Elephant and Obelisk

The red granite obelisk was discovered in 1665 during excavations near the church of Santa Maria sopra Minerva. It had probably been brought to Rome in the first century AD for the temple to the Egyptian goddess Isis that was located there. The obelisk was originally erected by Pharaoh Apries of the Twenty-sixth Dynasty of Egypt,[1] about 580 BC, in his capital Sais.

The obelisk is 5.47 meters tall and is the smallest of the 13 ancient obelisks present in Rome nowadays.[2] Together with pedestal and elephant, the statue stands 12.69 meters tall.

The obelisk is considered to be one of a pair; the other is in Urbino.

The image possibly originated from the Hypnerotomachia Polyphili of 1499. Various preparatory drawings done by Bernini exist. One version in Windsor Castle, UK was probably done in the 1630s when Cardinal Francesco Barberini wished to place an Egyptian obelisk in front of his family palace, the Palazzo Barberini. Nothing came of this specific project, but Bernini revived the idea in the 1660s, when Pope Alexander VII, Fabio Chigi, wished to build a similar monument after another Egyptian obelisk had been discovered in Rome.

Various other concepts were explored for this later commission as attested by preparatory drawings. It is likely that the drawings were used so that the patron could make a decision about which design he wanted. This included a drawing (in Leipzig) of the figure of Time holding a scythe and simultaneously the obelisk. In the Vatican Library there are two pen and ink drawings with other figures holding up the obelisk, including one of Hercules, and another with various allegorical figures supporting the spire.[3] A third version in the Vatican Library shows Bernini adapting on the concept he created in the 1630s, although he added in a larger base, changed the direction of the elephant's orientation, and made its face appear more friendly than ferocious.[4]

The marble elephant was probably carved by Bernini's assistant Ercole Ferrata.

The Latin inscription at one side of the pedestal reads: "Let any beholder of the carved images of the wisdom of Egypt on the obelisk carried by the elephant, the strongest of beasts, realize that it takes a robust mind to carry solid wisdom."[5]

The statue turned out to be the last commission Pope Alexander VII would ask of Bernini, as the pope died in May 1667. He was succeeded by Pope Clement IX.

Wood cut from Hypnerotomachia Poliphili

A similar statue of an elephant carrying an obelisk was erected by Vaccarini in 1736 in front of the Palazzo degli Elefanti in Catania on Sicily.

The statue makes a brief but prominent appearance in the Italian neorealist film Umberto D. (1952). It also features as a motif in the novel Adua by Igiaba Scego (2015).

On 15 November 2016, Rome authorities announced they were searching for vandals who broke the left tusk the previous Sunday night and left the piece nearby. Mayor Virginia Raggi said that they will assess the damage to determine how to best reattach the fragment.[6]

Salvador Dalí's painting The Elephants, which depicts two elephants with elongated legs facing each other while bearing fragmented obelisks, also makes visual references to the statue.

• 
  Three-quarter view
• 
  Close-up view from the west
• 
  View from below
• 
  Obelisk at the Piazza della Minerva, Rome.
• 
  Elephant at the Piazza della Minerva, Rome.
• 
  View against the façade of Santa Maria sopra Minerva
• 
  The second Obelisk [of the pair of the Elephant and Obelisk], Urbino

• Obelisk of Montecitorio – Ancient Egyptian obelisk, a landmark of Rome, Italy
• Apries – Egyptian pharaoh
• Sais – Ancient Egyptian city
• List of Egyptian obelisks
• List of obelisks in Rome
• List of works by Gian Lorenzo Bernini

• Dickerson, Claude Douglas, Anthony Sigel, and Ian Bruce Wardropper. 2012. “Bernini : Sculpting in Clay : [exhibition, Metropolitan Museum of Art, New York, October 3, 2012 - January 6, 2013, Kimbell Art Museum, Fort Worth, February 3 - April 14, 2013]
• Cooke, H. L. ‘Three Unknown Drawings by G. L. Bernini’. The Burlington Magazine 97, no. 631 (1 October 1955): 320–323. doi:10.230
• Napier, David A. ‘Bernini’s Anthropology: A “Key” to the Piazza San Pietro’. RES: Anthropology and Aesthetics no. 16 (1 October 1988): 17–32. doi:10.2307/20166799
• Popham, A. E. ‘Bernini’s Drawings of Elephants’. The Burlington Magazine 97, no. 633 (1 December 1955): 391. doi:10.2307/871675
• Posèq, Avigdor W. G. ‘The Physiognomy of Bernini's Elephant’. Source: Notes in the History of Art 22, no. 3 (1 April 2003): 35–46. doi:10.2307/23206724.

• Lucentini, M. (31 December 2012). The Rome Guide: Step by Step through History's Greatest City. ISBN 9781623710088.

Media related to Pulcino della Minerva at Wikimedia Commons