Forget the Night Ahead

The band entered the studio in January 2009 to begin recording new songs. At this time, vocalist James Graham told The Skinny, "The band had definitely moved on from Fourteen Autumns & Fifteen Winters, musically and lyrically. One thing that I can promise is that the lyrics are very dark, but you might have to look into them a bit to realise. They are mainly based around things that have happened to me over the past two years, revolving mainly around losing people and being none too proud or happy with myself about my antics and situations I've found myself in. So if you're looking for a record with a lot of hope and happy songs then fuck off, 'cause you won't find it here with us! Maybe on the third album when we all have coke and heroin addictions things will start to look a bit brighter!"[3]

The lyrics for the album were written during a two-month period after a close family member of Graham's died. "I didn't handle it very well at all, I started drinking far too much," said Graham in an interview with Planet Sound.[4]

About the recording process, guitarist and producer Andy MacFarlane said, "The recording was approached differently this time. We made a point of staying home to write. Writing on tour is a bad idea, so we stayed in Scotland for the full process. It let us go home after sessions – if we weren't getting snowed-in the studio – and we had more time to experiment and develop the ideas we had. We'd make a lot of use of an old, half-working, Roland Space Echo that we'd plug the vocals, noise strings and piano through, that would get an out-of-tune effect, like some of the early krautrock recordings. All the reverbs are natural, which were done by mic'ing up inside the studio walls and rooms on the other side of the building to get the drum sound. Three bass heads were blown up [in the process]. There are no big, long delayed guitars, just a lot more noisy ones and there were a few songs that maxed out the desk because of the amount that's on there!"[5]

About the different production style, Graham said, "We didn't want a polished pop record. The music just didn't lend itself to that style. Peter Katis did a great job mixing the first record, but we didn't want to repeat the sound. It's not being deliberately contrary to go darker, it's a broader record too."[4]

The album features a guest appearance by My Latest Novel's Laura McFarlane, who plays violin on "The Room" and "That Birthday Present".[5] She had previously collaborated with the band on the EP Here, It Never Snowed. Afterwards It Did. The album's title comes from a lyric in the song "Made to Disappear".

On 13 May 2009, "Reflection of the Television" premiered as a free download on Pitchfork.com.[6] On 3 August 2009, "I Became a Prostitute" was released as the first single in the UK. The video premiered on 3 July 2009 on The Line of Best Fit's website.[7] The album's second single was "Seven Years of Letters", released on 19 October 2009, and "The Room" was released as the third single on 5 April 2010.

"Made to Disappear" features the album title in its lyrics. Graham said, "The album title is autobiographical. It got to the stage where I just wanted each to day to end as quickly as it could, and I'd get drunk so I wouldn't have to face the night's reality."[8]

"The Neighbours Can't Breathe" first appeared as a live version on the 2008 compilation Killed My Parents and Hit the Road, under the title of "Untitled #28". It's the band's first song to have its title taken from a line of its lyrics.[8] An acoustic version of "The Room" was also included on the same compilation, with the title of "Untitled #27".

In September 2009, The Skinny published a track-by-track recount by guitarist Andy MacFarlane[9] that included notes about the writing and recording process, as well as the inspiration behind some of the song titles.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	(71/100)[10]
Review scores
Source	Rating
Allmusic	[11]
The A.V. Club	(B+)[12]
BBC	(very favourable)[13]
Drowned in Sound	(7/10)[14]
The Guardian	[15]
NME	(7/10)[16]
Pitchfork Media	(7.3/10)[17]
PopMatters	(6/10)[18]
The Skinny	[19]
Tiny Mix Tapes	[20]

Forget the Night Ahead was released to generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 based on reviews from mainstream critics, the album has received a favourable score of 71, based on 18 reviews.[10] Mojo awarded the album 4 out of 5 stars,[21] while The Onion's A.V. Club stated the album "show[s] a band capable of muscling up without losing a fascination with fragile, fleeting moments."[12]

The following people contributed to Forget the Night Ahead:[22]