Devil Survivor 2: The Animation

One Sunday afternoon, Hibiki Kuze and Daichi Shijima receive macabre videos from the Nicaea[J 1] website which predict their deaths mere seconds before they are involved in a gruesome train accident. They are spared however, when a Demon Summoning App[J 2] installs itself on their phones and allows the duo and schoolmate Io Nitta to escape from carnivorous monsters feasting on the dead in the wrecked subway station. The trio are shocked to discover a massive catastrophe on the surface and take refuge in Roppongi with other panicked citizens. Suddenly, when a creature known as Dubhe (ドゥベ, Duube) appears and attacks the crowd, Hibiki puts a stop to the carnage by summoning a demon from the app and destroying the creature. This prompts the Japan Meteorological Agency, Geomagnetism Research Department - JP's[J 3] to detain Hibiki and his friends and they are brought before its head—Yamato Hotsuin, who enlists their aid in defeating the remaining Septentriones[J 4] to prevent the end of the world in one week.

Yamato then dispatches them on a mission to retrieve the JP's scientist Fumi Kanno with fellow demon summoners Hinako Kujou and Keita Wakui, which ends up as a success at the cost of Keita's life. Following a devastating battle with Merak (メラク, Meraku), Hibiki joins the Resistance leader—Ronaldo Kuriki and learns of Yamato's true intentions as opposed to his own. As events progress, Airi Ban and Jungo Torii attempt to recapture the JP's base from the Resistance but chaos ensues when Phecda (フェクダ, Fekuda) appears and targets a defenseless Hibiki. However Yamato arrives and slays the Septentrione, saving Hibiki's life. In the aftermath, Yamato and Ronaldo engage in a heated debate over their ideals and the situation only escalates when Alcor appears and proclaims himself to be the creator of both Nicaea and the Demon Summoning App, which he had hoped would aid humanity in their darkest hour.

An unlikely alliance between the JP's, Resistance and the unaffiliated demon summoners result in the destruction of Megrez (メグレズ, Megurezu) the following day. While a somber Hibiki struggles to cope with the steep cost of victory, Alcor reveals the true nature of events thus far. He explains it all to be the will of an entity known as Polaris (ポラリス, Porarisu) as it seeks to erase humanity's "artificial" reality using its Void phenomenon and hence restore the "natural" order. Therefore, it sent the Septentriones to destroy the spiritual barriers protecting Japan from the Void. When Hinako and Airi defeat Alioth (アリオト, Arioto) the next day, its massive shell plummets from orbit and crushes the city—killing thousands more people and sparking outrage from Hibiki over the lengths Yamato will go to achieve his goal. Unperturbed, Yamato uses Io to summon a demon called Lugh and defeats the next Septentrione—Mizar (ミザール, Mizaaru). However, when the demon possesses Io and attempts to kill Yamato for its imprisonment, Hibiki wields the Dragon Stream[J 5] and saves Io.

As the week draws to a close, Benetnasch (ベネトナシュ, Benetonashu) appears on Saturday and completely destroys the barriers. Upon engaging the creature, Yamato allows the other summoners to die by ignoring them in the battle and ultimately defeats it with Hibiki and Daichi's help. In the aftermath, Alcor decides to support Hibiki and Yamato ends up killing him. Finally, Yamato activates the Transport Terminal to seek an audience with Polaris and Io and Daichi forfeit their lives to give Hibiki a chance at going after Yamato and saving the world. Facing each other in another dimension, Hibiki desperately tries to reach out to Yamato and ultimately overpowers him with aid from his fallen comrades. Polaris then appears and Hibiki asks it to restore the world to the way it was. He then finds himself one week in the past, with his revived friends and his memory intact and reifies the will of humanity to keep on living.

Director Seiji Kishi compared the destruction depicted in the anime to the 2011 Tōhoku earthquake and tsunami which struck Japan.

