G. Gabrielle Starr

Starr grew up in Tallahassee, Florida. She began college at Emory University at age 15, where she earned her bachelor's and master's degrees in women's studies in 1993. She then studied at the University of St Andrews in Scotland as a Robert T. Jones Scholar. From there, she earned a Ph.D. in English literature from Harvard University in 1999.

After receiving her doctorate, Starr decided to retrain in cognitive neuroscience, supported by a New Directions Fellowship awarded by the Andrew W. Mellon Foundation.[5] She completed a postdoctoral fellowship at the California Institute of Technology,[2] exploring techniques from cognitive neuroscience.

She joined the faculty at New York University (NYU) in 2000 and became the acting dean of the College of Arts and Science in 2011 and dean suo jure in 2013.[6][7]

With Susanne Wofford and faculty at NYU, in 2015 Starr co-founded a liberal arts prison education program at Wallkill Correctional Facility in New York State. In addition, Starr, in collaboration with the Borough of Manhattan Community College, initiated a STEM preparation and transfer program, P.O.I.S.E.,[8] to provide promising students with support, mentorship, and financial access to encourage them to undertake a bachelor's degree in STEM subjects at NYU.

In 2016 she was selected to be the 10th President of Pomona College, a position she assumed on July 1, 2017.[3] She is a proponent of affirmative action.[9][10] As of 2020, her yearly compensation was valued at $685,672.[11]

Starr's research is highly interdisciplinary,[12] combining literary scholarship, empirical aesthetics, psychology, and cognitive neuroscience. Her book Feeling Beauty,[13] offered an initial model of aesthetic experience that relies on a network of interconnected neural structures. Feeling Beauty was shortlisted for the Christian Gauss Award of Phi Beta Kappa in 2014.[14] Her most recent book, Just in Time, [15] continues this work, proposing that the goals individuals take to aesthetic encounters combine with the cognitive demands of aesthetic objects to determine the time course of aesthetic experiences and the neural systems that underpin them.

Her research uses functional magnetic resonance imaging to understand the neural basis of aesthetic experiences, providing evidence that the default mode network is involved in the representation of aesthetic appeal.[16][17][18] She has published articles in journals including Modern Philology, Eighteenth-Century Fiction, Eighteenth-Century Studies, Proceedings of the National Academy of Sciences, Cognition, Neuron, NeuroImage, and Psychology of Aesthetics, Creativity, and the Arts.