Erland and the Carnival

The band Erland & The Carnival was formed in London in 2009, by multi-instrumentalist Simon Tong, Orcadian folk guitarist and singer Gawain Erland Cooper and drummer/engineer David Nock.[1]

Simon Tong in 2007, shortly before the founding of the band

Erland Cooper and Tong had first met at a London[3] folk night put on by Tong in 2008, and discovered a shared love of folk music and musician Jackson C. Frank, and in particular Frank's song "My Name is Carnival," which became the basis for the band's name. According to Tong, "[Cooper and I] did an afternoon of playing and writing with engineer and drummer friend David Nock and pretty much decided there and then to form a band."[4] Instead of rock and folk, Nock came from an electronic background, contributing to their unique sound.[1]

After Erland and Nock recorded the track "Coming Home" for Tong and Youth's compilation What the Folk (Vol 2), the three began writing and playing together around London.[1] Musicians Andrew Bruce and Danny Wheeler joined later as permanent members, with Bruce on synthesizers and Wheeler handling bass guitar.[5]

Inspired by Daniel Johnston's Hello How Are You? (on which he re-recorded individual albums to meet demand because his tape machine was broken), Erland and the Carnival released a limited edition debut EP in September 2008, with each CD containing different recordings unique to each copy.

The band's debut album, Erland & the Carnival was recorded at Damon Albarn's Studio 13 and released on 25 January 2010. A number of traditional songs are used by the band, including "The Derby Ram" by Llewellyn Jewitt, with the band changing the lyrics to refer to a suicide which occurred in Derby in 2008.[4]

The album was received favourably by publications such as The Times[6] and The Guardian,[7] and the album's lead single, "Erland & The Carnival," was named track of the day by Clash Magazine on 28 January 2010.[8]

According to the BBC, the band has "taken various bits of existing poetry, lyrics, folk tales and songs, and melded them together with their own organs, guitars and lyrics. The result is a collection of engaging, swirling tracks and stories that sound like the soundtrack to a creepy, dreamy funfair."[9] For Folks Sake praised the production quality, stating "the crystal clarity and spatial acumen in the recording of the instrumentation and vocals is a brilliant work of dissection."[10]

Their Trouble in Mind EP was released on Yep Roc in the US and Full Time Hobby in the UK on 19 October 2010.[11] Their promo single from the EP, "The Derby Ram," was released on Full Time Hobby during the week of 20 August 2010.[12] According to a review of the album by Pop Matters, who gave the album 6/10 stars, "Weaving psychedelic choral interludes out of the Electric Prunes' Mass in F Minor with early Jefferson Airplane and occasional Tom Waits madness, the band's sound is very, very unusual...just don't expect strong melodies or pop hooks on this one; that's not their aim."[11]

The band has toured frequently, both in England and internationally, and played venues such as SXSW in 2011.[13] The band has toured with artists such as Hannah Peel.[5]

Nightingale is their second studio album, released in 2011 on the Full Time Hobby label. The band spent over a year writing the songs for the album, and the recording process took around three months.[3] The album was recorded on board HMS President,[14] a ship moored on the River Thames.[2][15]

Whereas their previous album was replete with allusions to old ballads, Nightingale consists primarily of original tracks.[16] On its cover is a photo of Janet Hodgson flying across her bedroom, supposedly by a poltergeist. The band claims the art reflects the album's sound, as they were "trying to create a soundtrack to an imaginary horror film about the supernatural."[2]

The album received positive reviews from Allmusic[2] and The Times,[17] and a positive review and 3/5 stars from The Guardian.[14] A review by Pitchfork was largely positive.[2] According to James Monger of Allmusic, "The group takes traditional folk music and then filters it through the swirling psych rock of Piper at the Gates of Dawn-era Pink Floyd, the electro-freak folk of Animal Collective, and the pastoral creep of bands Espers and Vetiver, resulting in a wild pastiche of digital trickery and oral tradition that channels the spirit of '70s progressive rock while staying true to pop-song brevity."[2]

The band contributed several songs to the soundtrack of the 2012 Canadian film Rufus.[18] The songs "Wanting" and "Out of Sight" received Canadian Screen Award nominations for Best Original Song at the 1st Canadian Screen Awards.[19]