Devil Survivor 2: The Animation was produced by the Bridge animation studio of Japan using a team henceforth known as the Devil Survivor 2: The Animation Committee.[2] The series was directed by veteran anime director Seiji Kishi best known for directing the anime adaptation of Atlus's 2008 video game Persona 4.[12] During production, Kishi remarked that the calamity of which the story describes was reminiscent of the 2011 Tōhoku earthquake and tsunami.[13] He also praised the animated depictions of Suzuhito Yasuda's character designs. Makoto Uezu was selected as both the script writer and series composer for the anime. In an interview, Uezu commented that he had been a huge fan of the Megami Tensei series since his childhood and that his interests in the occult and electronic technology aided in the composition. Uezu further remarked that the story followed a "hard path" whereby the heroes were forced into making difficult choices at key points in the plot whilst the characters simultaneously explored sensitive issues related to human ethics and morality.[13]

The series' character designs were drawn by Etsushi Sajima and were based on the original designs by Suzuhito Yasuda which received praise from Director Kishi.[13] The original designs of the Septentriones were created by Mohiro Kitoh who remarked that since he was not directly engaged in the production process, he had to wait until the finished product was released before he could see the animated versions of his designs.[14] The other half of the series' creatures i.e. the various devils (demons) used were designed by Hiroyuki Kanbe, while prop designs were done by Hatsue Nakayama and color designs were done by Keiichi Funada. Finally leaving Kazuto Shimoyama to oversee this area of production as the art director. The musical score was composed by Kōtarō Nakagawa. Nakagawa was initially surprised to have been offered to be the musical composer but took up the role as a challenge.[14] In addition to Nagakawa, Sound Direction was done by Satoki Iida along with Sound Effects by Iki Okuda. Other staff members included Assistant Director Yoshimichi Hirai, Animation Designer Eriko Ito, Composite Director Katsufumi Sato, CG Director Yuji Koshida and Ayumu Takahashi as the series Editor and Producer Yasuo Suda.[2]

The thirteen-episode series premiered on the Animeism programming block of MBS on April 4, 2013 during the 26:05 (02:05 JST) time slot. This technically resulted in the episodes airing on the days following the ones scheduled.[33] The anime was later aired on TBS, CBC and BS-TBS with online streaming on the Japanese Niconico website.[34] The series was acquired by Crunchyroll for online simulcast streaming with English subtitles in the territories of USA, Canada, UK, Ireland, South Africa, Australia, New Zealand, Netherlands, and Scandinavia.[35][36] The Anime Network and Hulu later picked up the series for streaming on their online services. The series was also digitally released on the Movies & TV platform by Microsoft and the PlayStation Store.[1]

On June 19, 2013, Pony Canyon began releasing the series on Blu-ray and DVD volumes in Japan—with the first volume including the first episode and a bonus CD featuring the first Original Soundtrack for the series.[27] The following volumes each contained two episodes with all but the fifth and sixth volumes containing bonus discs of which included a three volume Drama CD series. The seventh and final DVD and Blu-ray volume was released on December 18, 2013 while all Limited Edition volumes were distributed with a bonus poster featuring characters from the series.[37] Sentai Filmworks licensed the series for distribution through selected digital outlets and a home video release in North America.[1][38][39][40] The company released the series in its entirety on DVD format on July 1, 2014 with English and Japanese audio options along with English subtitles.[41][42] Hanabee Entertainment later licensed the series for a home media release in Australia and New Zealand.[43] The company released the complete series on a DVD volume on September 3, 2014.[44] MVM Entertainment also obtained the distribution rights in the United Kingdom[45] and released it on a single DVD set on October 20, 2014.[46][47] Pony Canyon released the entire series on a Blu-ray box set in Japan on January 30, 2015.[48] Sentai Filmworks followed their 2014 DVD release with a Blu-ray format release in North America on April 21, 2015.[49] Hanabee then followed suit with their own Blu-ray release on May 6, 2015.[50]

The first episode earned an audience approval rating of 1.4% in Osaka's Kansai area and 1.9% in Tokyo's Kantō area during its premiere on April 4 and 5 in those regions respectively.[67][68] The first Japanese DVD volume of the series sold 1,933 copies in its first week, ranking number 7 on the Oricon DVD Chart.[69] Its second volume ranked 12, selling 844 copies in its first week,[70] while its third debuted at number 23 with 721 copies.[71] Its sixth volume ranked at number 13 and sold 648 copies.[72] The second Japanese Blu-ray volume of the series sold 1,488 copies in its first week, ranking number 9 on the Oricon Blu-ray Chart,[73] while the sixth volume debuted at number 10 and sold 1,200 copies.[74]

