Duke Ellington discography

This is the discography of recordings by Duke Ellington, including those nominally led by his sidemen (mainly in the 1930s and early 1940s), and his later collaborations (mainly in the 1960s) with musicians with whom Ellington had generally not previously recorded.

This chronology of this discography is based on year of the record released, with recording dates noted if the record was released years later. All studio albums and live albums released during Ellington's lifetime are included, while his posthumous discography is limited to significant releases, as the official bootlegs and unauthorized compilations are innumerous.

The US chart listing information should be considered tentative because sources, like Joel Whitburn's Pop Memories, do not take the cheaper dime-store records into account.

Hit records

Year Single Chart positions
US US
R&B
UK
1927 "East St. Louis Toodle-Oo" 10
1928 "Black and Tan Fantasy" 15
"Creole Love Call" 19
"Doin' the New Low Down" 20
"Diga Diga Doo" 17
"The Mooche" 16
1930 "Three Little Words" 1
"Ring Dem Bells" 17
1931 "Blue Again" 12
"Mood Indigo" 3
"Rockin' In Rhythm" 19
"Creole Rhapsody Parts 1 & 2" 18
"Limehouse Blues" 13
1932 "It Don't Mean a Thing (If It Ain't Got That Swing)" 6
"Creole Rhapsody"(new version) 19
"Rose Room (In Sunny Roseland)" 15
"Moon Over Dixie" 14
"Blue Ramble" 16
1933 "Drop Me Off in Harlem" 17
"Sophisticated Lady" 3
"Stormy Weather" 4
"I'm Satisfied" 11
"In the Shade of the Old Apple Tree" 13
1934 "Daybreak Express" 20
"Cocktails For Two" 1
"Moon Glow" 2
"Solitude" 2
"Saddest Tale" 9
1935 "Merry Go Round" 6
"In a Sentimental Mood" 14
"Accent On Youth" 6
"Cotton" 4
1936 "Isn't Love the Strangest Thing?" 12
"Love Is Like a Cigarette" 8
"Clarinet Lament" 12
"Echoes of Harlem" 19
"Oh Babe! Maybe Someday" 8
"Jazz Lips" 20
"Yearning For Love" 16
1937 "The New East St. Louis Toodle-Oo" 16
"There's a Lull In My Life" 12
"Scattin' At the Kit Kat" 9
"Caravan" 4
"Azure" 13
"All God's Chillun Got Rhythm" 14
1938 "Harmony In Harlem" 15
"If You Were In My Place (What Would You Do?)" 10
"I Let a Song Go Out of My Heart" 1
"The Gal From Joe's" 20
"Lambeth Walk" 7
"Prelude To a Kiss" 18
1940 "You, You, Darlin'" 28
"Ko Ko" 25
"At a Dixie Roadside Diner" 27
"Sepia Panorama" 24
1941 "Flamingo" 11
"Take the A Train" 11
"I Got It Bad and That Ain't Good" 13
1942 "Hayfoot, Strawfoot" 10
1943 "Don't Get Around Much Anymore" 8 1
"Perdido" 21
"Take the A Train"(re-entry) 19
"Bojangles" 19
"A Slip of the Lip" 19 1
"Sentimental Lady" 19 1
1944 "Do Nothin' Till You Hear From Me" 10 1
"Main Stem" 23 1
"My Little Brown Book" 4
"Someone" 7
"I Don't Mind" 9
1945 "I'm Beginning To See the Light" 6 4
"Don't You Know I Care" 10
"I Ain't Got Nothin' But the Blues" 4
1946 "Come To Baby, Do" 13
1948 "Don't Be So Mean To Baby" 15
1953 "Satin Doll"
"Boo Dah" 30
1954 "Skin Deep" 7

Early years: 1920–1940s

During the 1920s and 1930s, Ellington and his band recorded for almost every label (BluDisc, Pathé, Perfect, Victor, Brunswick, Columbia Records, Okeh, Vocalion, Cameo, Romeo, Lincoln, Banner, Domino, Jewel, and Hit of the Week). By the 1940s, Ellington's recordings featuring Jimmy Blanton and Ben Webster, garnered praise of his work as being "the best Ellington", according to critic Bob Blumenthal.[1]

Activity in the commercial recording industry was restricted during the 1942–1944 musicians' strike which including a recording ban, but Ellington did make annual visits to Carnegie Hall. In the January 1943 concert, Ellington introduced his first extended suite, "Black, Brown and Beige".

As the long-player format didn't become a significant part of the industry until the late 1940s, Ellington's record output before 1947 consisted largely of singles, from labels such as RCA Victor, Okeh, and Brunswick. They represent the bulk of his work that has been collected in box sets, while material from other labels is scattered. The most comprehensive source for Ellington's early work are the multi-volume The Chronological Duke Ellington & His Orchestra Classics releases, although that series omits alternate takes, which can be found in other collections.

10-inch LPs

  • Duke Ellington Plays the Blues (1947)[2]
  • Liberian Suite (1948) (Columbia) – 10-inch LP

Live albums

1950s

Ellington began the 1950s with his career seemingly in decline with several musicians leaving, Lawrence Brown, Sonny Greer, and Johnny Hodges, although Brown and Hodges later rejoined. After the orchestra's appearance at the 1956 Newport Jazz Festival, with Paul Gonsalves running through 27 choruses of "Diminuendo and Crescendo in Blue", Ellington's profile revived.

Studio albums

1952

1953

1954

1955

Live albums

1960s

In the 1960s, Ellington made recordings with Louis Armstrong, Count Basie, John Coltrane, Ella Fitzgerald, Coleman Hawkins, and Frank Sinatra, among others. He continued to write and record extended suites, such as his religious "Sacred Concerts", the "Perfume Suite", and the "Latin American Suite".

Studio albums

Singles

Live albums

1970s

Studio albums

Live albums

Other projects

Rerecording projects

Session appearances

Posthumous

Listed here are all notable studio and live albums released following Ellington's death.

Studio albums

Live albums

Live appearances

Compilations

Listed here are all compilations released during Ellington's lifetime, in addition to all significant compilations, excluding the aforementioned box sets.

Contemporaneous

Posthumous

References

  1. The Rolling Stone Jazz Record Guide, p. 70.
  2. Billboard. Nielsen Business Media, Inc. 1947-08-23.
  3. Duke Ellington - Duke Ellington and the Buck Clayton All-Stars at Newport Album Reviews, Songs & More | AllMusic, retrieved 2023-02-12
  4. Duke Ellington - Ellington Moods, retrieved 2023-02-12
  5. Duke Ellington - Johnny Come Lately, retrieved 2023-02-12
  6. Gold, Gerald (December 7, 1986). "Bluebird Flies Once More". The New York Times. Retrieved May 31, 2021.
  7. Mosey, Chris (December 14, 2016). "Duke Elllington And His Orchestra: The Duke Box 2". All About Jazz. Retrieved September 21, 2021.
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