From the Ladle to the Grave

From the Ladle to the Grave is the third album by Minneapolis Celtic rock band Boiled in Lead. It was the band's first recording with drummer Robin Adnan Anders, whose influence helped push the band further beyond Celtic rock into explorations of other world traditions. These included Bulgarian, Russian-Jewish, and Turkish music, as well as their version of The Hollies’ “Stop! Stop! Stop!” which interpolated a traditional Egyptian melody.[13] The song "Cuz Mapfumo" simultaneously paid tribute to Chicago-based Irish musician Cuz Teahan and Zimbabwean Thomas Mapfumo.[4]

From the Ladle to the Grave
Studio album by Boiled in Lead
Released	1989
Genre	Celtic rock/Celtic punk, folk punk, gypsy punk
Label	Atomic Theory/Cooking Vinyl
Producer	Willie Murphy and Boiled in Lead
Boiled in Lead chronology
Hotheads (1987) From the Ladle to the Grave (1989) Orb (1990)

Professional ratings

Review scores
Source	Rating
Allmusic	[1]
Guinness Encyclopedia of Popular Music	[2]
MusicHound Folk	[3]
Chicago Tribune	[4]
The Guardian	(positive)[5]
Washington Post	(positive)[6]
St. Paul Pioneer Press Dispatch	[7]
Folk Roots	(positive)[8]
Irish Voice	(positive)[9]
New Musical Express	[10]
Q	[11]
Puncture Magazine	(positive)[12]
Green Man Review	(positive)[13]

Previous Boiled in Lead albums had consisted entirely of traditional folk and world-music songs, though the band often arranged the songs in nontraditional, harder-rocking ways. Ladle contained Boiled in Lead's first original compositions, "The Microorganism" and "Pig Dog Daddy." Both were written by lead singer Todd Menton, who cited the influence of Billy Bragg and Richard Thompson as songwriters who had successfully fused folk and rock/pop.[14] Menton began writing "The Microorganism," a mournful ballad about the devastation of AIDS, six years before its appearance on Ladle.[15]

The song "My Son John" is a variant of the traditional Irish antiwar ballad "Mrs. McGrath."[16] In an article on the history of the Napoleon-era song, Sing Out! critic Steven L. Jones singled out Boiled in Lead's rendition as a skillful modernization that also stayed true to the song's politics and "underlying rage and terror."[16] The band's version of the song is dedicated to antiwar activist S. Brian Willson, whose legs were cut off when he was struck by a munitions train during a Reagan-era protest of arms shipments to Central America.[16]

The album won a Minnesota Music Award for Album/CD of the Year in 1989.[1]