A seasonal review column on the Anime News Network called The Stream generally made light remarks of the first four episodes. Written by Bamboo Dong, the editor called the series mindlessly fun; jokingly citing how the cell phones are always pointed directly at the demons as if they would be incapable of fighting if it were otherwise. Dong also likened the series as watching someone else play the video game.[75] The designs of the various demons and Septentriones were described as the most interesting part of the series.[76] On the other hand, the editor described the immense amount of [video game] plot packed into the next batch of four episodes as messy. Dong also referred to the central premise as being pretty dark since it involved the main characters constantly receiving videos showing exactly how their friends would die. The editor gave the series props for not dabbling in the destruction porn taking place since all of the widespread death around Japan is implied, but added that showing some of it would have aided the realism of the story. After reviewing twelve episodes Dong was not able to develop any interest in the characters.[77] This continued into the series finale and Dong still felt that the characters were not fleshed out as much as they could have been. Dong explained that since there was basically no time to explore how the characters reacted to a disappearing world, it was essentially dehumanizing to such an extent that their deaths carried no emotional weight.[78] Dong presented a full series review in their Shelf Life column and expressed that viewers who like brawn, action and some emotion will enjoy the series as long as they can come to terms with the fact that they'll pretty much just be watching someone play a video game for several hours.[79]

The destruction caused in the series was thought of as being similar to the real-world devastation brought to Japan by the 1923 Great Kantō earthquake.

The Spring 2013 Anime Preview Guide written by Rebecca Silverman, also of the Anime News Network, expressed differing sentiments than that of Dong. Silverman was quick to mention that she had not previously played the game to which the series was based on. With that being said, she described the first episode as not feeling like a game adaptation since you at no point have the sensation of watching someone else play. She also noted that the transformation from the everyday world to one of total chaos and destruction as both swift and impressive. She supported this by citing similar descriptions of the destruction caused by the Great Kantō earthquake of the 1920s.[80] In her full series review, Silverman went into detail about how noticeably dark the series as a whole is when taking into account its animated depictions coupled with the death themes used. Unlike fellow reviewer Bamboo Dong, Silverman felt that character deaths would hit viewers more personally since they get to know them as the story progress and are then suddenly torn down. She further wrote that nearly every character death can potentially pack a punch since they are removed from the ending animation upon their demise. On the other hand, Silverman remarked that some of the characters were truly unlikable as they did not appear to grow and change.[15]

After seven episodes, Richard Eisenbeis of Kotaku disliked the series so much that he discouraged viewers from watching it for that particular season. He supported this by stating that the premise of teenagers summoning monsters has been done to death and that the adaptation has no compelling mysteries nor are there deeper psychological dilemmas being explored.[81] Eisenbeis shared sentiments with the Anime News Network reviewers when he elaborated on what he called the "woefully underdeveloped" characters of Devil Survivor 2 who are only given rudimentary back-stories. This had the added effect of making it nearly impossible to figure out who exactly is a one-off character and who is a main character since they are all equally subjected to the threat of death. Eisenbeis noted that this made their demise genuinely shocking as it added to the viewing tension. Eisenbeis went on to write that the other characters were contrast to the main villain (or antihero) Yamato Hotsuin since he gets so much development that much of the series' runtime is spent on his backstory and goals than all the other characters combined. This helps give an in-depth understanding of the character and simultaneously made him an excellent villain.[82]

The UK Anime Network had Andy Hanley review the first four episodes and he expressed a much more positive outlook than previous reviewers. Hanley wrote about how fast the series was in setting up its premise and described it as an in at the deep end experience. Hanley cited the ruination of Tokyo at the end of the first episode and the countless deaths that occur by episode four to support this. Hanley argued that while this pace leaves the series open to being labelled as shallow, it's actually very effective in keeping the viewer engaged.[83]

Japanese

References

• Devil Survivor 2: The Animation official anime website (in Japanese)
• Devil Survivor 2: The Animation official manga website (in Japanese)
• Devil Survivor 2: The Animation (anime) at Anime News Network's encyclopedia