,[4] and Carmen Cabana serving as cinematographer.[15] Establishing shots were also filmed in New Jersey.[14]

The opening flashback scene in the cave where Aisha and the other Clandestines find the bangle was filmed during the series reshoots in Atlanta.[10] The dance team BFunk was brought in to choreograph the Bollywood dance number at Aamir and Tyesha's wedding to create an authenticity to it, while making it "be fun and look good, but [not] too good".[16] The cast was excited to learn and perform the dance number, with Fletcher noting it felt like a real wedding. Lintz, who noted he was not much of a dancer, felt his lack of skills was "in line" with Bruno's character for his solo dance.[17] Menon added that they wanted to "lean into the personalities of all the characters and make sure that they seem like real people that are trying to dance".[16] Shaikh added that it was "typical" in Pakistani weddings for the bride to be unaware of the groom joining in the dance, even though "it happens every time", which happens in the episode with Tyesha unaware Aamir would be dancing.[17] Menon said the creatives wanted a song that was "kind of old school for the parents to dance to" to then transition to an "upbeat and Bhangra-infused for the younger folks to dance to", noting finding the right two songs for the sequence proved challenging.[16]

For Kamala's fight sequence at the wedding, various other Bon Jovi songs were considered before settling on "Livin' on a Prayer". Menon believed the story in "Livin' on a Prayer" of "two scrappy kids from New Jersey trying to survive under what feels like impossible odds" made it the perfect song to represent Kamala. This fight was meant to represent Kamala becoming a more complete hero, with more control over her powers, compared to the "more improvised" save of the boy at the mosque in the previous episode.[16]

Visual effects for the episode were created by Digital Domain, Method Studios, FuseFX, Folks VFX, Framestore London, Trixter, SSVFX, Base FX, Moving Picture Company, Stereo D, Cantina Creative, Instinctual, Monsters Aliens Robots Zombies, and RISE.[9]^{: 44:13–44:38}[18]

The following songs were included in the episode: "Sink", "Joote De Do Paise Le Lo" by Lata Mangeshkar and S.P. Balasubrahmanyam, "Mehendi Rachnewali" by Sidhant Kapoor, "Hadippa" by Pritam & DJ Hot Americano, "What's the Difference" by Blackhand, "Tere Bina - Khanvict Remix" by A.R. Rahman, Khanvict, Chinmayi, Murtuza Khan, and Qadir Khan, "Yeh Mera Dil Yaar Ka Diwana" by Asha Bhosle, "Closer" by Khanvict, "Thandi Hawa" by Ritviz, "Bed of Roses" by Bon Jovi, "Livin' on a Prayer" by Bon Jovi, and "For Aisha" by MEMBA feat. EVAN GIIA & Nooran Sisters.[5]