Franklyn

Franklyn is a 2008 British science fantasy film written and directed by Gerald McMorrow as his debut feature. The film stars Eva Green, Ryan Phillippe, and Sam Riley.

Franklyn
Theatrical release poster
Directed byGerald McMorrow
Written byGerald McMorrow
Produced byJeremy Thomas
Starring
CinematographyBen Davis
Edited byPeter Christelis
Music byJoby Talbot
Production
companies
Distributed byeOne
Release dates
  • 16 October 2008 (2008-10-16) (LFF)
  • 27 February 2009 (2009-02-27) (United Kingdom)
Running time
95 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£6 million[1]

Franklyn had its world premiere at BFI London Film Festival on 16 October 2008, and was released in the United Kingdom on 27 February 2009, by eOne.

Plot

Emilia, a troubled art student living in London, believes her mother does not care about her. As a result, they have a terrible relationship.[2]

In a reality completely different from Emilia's, Jonathan Preest is the masked vigilante of Meanwhile City, a place where everyone is legally enforced to adopt a religion. Preest, the only atheist in town, learns that his nemesis, The Individual, has kidnapped a girl. While looking for her, he is captured by the local authorities. Promising to eventually release him, they bring Preest to an operating room to implant a homing device on him. Before they can do that, Preest fights his way out of the building.

In Emilia's world, during one of her arts projects, she records herself calling an ambulance and taking a deadly amount of pills. The ambulance arrives in time to save her, and she wakes up in a hospital.

In that same building, Peter, a man steeped in religion, is looking for his son David, who has become mentally unstable after returning from the war. He has been reported to be at that hospital before fleeing.[3]

After learning that the kidnapped girl has been killed by the Individual, Preest visits Wormsnake, his usual informant, and attacks him. With the excuse of wanting to arrange a meeting to talk things out, Preest gives Wormsnake a note with an address and tells him to give it to the Individual. He then hides in the building in front of the one referenced in the note and prepares his sniper rifle while awaiting the Individual.

Another one of Emilia's projects is following and recording strangers in secret, occasionally wearing a red wig as a disguise. One of the strangers, Milo, is a thirty something whose fiancée left him days before the wedding. Heartbroken, Milo starts believing an old friend from childhood, a red-haired woman named Sally, is everywhere he goes. He eventually talks to Sally, who looks a lot like Emilia, and arranges for a date at a restaurant. Milo later learns from his mother that Sally is imaginary; a character he constructed as a child while dealing with the death of his father. He nonetheless decides to go to the restaurant the night of the date.

At a shelter for the homeless, Peter meets Bill, an old acquaintance of David from his time in Basra. David recently attacked Bill and gave him a piece of paper with an address. Bill, who looks a lot like Wormsnake, fears David will kill him.

After a conversation with the hospital's religious janitor and another botched suicide attempt, Emilia decides to confront her mother. It turns out that, as a child, Emilia was abused by her father and told her mother about it. For her entire life, Emilia has thought that her mother did not believe her. Her mother reveals that she did believe Emilia, and that is why they left her father. The two women hug and reconcile.

Peter goes to the address in the piece of paper, which turns out to be the building where Emilia lives. Baffled, he decides to go to the restaurant in front of the building, the same where Milo is "dating" Sally.

David, who is Preest in the alternate reality, breaks into Emilia's apartment, hits her and uses her window to aim a rifle at his father in the restaurant below. In yet another suicide attempt, Emilia turns on a gas heater. It turns out that the Meanwhile City reality is a fantasy constructed by David after the trauma of both the war and losing his sister at a young age. When she died, Peter told David that her death was part of God's plan, in an attempt to reasure him. Peter's attitude had the opposite effect on David, who has resented his father ever since. Believing himself to be a hero, he shoots at the exact moment that Milo stands up to "kiss" Sally. The bullet ends up hitting Milo and makes everyone in the restaurant panic. Realizing what he has actually done, David commits suicide by igniting the gas causing an explosion that destroys the apartment. Emilia, who was running out of the apartment, is blown clear; she leaves the building and is spotted by Milo. As the paramedics arrive on the scene, Milo and Emilia meet and start talking.

Cast

Production

Writer-director Gerald McMorrow wrote the original science fiction script Franklyn as his feature debut. It depicts a similar dystopia to his 2002 short Thespian X.[10] In October 2006, actor Ewan McGregor was cast as the lead in the film, which was slated to begin production in summer 2007.[11] However, McGregor broke his leg in a biking accident in February 2007 during the second series of Long Way Round and was forced to leave the project.[12][13] Actors Eva Green, Ryan Phillippe, and newcomer Sam Riley were cast in Franklyn in September 2007.[8] Phillippe was the last to be cast in what McMorrow termed a 'now or never' situation, saying of their first meeting: "You have preconceptions about people... You expect the bleach-blond Californian kid and what you got was an incredibly erudite, brought-up-the-wrong-side-of-the-tracks Philadelphia actor. When I met him we did not stop talking all afternoon."[12]

McMorrow's visual inspiration for Meanwhile City came from the religious iconography he saw in Mexico City shopping malls.[12] He later explained: "The idea was that if you're going to have a capital city based on religion, you've got somewhere like Florence or Rome and send somewhere like that three miles into the sky... Part of Preest's delirium and fantasies are based on the religion surrounding him and comics he read and films he saw. He sort of pieces together a jigsaw of his own delusions."[12] Preest's mask was primarily influenced by Claude Rains' film of H. G. Wells' novel The Invisible Man. Preest also bears a resemblance to the character Rorschach in Watchmen, not only in terms of clothing but in terms of character.[12]

