Even Cowgirls Get the Blues (film)

Sissy Hankshaw is a woman born with a mutation (she would not call it a defect) giving her enormously large thumbs. Sissy makes the most of her thumbs by becoming a hitchhiker. Her travels eventually take her to New York City, where she becomes a model for a homosexual feminine hygiene products mogul, known as "The Countess". A few years later, he introduces her to his "beauty ranch", the Rubber Rose Ranch. The main plot revolves around the cowgirls who work at the ranch after they violently take over and drug the endangered whooping cranes that nest along the lake on their land, making the once migratory birds stay. The cowgirls end up in a showdown with government agencies because the cranes will not leave the ranch and the cowgirls refuse to allow the men on the ranch to take the cranes. Sissy and the ranch leader, Bonanza Jellybean, have a brief love affair. After a fatal shootout between the cowgirls and the various agencies, the cranes leave, and Sissy takes over running the ranch.[4][5]

Even Cowgirls Get the Blues was shot throughout Oregon: Portland, Terrebonne, Sisters, and Bend.

Though some viewers claim that River Phoenix is visible in a brief cameo near the end of the film, director Gus Van Sant, costar Udo Kier, and Phoenix's own assistant at the time, Sue Solgot, have all asserted that Phoenix was not in the film. Van Sant further states, "River wasn't even in the desert when we shot. That is Jim Baldwin in the beekeeper's hat."[6]

The film was set to be released in the fall of 1993, but was delayed for post-production edits after Van Sant was dissatisfied with the cut screened at the 1993 Toronto International Film Festival.[7][8][9] Among the changes Van Sant made were cuts to the New York-set scenes and scenes showing Sissy's relationship with Julian Gitche (the character played by Keanu Reeves), in favor of featuring more ranch scenes and focusing more attention on the relationship between Sissy and Bonanza Jellybean.[7] A subplot about the Clock People, who are keepers of the keys to cosmic consciousness and whose presence in the story is signified by the image of the clock on the film’s poster, was also excised from the final film.[7]

The film was a critical and commercial failure. The picture opened in wide release on May 20, 1994, and grossed a mere $1,708,873[3] against an estimated $8.5 million budget.[2] On Rotten Tomatoes, it has an 17% approval rating based on 30 reviews, with an average score of 3.5/10. On Metacritic the film has a score of 28% based on reviews from 16 critics, indicating "generally unfavorable reviews".[10]

Film historian and critic Leonard Maltin said "The novel was hopelessly dated, and there is not enough peyote in the entire American Southwest to render this movie comprehensible or endurable...K.D. Lang's [sic] score is the picture's sole worthy component."[11] Nathan Rabin of The A.V. Club called it "forgettable" and "tedious", and "It was god-awful. Unwatchable, almost."[5]

Richard F. Weingroff of Federal Highway Administration said "Forget it - skip this lousy movie and read the novel by Tom Robbins."[12]

The film was released on Region 1 DVD on November 2, 2004,[21] containing its original aspect ratio of 1.85:1 and on NTSC LaserDisc by Image Entertainment in late 1994, also in its original aspect ratio. It received a second DVD release in the United States from UCA on April 6, 2010, now in a new cropped 1.78:1 widescreen version.

In 2007, the film received its first DVD release in the UK from Universal Pictures Home Entertainment in a 1.33:1 full frame version.

Professional ratings

Review scores
Source	Rating
AllMusic	[22]
Robert Christgau	[23]
Entertainment Weekly	B[24]
Los Angeles Times	[25]
Music Week	[26]
NME	(8/10)[27]
Philadelphia Inquirer	[28]
Q	[27]
Rolling Stone	[29]

The soundtrack was released on November 2, 1993 by Sire Records. k.d. lang performed the music. The album was composed by lang and Ben Mink.[30] The soundtrack went top 10 in Australia and top five in New Zealand (numbers 10 and four, respectively), and also peaked at number 82 on the Billboard 200 in the United States.[31]

1. "Just Keep Me Moving" (3:56)
2. "Much Finer Place" (0:51)
3. "Or Was I" (3:07)
4. "Hush Sweet Lover" (4:05)
5. "Myth" (4:08)
6. "Apogee" (0:37)
7. "Virtual Vortex" (0:44)
8. "Lifted by Love" (3:02)
9. "Overture" (2:03)
10. "Kundalini Yoga Waltz" (1:07)
11. "In Perfect Dreams" (3:07)
12. "Curious Soul Astray" (3:40)
13. "Ride of Bonanza Jellybean" (1:47)
14. "Don't Be a Lemming Polka" (2:17)
15. "Sweet Little Cherokee" (2:48)
16. "Cowgirl Pride" (1:47)

• List of American films of 1994
• Cowgirl
• Tom Robbins

• Even Cowgirls Get the Blues at IMDb
• Even Cowgirls Get the Blues at Box Office Mojo
• Even Cowgirls Get the Blues at Rotten Tomatoes
• Even Cowgirls Get the Blues at Metacritic