Djonga

He began his career in a poetry collective called Sarau Vira-Lata. In the beginning, as he was graduating from secondary school in 2012, he frequented collectives to listen to poetry.[2] He began to be interested in writing poetry as a result. Following such, the rapper Hot Apocalypse invited him to join a group.[2] He also began to visit the studio of Chuck, also known as Oculto Beats, who produced a beat that Djonga made music to with a poem that he had written previously. This eventually became his first single, "Corpo Fechado".[2]

After collaborating with Coyote Beatz for a time, they produced the EP “Fechando o Corpo” with 7 tracks. Coyote Beatz would later become a frequent collaborator with Djonga. He began to become more well known after the release of the EP, with him receiving a proposal from DJ Hum to record. Together they made the track "Um Bom Maluco". With the release of the track, Djonga quickly began to make strides in the new rap scene.[2]

In 2016, Djonga and Hot created DV tribo and gathered other artists from Minas Gerais such as FBC, Clara Lima, Oreia and Coyote Beatz to participate. The group gained notoriety after making a chord with the underground rap label Pirâmide Perdida. That same year, Bahian rapper Baco Exu do Blues invited Djonga to participate in the track “Sujismundo”. Later, the single "Redenção", released with the rapper Primata, he began to make new partnerships, such as with his participation in the song “Santana 89” by the stoner rock band Arqueologia Siderúrgica. At the end of 2016, he participated in Poetas no Topo 1 by Pineapple Storm TV, that reunited prominent MCs such as BK, Makalister, Menestrel and Sant.[12]

On 13 March 2017, Djonga launched his debut album "Heresia" to critical and public acclaim. In the album he makes strong criticisms against society at large and sends messages emphasizing Black empowerment.[13] The album was considered best of the year by Rolling Stone Brasil. The highlighted track, “O mundo é nosso”, made with the participation of Rio de Janeiro rapper BK, ran to win the Red Bull prize for best track of 2017, reaching 7th place.[14] For his notable work, Djonga was also nominated for the APCA (Associação Paulista de Críticos de Arte) prize.[15]

On the same day, on 13 March 2018, Djonga released his second album, titled O Menino queria ser Deus, that contains sharp lyrical questions around his personal life, career, and social and racial issues. The album contains 10 tracks with appearances by rappers such as Sant, Karol Conká and Hot,[16] with executive producers from Ceia Ent., production by Coyote Beatz and mixing and mastersounding by Arthur Luna. The album was primarily recording at Nebula Records studios.[17] The album was dubbed the 6th best Brazilian album in 2018 by Rolling Stone Brasil[18] and one of the 25 best Brazilian albums in the first half of 2018 by APCA.[19]

In keeping with his tradition of releasing albums on 13 March, on 13 March 2019, Djonga released the album "Ladrão". The concept, clearly inspired by Robin Hood, points to the importance of valuing ones' roots, and not to forget where you came from; Djonga himself had written on his social media: "the type of thief that seeks and brings back for mine and by mine."[20] "Ladrão" reaffirms the promise of the music from the album to be a reference to one of the largest names in the rap scene of Belo Horizonte, and more than that, to show an artist with ample vision about social issues that surround Brazil, especially as they are related to Black people.

On 13 March 2020, Djonga launched the album "Histórias da Minha Área". In talking about his new album, he mentioned that he discussed some things from his past to his close friends, and also that he was certain that his recount of "his recount" is a microcosm of "areas all throughout Brazil".[21] Later in 2020, on 29 September, Djonga made history as the first Brazilian artist to be nominated for the BET Hip Hop Awards, being nominated during the 2020 award season for Best International Flow.[22] In the same year, he was nominated for best Brazilian act at the 2020 MTV Europe Music Awards.[23]

Djonga during the release of his album O Dono do Lugar in São Paulo in 2022

After a controversial show on 7 December 2020 and receiving widespread criticism, Djonga decided to limit posting on his social media, to the extent of deleting his Twitter, only returning on 10 March 2021 to announce his new album NU with a promotional teaster where he posted an image of himself in a guillotine set for him to be decapitated. Once again, on 13 March 2021, he launched his 5th consecutive studio album with 10 unpublished tracks.[24]

On 13 October 2022, he released his newest album, O Dono do Lugar, with 11 unreleased tracks. The album delves into society's oppressive expectations of masculinity, particularly as this relates to Black men, as well as with racism at large, family, and with the music industry.[25] He was nominated again at the 2022 MTV MIAW Awards Brazil in the Beat BR category.[26]

In December 2020, during the height of the COVID-19 pandemic in Rio de Janeiro, Djonga held a performance in the Vila do João neighborhood of the North Zone of Rio.[27] Videos of the rapper performing in front of crowds that were without masks and disregarding the protocols put forth by the World Health Organization circulated online. The performance sparked great backlash against Djonga, given the severity of the pandemic at the time in both Rio de Janeiro the city and the state.[28][29]

A series of tweets posted by Djonga's account attempted to defend himself against strong criticism. He began receiving a series of threats, as well as offensive and racist messages. Some commentators began to point out racist double standards tied to the ability for other non-Black artists such as Wesley Safadão to host a show with more than 40,000 people in Natal with considerably less backlash.[30]

On 12 December 2021, Djonga became involved in controversy after allegedly assaulting security during the Copa do Brasil final. He asserted that he had assaulted them due to being the target of racism by said security staff.[31]