Fantasie (Widmann)

The Fantasie for Solo Clarinet, composed in 1993, is one of Widmann's earliest compositions.[3] He was inspired by Igor Stravinsky's Three Pieces for Solo Clarinet (1919) and Pierre Boulez's Dialogue de l'ombre double (1985) for clarinet and tape.[4] Widmann had in mind the Harlequin figure from the Italian commedia dell'arte.[4][lower-alpha 1] The piece was premiered by the composer on 1 March 1994 at Bayerischer Rundfunk in Munich.[1]

Widmann wrote the Fantasie, when he was just twenty years old. It's an expression of "youthful exuberance" with "virtuoso flourishes".[3] He combines conventional playing with extended techniques (multiphonics, flutter-tonguing, key clicks),[5] and non-pitched sounds.[3] Widmann's skills in clarinet playing helped him in composing his Fantasie.[6] The piece is full of extremes in dynamic, tempo, and character.[7] Widmann disproved with a sustained four-note chord, that the clarinet is only a one-voice instrument.[8] According to Widmann, the opening multiphonic of the Fantasie is being a parody of new music, since many new works of that time begin in a similar manner.[4] Widmann identifies harmony as the central theme of the work.[9] A typical sound are glissandos in the upper registers, in a klezmer or "exaggeratedly jazzy" style.[2] Silences are important. Widmann notates them as a breath mark, a breath mark with a fermata, and an actual rest.[2] Near the beginning is a melody from The Rite of Spring.[10]

Sections:[11]

1. Free, rhapsodically
2. Fast, brilliant
3. Presto possible
4. Tempo come prima, ma poco più mosso

The Fantasie is one of Widmann's most frequently performed works and is standard repertory of unaccompanied works for clarinet.[7] Zachary Woolfe from The New York Times wrote: "...sounding like the most beautiful circus music ever written."[10]

• Bettina Aust and Robert Aust, Bettina Aust – Deutscher Musikwettbewerb, Laureate 2015, Clarinet, Recorded at Ehemalige Sendestelle des Deutschlandradios, 16–19 October 2015, GENUIN classics, GEN 16432, 2016, compact disc. OCLC 987272763
• Eduard Brunner, Music for Solo Clarinet, Recorded in Studio 2, Bayerischer Rundfunk, Munich, 14–15 December 2009, Naxos, 8.572470, 2011, compact disc. OCLC 1080882095
• Stefan Neubauer, Solitary Changes, Recorded between 2012 and 2013, Orlando Records, or 0006, 2013. OCLC 887469607

• Fein, Markus (2005). Im Sog der Klänge – Gespräche mit dem Komponisten Jörg Widmann (in German). Mainz: Edition Neue Zeitschrift für Musik. ISBN 978-3-7957-0535-0.