George Venables-Vernon, 5th Baron Vernon

Portrait of his mother, Frances Maria Warren, between c. 1820 and c. 1830

Vernon was born at Stapleford Hall in Nottinghamshire, the only son of George Charles Venables-Vernon, 4th Baron Vernon (1779–1835) of Sudbury, Derbyshire, and Frances Maria Warren, only daughter of Admiral Sir John Borlase Warren. Sir Richard Vernon, Speaker of the House of Commons from 1425 to 1426, was an ancestor. He was educated at Eton College and Christ Church, Oxford.[3]

Vernon was commissioned as Captain of the Burton-on-Trent Troop of the Staffordshire Yeomanry on 5 June 1830. In October 1832 he rushed up from London when he heard that his Troop had been called out to Derby, where serious rioting had occurred. He resigned his commission in 1839. [4][5][6]

He was an expert rifle-shot and an energetic supporter of the Volunteer movement for which he raised the 2nd (Sudbury) Derbyshire Rifle Volunteer Corps of two companies in 16 March 1860.[7]

Italy

One of the many manuscripts obtained for the Baron's collection. This one is by Ugolino Verno, from 1496.

As a youth, Vernon was taken to Italy, and later returned to live in Florence, where he studied the Italian language and history. His whole life was devoted to Dante, to whom he erected a noble literary monument. With the advice and help of friends and collaborators,[8] he printed (though not for sale) some then unedited texts and two important works. The first of these was Le prime quattro Edizioni della Divina Commedia letteralmente ristampate, London, 1858, a careful reprint of the first editions of Dante's Divine Comedy, edited by Sir Anthony Panizzi with a learned preface. This was followed by a remarkable publication, L' Inferno di Dante Alighieri disposto in ordine grammaticale e corredato di brevi dichiarazioni di G. G. Warren, Lord Vernon, London, 1858–1865, 3 vols. folio, of which only a limited number of copies were issued for private circulation.

The latter work was described by Henry Clark Barlow as one "which, for utility of purpose, comprehensiveness of design, and costly execution, has never been equalled in any country."[9] Some of the most distinguished artists and men of letters in Italy were occupied for twenty years in its preparation. The first volume includes the text of the Inferno with many unpublished documents; and the third volume, which appeared after Lord Vernon's death, contains 112 original engravings of incidents in the Inferno, views of towns, castles, and other localities mentioned therein, as well as portraits, paintings, plans, and historical monuments illustrating the history of the fourteenth century.[1]

Vernon married twice. On 30 October 1824, he married his first wife, Isabella Caroline, daughter of Cuthbert Ellison of Hebburn, Durham, who bore him two sons and three daughters:[3]

• Hon. Caroline Maria Warren Venables-Vernon (1826–1918), married the Rev. Frederick Anson, canon of Windsor and rector of Sudbury
• Augustus Henry Warren Venables-Vernon (1829–1883), succeeded as 6th Baron Vernon
• Hon. Adelaide Louisa Warren Venables-Vernon (1831–1913), married Admiral Sir Reginald Macdonald
• Hon. William John Borlase Warren Venables-Vernon (1834–1919), married Agnes Lucy Boileau, daughter of John Boileau, 1st Bt.
• Hon. Louisa Warren Venables-Vernon (1838–1898), married the Rev. Thomas Parry Garnier

He remarried on 14 December 1859, to his cousin, Frances Emma Maria, only daughter of the Rev. Brooke Boothby, who survived him but was childless.[1]

During his prolonged visits to Italy and Florence, Lord Vernon initiated a relationship to a young girl by the name of Louise Charlotte Anette Lavoignat and bore four daughters by her: Maria Louise born 1843, Vittoria Alice born 1845, Heloise Tommasine born 1846 and Georgina Jeanne Margheret, married with Augusto Agostini in Geneve on November 26, 1853. Georgina bore two sons: Corradina-Eugenia-Nelly, born in Cairo, and Paolo Alberto Raoul, born in Nizza, March 25, 1865.[10]

After a long illness, Vernon died at Sudbury Hall, the family seat, near Derby, on 31 May 1866 aged 62.

An engraved portrait of Vernon is in the album of his Inferno. Besides the two works above mentioned, he also printed :

• L'Inferno, secondo il testo di B. Lombardi con ordine e schiarimento per uso dei forestieri di L. V., Florence, 1841, 8vo (only the first seven cantos; a foreshadowing of his great work on the 'Inferno').
• Petri Allegherii super Dantis ipsius genitoris comoediam commentarium, Florence, 1846, 8vo (edited by Vincenzo Nannucci).
• Chiose sopra Dante, testo inedito, ora per la prima volta pubblicato, Florence, 1846, 8vo (commonly known as II falso Boccaccio).
• II Febusso e Breusso, poema ora per la prima volta pubblicato, Florence, 1847, 8vo (a romanzo cavalleresco).
• Chiose alia Cantica dell' Inferno di Dante Allighieri attribuite a Jacopo suo figlio, Florence, 1848, 8vo.
• Comento alia cantica di Dante Allighieri di autore anonimo, Florence, 1848, 8vo (the oldest commentary on the Inferno in existence, probably written about 1328). He had intended to print the famous Latin commentary of Benvenuto da Imola, delivered as public lectures at Bologna about 1375; but this work was carried out by his second son, William Warren Vernon, in 1887, 5 vols. 4to, under the editorship of Sir J. P. Lacaita.[1]

• The Divine Comedy

• Hansard 1803–2005: contributions in Parliament by George Venables-Vernon