Floribunda (sculpture)
Floribunda is an outdoor 1998 bronze sculpture by American artist Mark Calderon, installed in Portland, Oregon, United States. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council, which administers the work.
Floribunda | |
---|---|
Artist | Mark Calderon |
Year | 1998 |
Type | Sculpture |
Medium | Bronze |
Location | Portland, Oregon, United States |
45.52067°N 122.67668°W | |
Owner | City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council |
Description
Mark Calderon's Floribunda (1998) is a bronze sculpture installed at the southwest corner of the intersection of Southwest 5th Avenue and Stark Street in the Portland Transit Mall. The sculpture, part of a series of works created by Calderon in the 1990s based on hairstyles found in 12th- and 13th-century Japanese Buddhist sculpture,[1] measures 23 inches (58 cm) x 23.5 inches (60 cm) x 23.5 inches (60 cm).[2] Floribunda is the only free-standing piece from the series, but according to the Regional Arts & Culture Council, which administers the work, "much of his work from that period was inspired by religious images of ancient cultures and consisted of larger than life-size pieces—head-like in form—meant to be displayed on a wall".[2] The sculpture is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.[3]
See also
References
- Koffman, Rebecca (January 11, 2013). "Go find the ginkgo, and other delights, with Portland apps". The Oregonian. Archived from the original on March 4, 2016. Retrieved September 7, 2015.
- "Public Art Search: Floribunda". Regional Arts & Culture Council. Archived from the original on April 11, 2016. Retrieved September 7, 2015.
- "Floribunda, 1998". cultureNOW. Archived from the original on March 4, 2016. Retrieved September 7, 2015.
External links
- Floribunda at the Public Art Archive
- Sculptures Hint of Serenity, Religion by Robin Updike (September 22, 1999), The Seattle Times