Ferdinando de' Medici, Grand Prince of Tuscany

Ferdinando was born in the Palazzo Pitti to Cosimo III de' Medici and his wife Marguerite Louise d'Orléans, a granddaughter of Maria de' Medici. When Ferdinando's parents separated in 1675, his mother (who disdained her husband only slightly more than Florence did) returned to Paris, where she was supposed to be confined to a monastery in Montmartre. Ferdinando became a rebellious youth, who disagreed intensely with his father on every subject.[2] He was placed under the care of his grandmother, Vittoria della Rovere.

Ferdinando had a great affinity with his vivacious mother. He was handsome, a fine horseman, and a talented musician. He sang melodiously and played the harpsichord. He was a master in counterpoint, which he studied under Gianmaria Paliardi of Genoa, and in various bowed instruments, which he studied under Piero Salvetti. He was known for his ability to play a piece of music at sight[3] and then repeat it faultlessly without looking at the music.[4]

Aside from music, Ferdinando's other principal delight was in intimate liaisons and affairs, often with men. These included Petrillo, a musician famous for his beauty, and Cecchino, a Venetian castrato. Ferdinando's uncle Francesco Maria de' Medici, only three years older, was a strong influence on his life.

Anton Domenico Gabbiani, Prince Ferdinand and his musicians, 1685–90, Florence, Palatine Gallery of Palazzo Pitti

In 1689 Ferdinando married Violante of Bavaria, the daughter of the elector of Bavaria Ferdinand and Adelaide of Savoy. Although she also liked music and loved Ferdinando, her feelings were not requited and the marriage was unhappy and barren.

In 1696 Ferdinando sought recreation in Venice. He fell in love with a female vocalist called La Bambagia.[5] It is presumed that during the Carnival of Venice, Ferdinando contracted syphilis. Victoria Tarquini, called La Bombace, the wife of the concertmaster Jean-Baptiste Farinel became the mistress of Ferdinando. (She may have been a daughter of Robert Cambert and had an affair with Handel.[6])

By 1710 his health had begun to fail, and the annual operatic productions at Pratolino under his aegis (see below) ceased.

Ferdinando died in 1713, having fathered no children. His father continued to rule until 1723, and was succeeded on his death by Ferdinando's younger brother Gian Gastone, who likewise died childless. The lack of fecundity in the family ultimately led to a crisis: after Gian Gastone's death in 1737, the great powers of Europe reassigned the Grand Duchy to Francis, the husband of Maria Theresa, thus ending the independence of the Tuscan state.

Ferdinando's contemporary reputation rests on his role as patron of the arts. He was a connoisseur: he bought Madonnas by Raphael and Andrea del Sarto. He also patronised Giuseppe Maria Crespi, Anton Domenico Gabbiani and Sebastiano Ricci. Crespi was long employed by him at Pitti. Ferdinando organised the first public exhibition of fine arts to be held in Florence (1705, in the cloister of SS. Annunziata).[7] Among poets he befriended Vincenzo da Filicaja and Benedetto Menzini. Scipione Maffei's dedication to him of the Giornale de' Letterati (1710) is a proof of Ferdinando's widespread reputation.

Villa at Poggio a Caiano

But it was as a patron of music that Ferdinando was most distinguished. He owned the Villa di Pratolino, located some 12 km (7.5 mi) outside Florence, (now called the Villa Demidov after a later owner, Anatoly Nikolaievich Demidov, 1st Prince of San Donato) which was home to many musical activities. From the years 1679 to 1710, there were annual operatic productions there, generally held in September. At first these were held in the grand salon, but starting in 1696 in a new theatre built on the third floor at Ferdinando's instigation, designed by Antonio Maria Ferri.[8] Until 1686, the performances were supervised by Ferdinando's uncle Francesco Maria de' Medici; after that year (when Francesco Maria became a cardinal) they were Ferdinando's responsibility.[9]

Among the musicians Ferdinando invited to Florence were Alessandro and Domenico Scarlatti, Giacomo Antonio Perti, Giovanni Legrenzi, Giovanni Pagliardi, Carlo Pollaroli, Giuseppe Maria Orlandini, Benedetto Marcello and Bernardo Pasquini.[10] George Frederic Handel[11] and Alessandro Scarlatti probably played on the instruments either in the Palazzo Pitti, or in the Medicean country villa of Poggio a Caiano or at Pratolino. Antonio Salvi, the family doctor, wrote several librettos, used by Handel for his opera.[12] Handel's opera Rodrigo was first performed in Florence in 1708.

Ferdinando kept up correspondence with Alessandro Scarlatti about musical details in his operas, while producing five of his operas. In 1711 Antonio Vivaldi dedicated his L'estro Armonico to him. Handel and Corelli were well acquainted with Ferdinando's sister Anna Maria Luisa de' Medici; Corelli dedicated to her the 12 concerti grossi. Handel would visit her also in Düsseldorf during continental trips.

Arms of the grand prince

• 
  Grand Prince Ferdinando de Medici - Giovanni Battista Foggini - 1683 - The Metropolitan Museum of Art - New York City
• 
  Ferdinando II de' Medici, Grand Duke of Tuscany - Giovanni Battista Foggini - 1690 - National Gallery of Art, Washington, DC

• Cesati, Franco (2005). "The twillight of the dynasty". In Monica Fintoni, Andrea Paoletti (ed.). The Medici: Story of a European Dynasty. La Mandragora s.r.l. pp. 131–132.
• Holmes, William (1994) Opera observed: views of a Florentine impresario in the early eighteenth century. University of Chicago Press. ISBN 0226349713.