Endless (comics)

In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, they simply are their function; as Sto-Oa says of Death in Endless Nights, "She is Death, just as he is Dream, and that one is Desire." In The Sandman (vol. 2) #48, Destruction gives a further description of the Endless:

The Endless are merely patterns. The Endless are ideas. The Endless are wave functions. The Endless are repeating motifs. The Endless are echoes of darkness, and nothing more... And even our existences are brief and bounded. None of us will last longer than this version of the Universe.

As portrayed, some Endless are more committed to their work than others. The younger Endless, particularly Desire, are known to mess with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.

If one of the Endless is destroyed, they are replaced by another part of their duty; however, this does not happen if they are just absent or inactive. In such instances, the element of existence supervised by that member of the Endless becomes more unpredictable and chaotic. During this period, the Universe may seek to replace that member by putting some of their essence into a mortal, as it did with Wesley Dodds, who got a fragment of Dream's soul while Dream was imprisoned.

Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or sigils, of the other Endless. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in The Sandman: Overture).

As portrayed, The Endless, in addition to monitoring their area of influence, assist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative activities like painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in The Sandman (vol. 2) #18, A Dream of a Thousand Cats, in which a great number of beings dream of an alternate universe and create it. Delirium also has some bizarre logic that only she understands, yet it helps her to grasp things that others do not.

According to the Sandman Overture in the comic, certain Endless can fool others and briefly use their skills through deceit or specialized reasoning. Dream, for example, was able to save the departed Prez from Boss Smiley, but Death was unable to do so since Dream is also the Prince of Stories, giving him some authority over the afterlife. Desire was capable of impersonating Dream (The Dream of Cats), resulting in the creation of a dream Vessel allegedly built by Dream. It was convincing enough to deceive Destiny and Dream, but not Delirium.

The exact limits of the powers the Endless may use are subject to debate but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their powers on those more powerful or more ancient than they are; when at one point Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat Lucifer, who is a former archangel created by The Presence (the DC comics analogue of God).

In the comic, The Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in Brief Lives that he has done his responsibilities for 10 billion years (not including the prior three centuries).

In The Sandman (vol. 2) #5, "Passengers", Dream is recognized by the Martian Manhunter as the dream god on ancient Mars, as well as in the Endless Nights chapter "Dream: The Heart of the Star", which takes place before our Sun's planets have "awakened" with life. Dream states in The Sandman (vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.

One of the few mentions to Endless paternity comes in The Sandman (vol. 2) #70, where some sentience in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless' father is Time, and their mother is Night, as revealed in The Sandman: Overture #5. Night is joined by Dusk, who was characterized by illustrator J. H. Williams III as Dream's "distant sister," however Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant. Time and Night are not on good terms, according to The Sandman: Overture.

The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.