Franklyn had a budget of £6 million, of which £1 million was provided by the UK Film Council through its Premiere Fund. Production began on 24 September 2007 in and around London, and was completed by December 2007.[6][14] Major locations included an East End bar and Greenwich Naval College, where many of the CGI sequences were shot.[5] McMorrow described his approach, "I used an atypical and off-kilter background, and told a story that wouldn't normally be told. The film was set around some tricky locations but we managed to shoot it."[15] The film entered post-production by April 2008.[16]

Reception

Franklyn opened to mixed reviews, receiving a 57% Fresh rating on Rotten Tomatoes. Rights to Franklyn were purchased from sales and financier HanWay Films by Contender Films for the United Kingdom, and Seville Pictures for Canada, with both distributors operating under their parent company Entertainment One.[16] Franklyn premiered at the 52nd London Film Festival on 16 October 2008.[17] The film was released theatrically in the United Kingdom on 27 February 2009.[18]

Dave Calhoun of Time Out opined: "Produced by British industry veteran Jeremy Thomas, McMorrow’s admirable if not entirely coherent debut follows the lives of four people in and around London who are attempting to cope with various crises in their lives, from a relationship break-up and the search for a missing son to the psychological after-effects of military service. The film treads a fine line between realism and fantasy, occasionally dipping out of the world as we know it to visit a seductively strange vision of the capital that appears part-futuristic and part-medieval (and which gives the film its name). Riley follows Control by leaning heavily on middle-distance stares and up-turned collars, while Green is a troubled art student with a good line in haute couture, and Philippe is a troubled ex-soldier. The main problem is that by the time this tricksy film finally plays its hand, many viewers may already have been lost at the wayside."[19]

Derek Elley of Variety thought the premise better suited to a novella rather than a feature film, believing that Franklyn lacked an emotional payoff. Elley criticized the script for not developing the ideas it introduced and for lacking background on the characters. The critic also considered Phillippe and Riley to be poor casting in their roles, while Green could not present her dual roles dramatically.[4] Jason Solomons of The Observer reviewed the film, "The visual style is impressive but the storylines are thin and the characters all extremely irritating."[20] Fionnuala Halligan of Screen International weighed in: "It's unusual in the current film-making climate to see an independent director making such an ambitious debut as Gerald McMorrow's Franklyn. He aims high, visually and conceptually, but a more experienced director would have trouble finding the right tone to pull this intricate plot off. Notices should be at least encouraging: McMorrow has pulled off a very handsome look on a limited budget."[21]

References

  1. "Franklyn-UK Box Office". Box Office Mojo.
  2. "FRANKLYN (Film Review)". Archived from the original on 7 October 2009. Retrieved 2 October 2009.
  3. "Franklyn Movie Review". FilmFour. Retrieved 15 January 2009.
  4. Elley, Derek (21 October 2008). "Franklyn Movie Review". Variety. Retrieved 15 January 2009.
  5. Utichi, Joe (27 November 2007). "Exclusive: RT Visits the Set of Franklyn". Rotten Tomatoes. IGN Entertainment, Inc. Retrieved 11 March 2008.
  6. Spelling, Ian (5 December 2007). "Green Completes Franklyn". Sci Fi Wire. Sci Fi Channel. Archived from the original on 2 March 2009. Retrieved 11 March 2008.
  7. Johnson, G. Allen (2 December 2007). "Role as flying witch lifts Green's profile". San Francisco Chronicle. Retrieved 11 March 2008.
  8. Thomas, Archie (20 September 2007). "Phillippe, Green, Riley join 'Franklyn'". Variety. Retrieved 21 September 2007.
  9. "Franklyn – review | cast and crew, movie star rating and where to watch film on TV and online". Radio Times. Retrieved 4 January 2018.
  10. "Thespian X". ftvdb.bfi.org.uk. British Film Institute. Archived from the original on 16 January 2009. Retrieved 17 February 2009.
  11. Dawtrey, Adam (31 October 2006). "McGregor lands in future". Variety. Retrieved 21 September 2007.
  12. Reynolds, Simon. "Gerald McMorrow ('Franklyn')", "Digital Spy", 27 February 2009.
  13. Young, Fiona (25 February 2007). "Exclusive: Ewan Pain? Exclusive Star Breaks Leg In Bike Smash". The Sunday Mail. Retrieved 16 February 2009.
  14. Kemp, Stuart (21 September 2007). "Riley on board McMorrow's 'Franklyn'". The Hollywood Reporter. Retrieved 21 September 2007.
  15. Pambrun, Chris (4 October 2008). "New directions". The Times.
  16. Kemp, Stuart (1 April 2008). "Contender takes 'Franklyn,' 'Eddie' from HanWay". The Hollywood Reporter. Retrieved 23 April 2008.
  17. "Franklyn". London Film Festival. British Film Institute. Archived from the original on 14 September 2008. Retrieved 14 October 2008.
  18. "New Franklyn Artwork". ComingSoon.net. Coming Soon Media, L.P. 14 January 2009. Retrieved 16 January 2009.
  19. Calhoun, Dave (27 November 2008). "Franklyn". Time Out. Archived from the original on 2 March 2009. Retrieved 12 January 2009.
  20. Solomons, Jason (19 October 2008). "London Film Festival: All the president's close-ups". The Observer.
  21. Halligan, Fionnuala (29 October 2008). "Franklyn". Screen International. Archived from the original on 5 March 2009. Retrieved 8 January 2009.
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