• Destiny:[3] The oldest of the Endless, Destiny appears as a blind man dressed in grey or brown robes (purple in earlier comics), carrying a large book, the Cosmic Log. The book is chained to him, or he is chained to the book, and within the book is written the entire sum of existence, past, present and future. Destiny seems the most possessed by his function and responsibilities of any of the Endless. He rarely demonstrates much personality. His sigil is his book. His speech appears as a regular word balloon with letters in italics. In his garden are paths souls walk along as they fulfill their lives. Destiny is the only sibling who did not originate in The Sandman; he was created by Marv Wolfman and Bernie Wrightson for Weird Mystery Tales in 1972.[4][5]
• Death: Death appears as a level-headed young Goth woman. Her appearance was inspired by Utah-based performer Cinamon Hadley, a friend of illustrator Mike Dringenberg.[6][7] The character wears a silver ankh (representing the afterlife), which serves as her sigil. She has a marking similar to an Eye of Horus around her right eye. Her personal realm/domain is the Sunless Lands. Death prefers to dress and act casually and is on better terms with Dream than any of the other Endless. Her speech is presented in regular letters in a regular balloon. She spends one day out of every century as a mortal, living and dying on Earth. She is by far the most pleasant of The Endless, being kind and personable to almost everyone; encountering her upon dying feels like "meeting an old friend". However, she is capable of intimidation: in "Season of Mists", she browbeat Desire into silence; and in "The Kindly Ones", she ordered The Furies to be silent so that she and Dream could speak.
• Dream:
  • Dream (Morpheus):[1] Portrayed as both lord and personification of all dreams and fictional stories.[1] His face and physique are based on the amalgamation of Neil Gaiman in his twenties, The Cure's frontman Robert Smith, ballet dancer Farukh Ruzimatov[8][9] and Bauhaus frontman Peter Murphy.[10][11][12][13][14] Journalists have listed Dream among the best comic book characters.[15][16] Dream's usual appearance is as a tall, pale man with wild dark blue-black hair. He dresses in a shapeless cloak of "night" with "flames dancing in its folds". His eyes are pools of shadows with glimmers of light within. He is known by many names, most commonly "Morpheus". He has a long history of insensitivity towards others, and throughout The Sandman, he must come to deal with his past cruelties. He is very concerned with fulfilling his responsibilities. His sigil is his dream-helm, made from the spine and skull of a long-dead god. His personal realm/domain is called "The Dreaming". His word balloons have wavy edges and a black background outlined in white, with white lettering.
  • Dream (Daniel): Morpheus' successor appears as a tall, pale young man with white hair and a white costume. Like Morpheus, his eyes are formed by shadows with a glimmer of light in their center. Before becoming the new Dream at the end of The Sandman, he was a young boy named Daniel, which he later retains as a name. Daniel has been gestated in dreams for two years, the child of Lyta Trevor-Hall and the ghost of Hector Hall. He is generally softer in his approach than Morpheus. Daniel carries an emerald eagle stone, although his sigil remains the same (that of the dream-helm). His word balloons are similar to Morpheus', only with a white background and black lettering.
• Destruction: A huge, strong man with red hair who seems bearded at times and shaved at others. Destruction abandoned his duty as an Endless three hundred years ago, causing strife among his siblings. He did so because he refused to bear responsibility for the scientific ruin that followed the Enlightenment. Since leaving his domain, the other Endless have referred to him as "the Prodigal" or "Brother" instead of "Destruction." He has a strong desire to be creative and productive, yet he lacks skill. A sword is his symbol. His text is in a standard balloon with a strong outline.
• Desire: Desire is androgynous, capable of appearing as a man, a woman, neither, or possibly both (in the epilogue of The Sandman: Overture, Despair refers to Desire as "sister-brother"; in Season of Mists, Dream refers to Desire as "sibling"). Desire has a cruel streak and a long-standing rivalry with Dream, their relationship deteriorating eons ago after Desire caused Dream to fall in love with a woman who ultimately left him for another. Desire's sigil is a silver-tinted glass heart shape and they live in a huge flesh-and-blood statue of themselves called "The Threshold". Although Desire is Despair's twin, in a sense they are older than Despair. The current incarnation of Desire is the original one, while Despair is currently in her second incarnation.
• Despair: Twin sister to Desire:
  • The First Despair: In her first form, Despair had many of the same physical qualities as her later form, but taller and tattooed with intricate red lines. She was also much more talkative and self-assured than her later incarnation. She is occasionally mentioned in passing and is later depicted in The Sandman: Endless Nights. It is hinted that she may have been responsible for the destruction of the planet Krypton as a means to create the ultimate despair. It has been suggested that she was murdered and that the one responsible will suffer until the end of existence.[17]
  • The Second Despair: A short, fat woman with gray complexion and crooked teeth. She is constantly nude. Despair has a cool, silent intelligence about her. She has a tendency of cutting her skin with a hooked ring that she wears and also serves as her symbol. The second component is one that is present throughout the primary plot. The writing of Despair's balloon is normal, with ragged-waved edges. She frequently connects with Desire, but unlike Desire, she enjoys Destruction.
• Delirium: Delirium, the Endless' youngest member, appears as a little girl whose shape changes the most frequently of any Endless, owing to the unpredictable oscillations of her temperament. Her hair is wild and colorful, and her clothing are unusual and mismatched. Her only consistent physical feature is that one of her eyes is emerald green (typically the right side) splashed with silver flecks and the other light blue (usually the left side), although even those may fluctuate between the two. Her sigil is an abstract, shapeless blob of colors. Her speech is portrayed in standard comic book block-caps, characterized by wavy, unpredictable orientation and a multi-colored gradient background. She was once known as Delight, but some traumatic event (of which even Destiny does not know the particulars) caused her to change into her current role. Her sigil as Delight was a flower.[18]

• The Endless appear in the TV adaptation of The Sandman. Dream, Death, Despair and Desire appear in the first season, portrayed by Tom Sturridge, Kirby Howell-Baptiste, Donna Preston and Mason Alexander Park, respectively. Destiny, Delirium, and Destruction are mentioned in some episodes.
• Dream and Death also appear in Joe Hill's graphic novel extended series Locke and Key, in the prequel story arc titled Hell & Gone.
• The Endless characters also appear in Neil Gaiman's book The Sandman: Book of Dreams (1996), an anthology of short stories.